DJ Butt Stuff Barbie

Again, she's lost a lot of her bite when it comes to making social commentary in her music. Savages was a cute attempt, but everything past Electra Heart has felt really surface level when it comes to making a statement. 

I feel like Marina's lost her edge a bit when it comes to writing songs geared more towards political/social commentary.
Sex Yeah was a great representation of what she's capable of, but songs like Savages and To Be Human feel a bit watered down, and surface level. I feel like once she gave up that angrier edge that Electra Heart offered, she lost some of that bite with it. She wants to be deep and make a statement, but it feels like she's trying too hard to be nice about it. She wants to make a statement without stepping on anyone's toes.

She definitely tries, and I admire that, but her passion doesn't translate well in her recent efforts. Sometimes it feels like she has a statement she wants to make, doesn't entirely know how to go about it, and then tries too hard to piece it all together. Hopefully in whatever project is coming soon, we can get more of the passion and powerful lyricism we love

Again, she's lost a lot of her bite when it comes to making social commentary in her music. Savages was a cute attempt, but everything past Electra Heart has felt really surface level when it comes to making a statement. 

Emotional Machine is a really great song, but it's just another reminder that L+F as a whole could have been much better. I get that she was trying to go for deep, introspective tracks with minimalist production, but the only tracks I feel like that really nailed that concept well are End of the Earth and Emotional Machine.

I feel like Marina's lost her edge a bit when it comes to writing songs geared more towards political/social commentary.
Sex Yeah was a great representation of what she's capable of, but songs like Savages and To Be Human feel a bit watered down, and surface level. I feel like once she gave up that angrier edge that Electra Heart offered, she lost some of that bite with it. She wants to be deep and make a statement, but it feels like she's trying too hard to be nice about it. She wants to make a statement without stepping on anyone's toes.

My only issue with the pic is the choice of backdrop. Is it supposed to be symbolic of something? I guess we'll find out if there's a music video, or if she explains it herself.

cant wait for
AaAaAaAapple

or maybe people know she's capable of a lot more than the mediocre content of what she's giving??? i personally dont mind the font but people are completely justified in disliking it and not blindly supporting her every move

Emotional Machine is a really great song, but it's just another reminder that L+F as a whole could have been much better. I get that she was trying to go for deep, introspective tracks with minimalist production, but the only tracks I feel like that really nailed that concept well are End of the Earth and Emotional Machine.

Again, she's lost a lot of her bite when it comes to making social commentary in her music. Savages was a cute attempt, but everything past Electra Heart has felt really surface level when it comes to making a statement. 

Emotional Machine is a really great song, but it's just another reminder that L+F as a whole could have been much better. I get that she was trying to go for deep, introspective tracks with minimalist production, but the only tracks I feel like that really nailed that concept well are End of the Earth and Emotional Machine.

Again, she's lost a lot of her bite when it comes to making social commentary in her music. Savages was a cute attempt, but everything past Electra Heart has felt really surface level when it comes to making a statement. 

I feel like Marina's lost her edge a bit when it comes to writing songs geared more towards political/social commentary.
Sex Yeah was a great representation of what she's capable of, but songs like Savages and To Be Human feel a bit watered down, and surface level. I feel like once she gave up that angrier edge that Electra Heart offered, she lost some of that bite with it. She wants to be deep and make a statement, but it feels like she's trying too hard to be nice about it. She wants to make a statement without stepping on anyone's toes.

Again, she's lost a lot of her bite when it comes to making social commentary in her music. Savages was a cute attempt, but everything past Electra Heart has felt really surface level when it comes to making a statement. 

She definitely tries, and I admire that, but her passion doesn't translate well in her recent efforts. Sometimes it feels like she has a statement she wants to make, doesn't entirely know how to go about it, and then tries too hard to piece it all together. Hopefully in whatever project is coming soon, we can get more of the passion and powerful lyricism we love

Again, she's lost a lot of her bite when it comes to making social commentary in her music. Savages was a cute attempt, but everything past Electra Heart has felt really surface level when it comes to making a statement. 

Emotional Machine is a really great song, but it's just another reminder that L+F as a whole could have been much better. I get that she was trying to go for deep, introspective tracks with minimalist production, but the only tracks I feel like that really nailed that concept well are End of the Earth and Emotional Machine.

Emotional Machine is a really great song, but it's just another reminder that L+F as a whole could have been much better. I get that she was trying to go for deep, introspective tracks with minimalist production, but the only tracks I feel like that really nailed that concept well are End of the Earth and Emotional Machine.

Emotional Machine is a really great song, but it's just another reminder that L+F as a whole could have been much better. I get that she was trying to go for deep, introspective tracks with minimalist production, but the only tracks I feel like that really nailed that concept well are End of the Earth and Emotional Machine.

Again, she's lost a lot of her bite when it comes to making social commentary in her music. Savages was a cute attempt, but everything past Electra Heart has felt really surface level when it comes to making a statement. 

FROOT is my favorite album of hers, no question, but even though Savages is a banger, when you analyze it lyrically, it does feel a bit watered down when you remember she was trying to make a statement about violence and human nature going hand in hand. 

I feel like Marina's lost her edge a bit when it comes to writing songs geared more towards political/social commentary.
Sex Yeah was a great representation of what she's capable of, but songs like Savages and To Be Human feel a bit watered down, and surface level. I feel like once she gave up that angrier edge that Electra Heart offered, she lost some of that bite with it. She wants to be deep and make a statement, but it feels like she's trying too hard to be nice about it. She wants to make a statement without stepping on anyone's toes.

I feel like Marina's lost her edge a bit when it comes to writing songs geared more towards political/social commentary.
Sex Yeah was a great representation of what she's capable of, but songs like Savages and To Be Human feel a bit watered down, and surface level. I feel like once she gave up that angrier edge that Electra Heart offered, she lost some of that bite with it. She wants to be deep and make a statement, but it feels like she's trying too hard to be nice about it. She wants to make a statement without stepping on anyone's toes.

FROOT is my favorite album of hers, no question, but even though Savages is a banger, when you analyze it lyrically, it does feel a bit watered down when you remember she was trying to make a statement about violence and human nature going hand in hand.