Thunder Revenant

Yet still almost everything he did with Lana after NFR are non-committing, muddy sounding songs that sound like Solar Power

Didn't he scrap all music submissions to the soundtrack as he only wanted "authentic" music in the movie?

New track tomorrow!

The delusion of thinking that Peppers - a song that consists of asynchronous layered harmonies and babbling for one third of its runtime - could have been a charts track 💀

I mean - they did not though? You feeling adressed by posts does not mean they are directed personally towards you

Which is what you just did with their post though? Lana was never doing "conventional pop songs" if we leave out leaked unreleased stuff. Even BtD was not conventional nack im 2012.

I'd like an album that is a bit more "polished" again. Not necessarily pop-production/ BtD style, but a sound like HM would be great. Also, it would be cool to have her songs be a bit more "focussed" again. The experimental, artistic stuff is nice and everything, but the all-over-the-place-ness of tracks like Peppers, Black Bathing Suit, Margaret or Taco Truck X VB is ... not something I personally long for. I think an album with big orchestral sound would be great. Specifically thinking of large string arrangements. Imagine ballads like DYKTTATUOB, IYLDWM or Arcadia but with major orchestral elements, some extra instrumental bridges, ... Something along the lines of Ane Brun's "Last Breath", Angel Olsens "Chance" or "You Won't Forget Me" by Melody Gardot

Oooh where did thst interesting info came from?

After hearing Life Lesson and the entirety of this autotune heavy album, I'm definitely less enthusiastic about any further collabs ...

I hope we can get an album that's a bit less cringy when it comes to lyrics. I like her music but her always going 100% narcissist and never coming off her high horse is so annoying. The woman literally published a song called "Hold No Grudge" and sings about people "talking shit about old friends" with contempt when at least 80% of the tracks on Solar Power are her singing about how she is better and wiser and braver and more aware than anyone else and how everyone should basically be ashamed of not being as gorg as she is.

Hey Baby Blue ... i Must Be Stupid ... Y'all constantly complain about "boring piano flops" and now you crave boring guitar flops 💀

The whole "heaven & hell" stuff is so boring and overused though

Weyes Blood "God Turn Me Into A Flower". Also check out Wendy McNeill's record "First There Were Feathers" or "Floating Into The Night" by Julee Cruise

Sylvie Kreusch has some songs that sound very Lana-esque, especially "Wild Love" and "Shangri-La" It's the kind of energy that HM demos/ LFL outtakes had. Widowspeak's "True Blue" has a slight Lizzy Grant/ May Jailer vibe. "American Darkness" by Chelsea Wolfe feels like something Lana could have done more recently.

What happened to those million ideas after NFR?

I mean yeah it's rude and unnecessary, but its just one random post in an instagram feed with 16 comments. There are always haters and I do not think Lana really cares. Especially not for comments like that particular one

Are y'all actually upset about some random accounts rude comment or just using the occasion to distinguish yourself as the real fans

The video is pretty and the concept is cool but the way it was executed is far too chaotic and all-over-the-place

Love the video, love the song - really excited for this album

OB is out since March, what use would it be to promote it now? Better to have a chance of getting new music sooner

No

Would be nice to have an album which has a tracklist of full songs as opposed to every second or third track being some sort of experimental 2.01min interlude

I'd love an album with jazz inspiration, something like the Arcadia-soundcheck she did lately

I really do not want Jack as the main producer for LDR 10. I LOVE NFR and I think his impact on this great album can't be denied. However, I feel like the reason for this is that that album thrives on the newly discovered chemistry between Jack and Lana, they inspired each other a lot and therefore created something exciting and new (similar to what habend with Dan Auerbach for UV). This spark is however missing from a lot of the stuff they did afterwards. You can still hear it on standout tracks like White Dress or A&W - but both of these were tracks Lana and Jack singled out as exciting collaborations themselves. For most of the rest of their work together, it feels more like Lana had hin since she likes him and feels comfortable working with him. But that also meant he gave the "standard Antonoff treatment" to her demos and - at least in my opinion - that leads to a rather bleak and unexciting output. When Lana worked with Rick as her "comfort zone producer", it still felt like he was giving the songs a much more unique, Lana-specific sound. Jack on the other hand has a temdency of making everything sound alike, with a kinda vague and non-committing quality.

Honest question - when did Radio became so popular?