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I think that the way Lana dresses during each era reflects the mood of her music. BTD she was the glamorous pop starlet constantly serving flashy looks. Paradise was the same but with a bit more of a tropical vibe. Ultraviolet she was the denim and leather rocker chick. Honeymoon she was feminine and sophisticated, old Hollywood glamour and always looking mysterious hiding behind giant sunglasses. Lust for Life she was all flower power in crochet mini dresses and 60's and 70's colors and styles. NFR she was a California beach bum in denim cutoffs and swimsuits and tshirts. Chemtrails and BB she was kind of anti-glamour, wearing flannels etc, reflecting the more folky and serious sounds. Now seeing her at the Gucci party dancing to Summertime Sadness remix, and seeing her dressing up in high fashion for her shoot for W Magazine, and reading how she is feeling like she is "allowed" to have fun with fashion again, I can tell something shifted in her mood. I think all signs point to a more high glamour, cinematic, dramatic, fun and maximalist album.

Maybe not as full out pop maximalism as some of the songs on BTD, but I'm thinking she'll meet somewhere in the middle. The lyricism and maturity of her new work, with the cinematic grandiosity of her old work. She did say that there will be full orchestras on this one. And the way she's dressing now, she just gives the feeling like she's ready to have fun again and do something big. You don't have to agree with me, but I can just feel it.

I think that the way Lana dresses during each era reflects the mood of her music. BTD she was the glamorous pop starlet constantly serving flashy looks. Paradise was the same but with a bit more of a tropical vibe. Ultraviolet she was the denim and leather rocker chick. Honeymoon she was feminine and sophisticated, old Hollywood glamour and always looking mysterious hiding behind giant sunglasses. Lust for Life she was all flower power in crochet mini dresses and 60's and 70's colors and styles. NFR she was a California beach bum in denim cutoffs and swimsuits and tshirts. Chemtrails and BB she was kind of anti-glamour, wearing flannels etc, reflecting the more folky and serious sounds. Now seeing her at the Gucci party dancing to Summertime Sadness remix, and seeing her dressing up in high fashion for her shoot for W Magazine, and reading how she is feeling like she is "allowed" to have fun with fashion again, I can tell something shifted in her mood. I think all signs point to a more high glamour, cinematic, dramatic, fun and maximalist album.

When she said wordy I thought of Blue Bannisters or Hope is a Dangerous Thing. Also hoping for a bit more glamour from this one though. The way Ben praised it twice implies that he really thinks this album is something special. I can't ever remember Ben gloating about Lana to that extent for any of her past albums.

Maybe not as full out pop maximalism as some of the songs on BTD, but I'm thinking she'll meet somewhere in the middle. The lyricism and maturity of her new work, with the cinematic grandiosity of her old work. She did say that there will be full orchestras on this one. And the way she's dressing now, she just gives the feeling like she's ready to have fun again and do something big. You don't have to agree with me, but I can just feel it.

I think that the way Lana dresses during each era reflects the mood of her music. BTD she was the glamorous pop starlet constantly serving flashy looks. Paradise was the same but with a bit more of a tropical vibe. Ultraviolet she was the denim and leather rocker chick. Honeymoon she was feminine and sophisticated, old Hollywood glamour and always looking mysterious hiding behind giant sunglasses. Lust for Life she was all flower power in crochet mini dresses and 60's and 70's colors and styles. NFR she was a California beach bum in denim cutoffs and swimsuits and tshirts. Chemtrails and BB she was kind of anti-glamour, wearing flannels etc, reflecting the more folky and serious sounds. Now seeing her at the Gucci party dancing to Summertime Sadness remix, and seeing her dressing up in high fashion for her shoot for W Magazine, and reading how she is feeling like she is "allowed" to have fun with fashion again, I can tell something shifted in her mood. I think all signs point to a more high glamour, cinematic, dramatic, fun and maximalist album.

When she said wordy I thought of Blue Bannisters or Hope is a Dangerous Thing. Also hoping for a bit more glamour from this one though. The way Ben praised it twice implies that he really thinks this album is something special. I can't ever remember Ben gloating about Lana to that extent for any of her past albums.

Maybe not as full out pop maximalism as some of the songs on BTD, but I'm thinking she'll meet somewhere in the middle. The lyricism and maturity of her new work, with the cinematic grandiosity of her old work. She did say that there will be full orchestras on this one. And the way she's dressing now, she just gives the feeling like she's ready to have fun again and do something big. You don't have to agree with me, but I can just feel it.

