PARADIXO

Ehh I'm not really feeling the title... idk it's just so basic but I still like her description. As long as the music is good, I'm happy
 
 
Fucking educate him!!

no :/

Exactly what she described 

DEAD OMG

Born to Die is the fourth best selling major label debut album by a female singer this decade in the US!

 

1. Pink Friday by Nicki Minaj - 1.9M

2. Animal by Kesha - 1.4M

3. Pure Heroine by Lorde - 1.3M

4. Born to Die by Lana Del Rey - 1.1M

5. Lovestrong by Christina Perri - 477k

6. Yours Truly by Ariana Grande - 473k

7. Late Nights & Early Mornings by Marsha Ambrosius - 458k

8. Same Trailer Different Park by Kacey Musgraves - 448k

9. Stars Dance by Selena Gomez - 381k

10. Lindsey Stirling by Lindsey Stirling - 368k

 

Wow at Born to Die being the only iconic album tho

DEAD OMG

DEAD OMG

I really like it as an album name, but yeah you're right.

I love love loveeeeeee this record. I'm not sure how to explain how I feel about it really, which just goes to show how great it is. It's like no other album I've ever heard in all the best ways.

"I'd rather know what God knows"
 
"Kill Kill" and "Jump" are works of a Knower for sure

I think that one of the main strong points of the album is that there is a lot of different moods going on, but they're all so cohesive together. You have the broken Lana in Pawn Shop Blues adjacent to the Lolita-esque Put Me In The Movie. Suicid storytelling is juxtaposed in Jump with the romanticising of For K Part 2. The album is a masterpiece, can't rate it highly enough.

Second favourite album of Lana's (behind UV)
But this record has my favourite song of all time: Gramma. It's just so easy to listen to whatever mood I'm in. Idk how to explain it but the chorus can switch from being my defiant anthem, my vulnerable sing along or just my jam. I'm not explaining it well but it just has this quality that can warp itself to suite me at any time.

This album is so incredibly DIVERSE and UNIQUE. Nothing like this exists.
This was Lana's sign of pushing musical, lyrical, and artistic boundaries within popular music.
 
Every single song is a knockout, to be honest. A.K.A. has flawless continuity, yet you can easily differentiate each track.
The lyrics, while not as strong or poetic as Sirens, still paint a beautiful Americana image and nostalgic feelings.
 
The album is a fusion of so many different genres and influences.
There's indie, pop, rock, folk, and electronica.
 
She created an image and a name for herself with Lana Del Ray.
 
One of her best works to date, in my opinion. I prefer it over Born To Die.
 
Favorite tracks:
For K Part 2
Queen of the Gas Station
Kill Kill
Jump
Raise Me Up

First of all, the opening summary of this thread is well written and thought out, so thank you for that. I thought Ultraviolence was my favorite release from Lana, but I now believe that this album, as a whole, albeit tracks like Gramma and Mermaid Hotel, that I need to revisit, is my favorite. I cannot believe how great of a work it is, and how it has been overlooked by those outside of the Lana-sphere. The fact that it is still an unknown work to many is confusing.
 
 
My favorite songs from the album are Kill Kill and Jump. "Kill, Kill" is the type of song that makes you want to rock your hips and dance in a sultry way.
 
That darn line, "Palm trees in black and white; last thing I saw before I died"
is iconic because, to me, it somehow embodies the entire dark theme of the album, though it is delivered in an airy, unassumingly light way. What a work, Lana!

Kill Kill is a fucking beautiful song. one of my all time faves for sure.