I think that the way Lana dresses during each era reflects the mood of her music. BTD she was the glamorous pop starlet constantly serving flashy looks. Paradise was the same but with a bit more of a tropical vibe. Ultraviolet she was the denim and leather rocker chick. Honeymoon she was feminine and sophisticated, old Hollywood glamour and always looking mysterious hiding behind giant sunglasses. Lust for Life she was all flower power in crochet mini dresses and 60's and 70's colors and styles. NFR she was a California beach bum in denim cutoffs and swimsuits and tshirts. Chemtrails and BB she was kind of anti-glamour, wearing flannels etc, reflecting the more folky and serious sounds. Now seeing her at the Gucci party dancing to Summertime Sadness remix, and seeing her dressing up in high fashion for her shoot for W Magazine, and reading how she is feeling like she is "allowed" to have fun with fashion again, I can tell something shifted in her mood. I think all signs point to a more high glamour, cinematic, dramatic, fun and maximalist album.

When she said wordy I thought of Blue Bannisters or Hope is a Dangerous Thing. Also hoping for a bit more glamour from this one though. The way Ben praised it twice implies that he really thinks this album is something special. I can't ever remember Ben gloating about Lana to that extent for any of her past albums.

I think that the way Lana dresses during each era reflects the mood of her music. BTD she was the glamorous pop starlet constantly serving flashy looks. Paradise was the same but with a bit more of a tropical vibe. Ultraviolet she was the denim and leather rocker chick. Honeymoon she was feminine and sophisticated, old Hollywood glamour and always looking mysterious hiding behind giant sunglasses. Lust for Life she was all flower power in crochet mini dresses and 60's and 70's colors and styles. NFR she was a California beach bum in denim cutoffs and swimsuits and tshirts. Chemtrails and BB she was kind of anti-glamour, wearing flannels etc, reflecting the more folky and serious sounds. Now seeing her at the Gucci party dancing to Summertime Sadness remix, and seeing her dressing up in high fashion for her shoot for W Magazine, and reading how she is feeling like she is "allowed" to have fun with fashion again, I can tell something shifted in her mood. I think all signs point to a more high glamour, cinematic, dramatic, fun and maximalist album.

Maybe not as full out pop maximalism as some of the songs on BTD, but I'm thinking she'll meet somewhere in the middle. The lyricism and maturity of her new work, with the cinematic grandiosity of her old work. She did say that there will be full orchestras on this one. And the way she's dressing now, she just gives the feeling like she's ready to have fun again and do something big. You don't have to agree with me, but I can just feel it.

I think that the way Lana dresses during each era reflects the mood of her music. BTD she was the glamorous pop starlet constantly serving flashy looks. Paradise was the same but with a bit more of a tropical vibe. Ultraviolet she was the denim and leather rocker chick. Honeymoon she was feminine and sophisticated, old Hollywood glamour and always looking mysterious hiding behind giant sunglasses. Lust for Life she was all flower power in crochet mini dresses and 60's and 70's colors and styles. NFR she was a California beach bum in denim cutoffs and swimsuits and tshirts. Chemtrails and BB she was kind of anti-glamour, wearing flannels etc, reflecting the more folky and serious sounds. Now seeing her at the Gucci party dancing to Summertime Sadness remix, and seeing her dressing up in high fashion for her shoot for W Magazine, and reading how she is feeling like she is "allowed" to have fun with fashion again, I can tell something shifted in her mood. I think all signs point to a more high glamour, cinematic, dramatic, fun and maximalist album.

Maybe not as full out pop maximalism as some of the songs on BTD, but I'm thinking she'll meet somewhere in the middle. The lyricism and maturity of her new work, with the cinematic grandiosity of her old work. She did say that there will be full orchestras on this one. And the way she's dressing now, she just gives the feeling like she's ready to have fun again and do something big. You don't have to agree with me, but I can just feel it.

I think that the way Lana dresses during each era reflects the mood of her music. BTD she was the glamorous pop starlet constantly serving flashy looks. Paradise was the same but with a bit more of a tropical vibe. Ultraviolet she was the denim and leather rocker chick. Honeymoon she was feminine and sophisticated, old Hollywood glamour and always looking mysterious hiding behind giant sunglasses. Lust for Life she was all flower power in crochet mini dresses and 60's and 70's colors and styles. NFR she was a California beach bum in denim cutoffs and swimsuits and tshirts. Chemtrails and BB she was kind of anti-glamour, wearing flannels etc, reflecting the more folky and serious sounds. Now seeing her at the Gucci party dancing to Summertime Sadness remix, and seeing her dressing up in high fashion for her shoot for W Magazine, and reading how she is feeling like she is "allowed" to have fun with fashion again, I can tell something shifted in her mood. I think all signs point to a more high glamour, cinematic, dramatic, fun and maximalist album.

When she said wordy I thought of Blue Bannisters or Hope is a Dangerous Thing. Also hoping for a bit more glamour from this one though. The way Ben praised it twice implies that he really thinks this album is something special. I can't ever remember Ben gloating about Lana to that extent for any of her past albums.

I think that the way Lana dresses during each era reflects the mood of her music. BTD she was the glamorous pop starlet constantly serving flashy looks. Paradise was the same but with a bit more of a tropical vibe. Ultraviolet she was the denim and leather rocker chick. Honeymoon she was feminine and sophisticated, old Hollywood glamour and always looking mysterious hiding behind giant sunglasses. Lust for Life she was all flower power in crochet mini dresses and 60's and 70's colors and styles. NFR she was a California beach bum in denim cutoffs and swimsuits and tshirts. Chemtrails and BB she was kind of anti-glamour, wearing flannels etc, reflecting the more folky and serious sounds. Now seeing her at the Gucci party dancing to Summertime Sadness remix, and seeing her dressing up in high fashion for her shoot for W Magazine, and reading how she is feeling like she is "allowed" to have fun with fashion again, I can tell something shifted in her mood. I think all signs point to a more high glamour, cinematic, dramatic, fun and maximalist album.

When she said wordy I thought of Blue Bannisters or Hope is a Dangerous Thing. Also hoping for a bit more glamour from this one though. The way Ben praised it twice implies that he really thinks this album is something special. I can't ever remember Ben gloating about Lana to that extent for any of her past albums.

Maybe not as full out pop maximalism as some of the songs on BTD, but I'm thinking she'll meet somewhere in the middle. The lyricism and maturity of her new work, with the cinematic grandiosity of her old work. She did say that there will be full orchestras on this one. And the way she's dressing now, she just gives the feeling like she's ready to have fun again and do something big. You don't have to agree with me, but I can just feel it.

When she said wordy I thought of Blue Bannisters or Hope is a Dangerous Thing. Also hoping for a bit more glamour from this one though. The way Ben praised it twice implies that he really thinks this album is something special. I can't ever remember Ben gloating about Lana to that extent for any of her past albums.

Maybe not as full out pop maximalism as some of the songs on BTD, but I'm thinking she'll meet somewhere in the middle. The lyricism and maturity of her new work, with the cinematic grandiosity of her old work. She did say that there will be full orchestras on this one. And the way she's dressing now, she just gives the feeling like she's ready to have fun again and do something big. You don't have to agree with me, but I can just feel it.

I think that the way Lana dresses during each era reflects the mood of her music. BTD she was the glamorous pop starlet constantly serving flashy looks. Paradise was the same but with a bit more of a tropical vibe. Ultraviolet she was the denim and leather rocker chick. Honeymoon she was feminine and sophisticated, old Hollywood glamour and always looking mysterious hiding behind giant sunglasses. Lust for Life she was all flower power in crochet mini dresses and 60's and 70's colors and styles. NFR she was a California beach bum in denim cutoffs and swimsuits and tshirts. Chemtrails and BB she was kind of anti-glamour, wearing flannels etc, reflecting the more folky and serious sounds. Now seeing her at the Gucci party dancing to Summertime Sadness remix, and seeing her dressing up in high fashion for her shoot for W Magazine, and reading how she is feeling like she is "allowed" to have fun with fashion again, I can tell something shifted in her mood. I think all signs point to a more high glamour, cinematic, dramatic, fun and maximalist album.

Maybe not as full out pop maximalism as some of the songs on BTD, but I'm thinking she'll meet somewhere in the middle. The lyricism and maturity of her new work, with the cinematic grandiosity of her old work. She did say that there will be full orchestras on this one. And the way she's dressing now, she just gives the feeling like she's ready to have fun again and do something big. You don't have to agree with me, but I can just feel it.

I think that the way Lana dresses during each era reflects the mood of her music. BTD she was the glamorous pop starlet constantly serving flashy looks. Paradise was the same but with a bit more of a tropical vibe. Ultraviolet she was the denim and leather rocker chick. Honeymoon she was feminine and sophisticated, old Hollywood glamour and always looking mysterious hiding behind giant sunglasses. Lust for Life she was all flower power in crochet mini dresses and 60's and 70's colors and styles. NFR she was a California beach bum in denim cutoffs and swimsuits and tshirts. Chemtrails and BB she was kind of anti-glamour, wearing flannels etc, reflecting the more folky and serious sounds. Now seeing her at the Gucci party dancing to Summertime Sadness remix, and seeing her dressing up in high fashion for her shoot for W Magazine, and reading how she is feeling like she is "allowed" to have fun with fashion again, I can tell something shifted in her mood. I think all signs point to a more high glamour, cinematic, dramatic, fun and maximalist album.

Maybe not as full out pop maximalism as some of the songs on BTD, but I'm thinking she'll meet somewhere in the middle. The lyricism and maturity of her new work, with the cinematic grandiosity of her old work. She did say that there will be full orchestras on this one. And the way she's dressing now, she just gives the feeling like she's ready to have fun again and do something big. You don't have to agree with me, but I can just feel it.