Elizabeth Grant's debut album Lana Del Ray, also known as Lana Del Ray a.k.a. Lizzy Grant, was released five years ago! The album, released by indie label 5 Points Records, was produced by Grammy winner David Kahne (Paul McCartney, Regina Spektor, Tony Bennett, etc). Lana Del Ray is a sexy, dark and moody combination between indie rock and indie pop with blues, jazz and electronica influences, making it her most diverse record. The first track, "Kill Kill", sets the mood of the whole album — a creepy, melancholic, tropical fantasy with weird lyrics such as "I'm in love with a dying man." Beginning with the indie rock thing, "Queen of the Gas Station" is an up-tempo song about wanting a simple but at the same time romantic relationship. "Oh Say Can You See" is a great proof that Lana Del Rey can sing. The super melancholic, blues-influenced ballad features one of her best vocal performances; you really can feel the pain and loneliness in her voice, especially when she cites one of Nirvana's classics, "Come As You Are". The mid-tempo electronica track "Gramma" is a lyrical masterpiece and its sound is just magical with those accordions and trip hop drums. "For K, Pt. 2" is one of Lana's sexiest songs ever. With a jazzy blues rock production and a marvelous chorus, "For K, Pt. 2" is, clearly, a highlight. "Palm trees in black and white, last thing I saw before I died" may be of the most popular lines between her fans. "Jump" feels powerful and probably cinematic because of that simple yet incredible line. The jazzy "Mermaid Motel" is Lana Del Ray's darkest, sexiest, weirdest, most mysterious and well-produced track. The lyrics are just incredibly exotic and the progressive production makes it even creepier. Truly a masterpiece. "Raise Me Up (Mississippi South)" is an amazing indie rock piece about feeling the power to "talk what you want" and "how you want". After this sonic monster, "Pawn Shop Blues"' first chords take you to a different place — a different side of the artist and the album where everything is just calm, extremely sad or melancholic and sincere, with painful lines such as "It's nice to love and be loved but I'd rather know what God knows." Along with "Mermaid Motel", "Brite Lites" is another super weird song about, probably, breaking up. The most Lolita-inspired song on Lana Del Ray, "Put Me In a Movie" features one of the loveliest melodies and vocal performances, which is just creepy since she's singing "Come on, you know you like little girls." The production is incredible, too. "Smarty" is Lana Del Ray's "Fucked My Way Up to the Top" — sexy, shady and clever, but this one is probably better. The bridge is, without a doubt, an album's highlight. The last song is the fan-favorite "Yayo", a super romantic, sad, cinematic stripped-down ballad with one of her best lyrics ever. Everything about this song is perfect; the emotion in her voice, the atmospheric production, the piano and the amazing "Hello, Heaven" part. "Yayo" defines what Lana Del Rey is — sonically, lyrically and thematically. Surely one of the best masterpieces.

 



 



 



 

What's your favorite song? Least favorite? Do you like the album?

Elizabeth Grant's debut album Lana Del Ray, also known as Lana Del Ray a.k.a. Lizzy Grant, was released five years ago! The album, released by indie label 5 Points Records, was produced by Grammy winner David Kahne (Paul McCartney, Regina Spektor, Tony Bennett, etc). Lana Del Ray is a sexy, dark and moody combination between indie rock and indie pop with blues, jazz and electronica influences, making it her most diverse record. The first track, "Kill Kill", sets the mood of the whole album — a creepy, melancholic, tropical fantasy with weird lyrics such as "I'm in love with a dying man." Beginning with the indie rock thing, "Queen of the Gas Station" is an up-tempo song about wanting a simple but at the same time romantic relationship. "Oh Say Can You See" is a great proof that Lana Del Rey can sing. The super melancholic, blues-influenced ballad features one of her best vocal performances; you really can feel the pain and loneliness in her voice, especially when she cites one of Nirvana's classics, "Come As You Are". The mid-tempo electronica track "Gramma" is a lyrical masterpiece and its sound is just magical with those accordions and trip hop drums. "For K, Pt. 2" is one of Lana's sexiest songs ever. With a jazzy blues rock production and a marvelous chorus, "For K, Pt. 2" is, clearly, a highlight. "Palm trees in black and white, last thing I saw before I died" may be of the most popular lines between her fans. "Jump" feels powerful and probably cinematic because of that simple yet incredible line. The jazzy "Mermaid Motel" is Lana Del Ray's darkest, sexiest, weirdest, most mysterious and well-produced track. The lyrics are just incredibly exotic and the progressive production makes it even creepier. Truly a masterpiece. "Raise Me Up (Mississippi South)" is an amazing indie rock piece about feeling the power to "talk what you want" and "how you want". After this sonic monster, "Pawn Shop Blues"' first chords take you to a different place — a different side of the artist and the album where everything is just calm, extremely sad or melancholic and sincere, with painful lines such as "It's nice to love and be loved but I'd rather know what God knows." Along with "Mermaid Motel", "Brite Lites" is another super weird song about, probably, breaking up. The most Lolita-inspired song on Lana Del Ray, "Put Me In a Movie" features one of the loveliest melodies and vocal performances, which is just creepy since she's singing "Come on, you know you like little girls." The production is incredible, too. "Smarty" is Lana Del Ray's "Fucked My Way Up to the Top" — sexy, shady and clever, but this one is probably better. The bridge is, without a doubt, an album's highlight. The last song is the fan-favorite "Yayo", a super romantic, sad, cinematic stripped-down ballad with one of her best lyrics ever. Everything about this song is perfect; the emotion in her voice, the atmospheric production, the piano and the amazing "Hello, Heaven" part. "Yayo" defines what Lana Del Rey is — sonically, lyrically and thematically. Surely one of the best masterpieces.

 



 



 



 

What's your favorite song? Least favorite? Do you like the album?

Thank you
 
 
       

Elizabeth Grant's debut album Lana Del Ray, also known as Lana Del Ray a.k.a. Lizzy Grant, was released five years ago! The album, released by indie label 5 Points Records, was produced by Grammy winner David Kahne (Paul McCartney, Regina Spektor, Tony Bennett, etc). Lana Del Ray is a sexy, dark and moody combination between indie rock and indie pop with blues, jazz and electronica influences, making it her most diverse record. The first track, "Kill Kill", sets the mood of the whole album — a creepy, melancholic, tropical fantasy with weird lyrics such as "I'm in love with a dying man." Beginning with the indie rock thing, "Queen of the Gas Station" is an up-tempo song about wanting a simple but at the same time romantic relationship. "Oh Say Can You See" is a great proof that Lana Del Rey can sing. The super melancholic, blues-influenced ballad features one of her best vocal performances; you really can feel the pain and loneliness in her voice, especially when she cites one of Nirvana's classics, "Come As You Are". The mid-tempo electronica track "Gramma" is a lyrical masterpiece and its sound is just magical with those accordions and trip hop drums. "For K, Pt. 2" is one of Lana's sexiest songs ever. With a jazzy blues rock production and a marvelous chorus, "For K, Pt. 2" is, clearly, a highlight. "Palm trees in black and white, last thing I saw before I died" may be of the most popular lines between her fans. "Jump" feels powerful and probably cinematic because of that simple yet incredible line. The jazzy "Mermaid Motel" is Lana Del Ray's darkest, sexiest, weirdest, most mysterious and well-produced track. The lyrics are just incredibly exotic and the progressive production makes it even creepier. Truly a masterpiece. "Raise Me Up (Mississippi South)" is an amazing indie rock piece about feeling the power to "talk what you want" and "how you want". After this sonic monster, "Pawn Shop Blues"' first chords take you to a different place — a different side of the artist and the album where everything is just calm, extremely sad or melancholic and sincere, with painful lines such as "It's nice to love and be loved but I'd rather know what God knows." Along with "Mermaid Motel", "Brite Lites" is another super weird song about, probably, breaking up. The most Lolita-inspired song on Lana Del Ray, "Put Me In a Movie" features one of the loveliest melodies and vocal performances, which is just creepy since she's singing "Come on, you know you like little girls." The production is incredible, too. "Smarty" is Lana Del Ray's "Fucked My Way Up to the Top" — sexy, shady and clever, but this one is probably better. The bridge is, without a doubt, an album's highlight. The last song is the fan-favorite "Yayo", a super romantic, sad, cinematic stripped-down ballad with one of her best lyrics ever. Everything about this song is perfect; the emotion in her voice, the atmospheric production, the piano and the amazing "Hello, Heaven" part. "Yayo" defines what Lana Del Rey is — sonically, lyrically and thematically. Surely one of the best masterpieces.

 



 



 



 

What's your favorite song? Least favorite? Do you like the album?

Elizabeth Grant's debut album Lana Del Ray, also known as Lana Del Ray a.k.a. Lizzy Grant, was released five years ago! The album, released by indie label 5 Points Records, was produced by Grammy winner David Kahne (Paul McCartney, Regina Spektor, Tony Bennett, etc). Lana Del Ray is a sexy, dark and moody combination between indie rock and indie pop with blues, jazz and electronica influences, making it her most diverse record. The first track, "Kill Kill", sets the mood of the whole album — a creepy, melancholic, tropical fantasy with weird lyrics such as "I'm in love with a dying man." Beginning with the indie rock thing, "Queen of the Gas Station" is an up-tempo song about wanting a simple but at the same time romantic relationship. "Oh Say Can You See" is a great proof that Lana Del Rey can sing. The super melancholic, blues-influenced ballad features one of her best vocal performances; you really can feel the pain and loneliness in her voice, especially when she cites one of Nirvana's classics, "Come As You Are". The mid-tempo electronica track "Gramma" is a lyrical masterpiece and its sound is just magical with those accordions and trip hop drums. "For K, Pt. 2" is one of Lana's sexiest songs ever. With a jazzy blues rock production and a marvelous chorus, "For K, Pt. 2" is, clearly, a highlight. "Palm trees in black and white, last thing I saw before I died" may be of the most popular lines between her fans. "Jump" feels powerful and probably cinematic because of that simple yet incredible line. The jazzy "Mermaid Motel" is Lana Del Ray's darkest, sexiest, weirdest, most mysterious and well-produced track. The lyrics are just incredibly exotic and the progressive production makes it even creepier. Truly a masterpiece. "Raise Me Up (Mississippi South)" is an amazing indie rock piece about feeling the power to "talk what you want" and "how you want". After this sonic monster, "Pawn Shop Blues"' first chords take you to a different place — a different side of the artist and the album where everything is just calm, extremely sad or melancholic and sincere, with painful lines such as "It's nice to love and be loved but I'd rather know what God knows." Along with "Mermaid Motel", "Brite Lites" is another super weird song about, probably, breaking up. The most Lolita-inspired song on Lana Del Ray, "Put Me In a Movie" features one of the loveliest melodies and vocal performances, which is just creepy since she's singing "Come on, you know you like little girls." The production is incredible, too. "Smarty" is Lana Del Ray's "Fucked My Way Up to the Top" — sexy, shady and clever, but this one is probably better. The bridge is, without a doubt, an album's highlight. The last song is the fan-favorite "Yayo", a super romantic, sad, cinematic stripped-down ballad with one of her best lyrics ever. Everything about this song is perfect; the emotion in her voice, the atmospheric production, the piano and the amazing "Hello, Heaven" part. "Yayo" defines what Lana Del Rey is — sonically, lyrically and thematically. Surely one of the best masterpieces.

 



 



 



 

What's your favorite song? Least favorite? Do you like the album?

Elizabeth Grant's debut album Lana Del Ray, also known as Lana Del Ray a.k.a. Lizzy Grant, was released five years ago! The album, released by indie label 5 Points Records, was produced by Grammy winner David Kahne (Paul McCartney, Regina Spektor, Tony Bennett, etc). Lana Del Ray is a sexy, dark and moody combination between indie rock and indie pop with blues, jazz and electronica influences, making it her most diverse record. The first track, "Kill Kill", sets the mood of the whole album — a creepy, melancholic, tropical fantasy with weird lyrics such as "I'm in love with a dying man." Beginning with the indie rock thing, "Queen of the Gas Station" is an up-tempo song about wanting a simple but at the same time romantic relationship. "Oh Say Can You See" is a great proof that Lana Del Rey can sing. The super melancholic, blues-influenced ballad features one of her best vocal performances; you really can feel the pain and loneliness in her voice, especially when she cites one of Nirvana's classics, "Come As You Are". The mid-tempo electronica track "Gramma" is a lyrical masterpiece and its sound is just magical with those accordions and trip hop drums. "For K, Pt. 2" is one of Lana's sexiest songs ever. With a jazzy blues rock production and a marvelous chorus, "For K, Pt. 2" is, clearly, a highlight. "Palm trees in black and white, last thing I saw before I died" may be of the most popular lines between her fans. "Jump" feels powerful and probably cinematic because of that simple yet incredible line. The jazzy "Mermaid Motel" is Lana Del Ray's darkest, sexiest, weirdest, most mysterious and well-produced track. The lyrics are just incredibly exotic and the progressive production makes it even creepier. Truly a masterpiece. "Raise Me Up (Mississippi South)" is an amazing indie rock piece about feeling the power to "talk what you want" and "how you want". After this sonic monster, "Pawn Shop Blues"' first chords take you to a different place — a different side of the artist and the album where everything is just calm, extremely sad or melancholic and sincere, with painful lines such as "It's nice to love and be loved but I'd rather know what God knows." Along with "Mermaid Motel", "Brite Lites" is another super weird song about, probably, breaking up. The most Lolita-inspired song on Lana Del Ray, "Put Me In a Movie" features one of the loveliest melodies and vocal performances, which is just creepy since she's singing "Come on, you know you like little girls." The production is incredible, too. "Smarty" is Lana Del Ray's "Fucked My Way Up to the Top" — sexy, shady and clever, but this one is probably better. The bridge is, without a doubt, an album's highlight. The last song is the fan-favorite "Yayo", a super romantic, sad, cinematic stripped-down ballad with one of her best lyrics ever. Everything about this song is perfect; the emotion in her voice, the atmospheric production, the piano and the amazing "Hello, Heaven" part. "Yayo" defines what Lana Del Rey is — sonically, lyrically and thematically. Surely one of the best masterpieces.

 



 



 



 

What's your favorite song? Least favorite? Do you like the album?

Elizabeth Grant's debut album Lana Del Ray, also known as Lana Del Ray a.k.a. Lizzy Grant, was released five years ago! The album, released by indie label 5 Points Records, was produced by Grammy winner David Kahne (Paul McCartney, Regina Spektor, Tony Bennett, etc). Lana Del Ray is a sexy, dark and moody combination between indie rock and indie pop with blues, jazz and electronica influences, making it her most diverse record. The first track, "Kill Kill", sets the mood of the whole album — a creepy, melancholic, tropical fantasy with weird lyrics such as "I'm in love with a dying man." Beginning with the indie rock thing, "Queen of the Gas Station" is an up-tempo song about wanting a simple but at the same time romantic relationship. "Oh Say Can You See" is a great proof that Lana Del Rey can sing. The super melancholic, blues-influenced ballad features one of her best vocal performances; you really can feel the pain and loneliness in her voice, especially when she cites one of Nirvana's classics, "Come As You Are". The mid-tempo electronica track "Gramma" is a lyrical masterpiece and its sound is just magical with those accordions and trip hop drums. "For K, Pt. 2" is one of Lana's sexiest songs ever. With a jazzy blues rock production and a marvelous chorus, "For K, Pt. 2" is, clearly, a highlight. "Palm trees in black and white, last thing I saw before I died" may be of the most popular lines between her fans. "Jump" feels powerful and probably cinematic because of that simple yet incredible line. The jazzy "Mermaid Motel" is Lana Del Ray's darkest, sexiest, weirdest, most mysterious and well-produced track. The lyrics are just incredibly exotic and the progressive production makes it even creepier. Truly a masterpiece. "Raise Me Up (Mississippi South)" is an amazing indie rock piece about feeling the power to "talk what you want" and "how you want". After this sonic monster, "Pawn Shop Blues"' first chords take you to a different place — a different side of the artist and the album where everything is just calm, extremely sad or melancholic and sincere, with painful lines such as "It's nice to love and be loved but I'd rather know what God knows." Along with "Mermaid Motel", "Brite Lites" is another super weird song about, probably, breaking up. The most Lolita-inspired song on Lana Del Ray, "Put Me In a Movie" features one of the loveliest melodies and vocal performances, which is just creepy since she's singing "Come on, you know you like little girls." The production is incredible, too. "Smarty" is Lana Del Ray's "Fucked My Way Up to the Top" — sexy, shady and clever, but this one is probably better. The bridge is, without a doubt, an album's highlight. The last song is the fan-favorite "Yayo", a super romantic, sad, cinematic stripped-down ballad with one of her best lyrics ever. Everything about this song is perfect; the emotion in her voice, the atmospheric production, the piano and the amazing "Hello, Heaven" part. "Yayo" defines what Lana Del Rey is — sonically, lyrically and thematically. Surely one of the best masterpieces.

 



 



 



 

What's your favorite song? Least favorite? Do you like the album?

Elizabeth Grant's debut album Lana Del Ray, also known as Lana Del Ray a.k.a. Lizzy Grant, was released five years ago! The album, released by indie label 5 Points Records, was produced by Grammy winner David Kahne (Paul McCartney, Regina Spektor, Tony Bennett, etc). Lana Del Ray is a sexy, dark and moody combination between indie rock and indie pop with blues, jazz and electronica influences, making it her most diverse record. The first track, "Kill Kill", sets the mood of the whole album — a creepy, melancholic, tropical fantasy with weird lyrics such as "I'm in love with a dying man." Beginning with the indie rock thing, "Queen of the Gas Station" is an up-tempo song about wanting a simple but at the same time romantic relationship. "Oh Say Can You See" is a great proof that Lana Del Rey can sing. The super melancholic, blues-influenced ballad features one of her best vocal performances; you really can feel the pain and loneliness in her voice, especially when she cites one of Nirvana's classics, "Come As You Are". The mid-tempo electronica track "Gramma" is a lyrical masterpiece and its sound is just magical with those accordions and trip hop drums. "For K, Pt. 2" is one of Lana's sexiest songs ever. With a jazzy blues rock production and a marvelous chorus, "For K, Pt. 2" is, clearly, a highlight. "Palm trees in black and white, last thing I saw before I died" may be of the most popular lines between her fans. "Jump" feels powerful and probably cinematic because of that simple yet incredible line. The jazzy "Mermaid Motel" is Lana Del Ray's darkest, sexiest, weirdest, most mysterious and well-produced track. The lyrics are just incredibly exotic and the progressive production makes it even creepier. Truly a masterpiece. "Raise Me Up (Mississippi South)" is an amazing indie rock piece about feeling the power to "talk what you want" and "how you want". After this sonic monster, "Pawn Shop Blues"' first chords take you to a different place — a different side of the artist and the album where everything is just calm, extremely sad or melancholic and sincere, with painful lines such as "It's nice to love and be loved but I'd rather know what God knows." Along with "Mermaid Motel", "Brite Lites" is another super weird song about, probably, breaking up. The most Lolita-inspired song on Lana Del Ray, "Put Me In a Movie" features one of the loveliest melodies and vocal performances, which is just creepy since she's singing "Come on, you know you like little girls." The production is incredible, too. "Smarty" is Lana Del Ray's "Fucked My Way Up to the Top" — sexy, shady and clever, but this one is probably better. The bridge is, without a doubt, an album's highlight. The last song is the fan-favorite "Yayo", a super romantic, sad, cinematic stripped-down ballad with one of her best lyrics ever. Everything about this song is perfect; the emotion in her voice, the atmospheric production, the piano and the amazing "Hello, Heaven" part. "Yayo" defines what Lana Del Rey is — sonically, lyrically and thematically. Surely one of the best masterpieces.

 



 



 



 

What's your favorite song? Least favorite? Do you like the album?

Elizabeth Grant's debut album Lana Del Ray, also known as Lana Del Ray a.k.a. Lizzy Grant, was released five years ago! The album, released by indie label 5 Points Records, was produced by Grammy winner David Kahne (Paul McCartney, Regina Spektor, Tony Bennett, etc). Lana Del Ray is a sexy, dark and moody combination between indie rock and indie pop with blues, jazz and electronica influences, making it her most diverse record. The first track, "Kill Kill", sets the mood of the whole album — a creepy, melancholic, tropical fantasy with weird lyrics such as "I'm in love with a dying man." Beginning with the indie rock thing, "Queen of the Gas Station" is an up-tempo song about wanting a simple but at the same time romantic relationship. "Oh Say Can You See" is a great proof that Lana Del Rey can sing. The super melancholic, blues-influenced ballad features one of her best vocal performances; you really can feel the pain and loneliness in her voice, especially when she cites one of Nirvana's classics, "Come As You Are". The mid-tempo electronica track "Gramma" is a lyrical masterpiece and its sound is just magical with those accordions and trip hop drums. "For K, Pt. 2" is one of Lana's sexiest songs ever. With a jazzy blues rock production and a marvelous chorus, "For K, Pt. 2" is, clearly, a highlight. "Palm trees in black and white, last thing I saw before I died" may be of the most popular lines between her fans. "Jump" feels powerful and probably cinematic because of that simple yet incredible line. The jazzy "Mermaid Motel" is Lana Del Ray's darkest, sexiest, weirdest, most mysterious and well-produced track. The lyrics are just incredibly exotic and the progressive production makes it even creepier. Truly a masterpiece. "Raise Me Up (Mississippi South)" is an amazing indie rock piece about feeling the power to "talk what you want" and "how you want". After this sonic monster, "Pawn Shop Blues"' first chords take you to a different place — a different side of the artist and the album where everything is just calm, extremely sad or melancholic and sincere, with painful lines such as "It's nice to love and be loved but I'd rather know what God knows." Along with "Mermaid Motel", "Brite Lites" is another super weird song about, probably, breaking up. The most Lolita-inspired song on Lana Del Ray, "Put Me In a Movie" features one of the loveliest melodies and vocal performances, which is just creepy since she's singing "Come on, you know you like little girls." The production is incredible, too. "Smarty" is Lana Del Ray's "Fucked My Way Up to the Top" — sexy, shady and clever, but this one is probably better. The bridge is, without a doubt, an album's highlight. The last song is the fan-favorite "Yayo", a super romantic, sad, cinematic stripped-down ballad with one of her best lyrics ever. Everything about this song is perfect; the emotion in her voice, the atmospheric production, the piano and the amazing "Hello, Heaven" part. "Yayo" defines what Lana Del Rey is — sonically, lyrically and thematically. Surely one of the best masterpieces.

 



 



 



 

What's your favorite song? Least favorite? Do you like the album?

Thank you