Embach

Coachella - Woodstock In My Mind: "It was Woodstock in my mind." ⬇️ Ultraviolence: "We could go back to Woodstock." Ultraviolence: "We could go back to New York." ⬇️ How To Disappear: "Now it's been years since I left New York." I used the album version of How To Disappear, although I know that she mentioned Jim at the Apple's 2018 live event performance, like she mentioned his name in Ultraviolence. Kill Kill to Change

Finally, I'm crossing the threshold From the ordinary world To the reveal of my heart Undoubtedly, that will for certain Take the dead out of the sea And the darkness from the arts Vs Maybe by the time summer's done I'll be able to be honest, capable Of holding you in my arms without letting you fall When I don't feel beautiful or stable Maybe it's enough to just be where we are Because every time that we run, we don't know what it's from Now we finally slow down, we feel close to it

Sorry Gramma, but I have to choose Change, it's such an important song for me 🤧 Change vs Bartender

the VMAs and MTV EMAs should be retitled to 'Who Has The Biggest Fandom Awards' because fans are the ones who choose the winners in 75% of the categories. And obviously the ones with biggest fanbases win. I mean we already got People's Choice Awards, that kind of the point of it. The random people who are Grammy voters (random engineers, mixers, guitarists, producers, songwriters, live show set up people) should become the MTV voters instead and the actual Grammy voters should be actual music professors from universities, it would be so much better in that case.

lol this did not age well, she didn't talk about Lasso on tour at all we only got the vague Vogue (nice wordplay) interview in Paris about Southern Gothic and 2 singles

I feel like that the Lasso album is going to shock us real good

Today is the day!

"The Death Of An Astronaut" (recorded December 2015) - a ten minute space opera opus which was later reworked to Heroin. Songwriting credits: Lana Del Rey, Rick Nowels, Dan Heath. Production Credits: Rick Nowels, Kieron Menzies, Dan Heath, Lana Del Rey, Mighty Mike. The song's instrumental begins with an intro which starts with eerie organ which samples Saint Saëns' Aquarium but which is also followed by flute. Once the flute ends, Lana starts singing while the haunting organ is still in the background. In the pre-chorus, you can feel the bass in the background which is about to creep up more and more in every other pre-choruses. The chorus follows huge cinematic orchestral strings similar to the Dan Heath's version of Young & Beautiful. The post-chorus has beautiful harps, similar to the ones in The Blackest Day. Lyrically it is about a lonely man who is about to lose his life, it like breaks down the process of his death - like what happens to him, how his heart stops beating and what are his memories which flash before his death and how he will be remembered. but the mystery behind it is we don't know how he dies, was it a murder or a suicide or an accident with elusive references alluding to all three possibilities. The song has 5 verses, with all full pre-choruses, choruses and post-choruses which all different after each verse. The song's climax is an electric guitar instrumental breakdown with chords: Em-G-D-A with strong heavy metal drums and electronic sound effects in the background and later will be followed by an epic one-minute bridge which follows a chorus with also has these similar lines from Heroin: "Taking all the medicine to take your thoughts away. Getting on that aeroplane, leaving your dear life behind". This time the chorus is more silent in a way that it only has that ambient organ in the background. This is also the sign that the song itself becomes more quiet and quiet symbolizing that person's last breath and his death. The outro is less epic, but it still follows the ambient organ, Lana sings about getting free and finding bridge, later she quietly hums the electric guitar's instrumental breakdown and later a piano plays the same notes of that breakdown but obviously on a much quieter mode. The last lines she sang in that song was "Finally, you have crossed the threshold" but she sang that differently than she did that in Get Free. This would be one of those rare Lana songs where she never mentions the song's title (like Terrence Loves You). These would be the visuals of the cover art: Please, this is my peak delusion, this is not how a normal person thinks.

Yes, I would if he's a normal, caring and not a toxic person. Would you date someone famous who is also busy with their job most of the times?

Happy 6th Birthday to Lilac Everything! Such an underrated soulful and beautiful masterpiece! This is her Honeymoon. Also, this has her best album cover art and aesthetics as well! I also consider this her most experimental album when the only risk she took with this album was that she pitched her vocals really low for this one. I have to be honest quite honest with you, I wasn't the biggest fan of the album at first place, it hit a lot more differently a year later. Around that time, when I fell in love with the album I listened to When It Comes For You, the closer track of the album which is also in my opinion her best song, it really hit differently in a way that I nearly fainted listening to it. It's a really rare and weird experience that has happened only once to me. And I think it really shows how powerful this song is.

WE NEED GOLDEN VINYL FOR LASSO!

When she she collaborates with Lacoste and does campaign in the Lasso era

Yeah, she confirmed that new album is out in 2025!

Fun fact of the day: Blank Space, Bad Blood, Wildest Dreams and Out Of The Woods music video have the same cinematographer as Lana's Fuck It I Love You/The Greatest and Candy Necklace music videos - Christopher Probst!

Who is he? Can't recognize.

There was an Instagram reel which showed Lana's boyfriends over the years and there was a weirdo comment saying "like the button if you think she belongs to the streets" or something and it had like 2000+ likes

Ooooh, Religion outro, the ending how it all slows out, it sounds so creepy and sinister. Honestly I love it. I sometimes forget it though and when the song ends, it kinda surprises me in a good way, like "oh I forgot that the ending was that good!"

SHE SHARED TWO NEW STUDIO SNIPPETS ON INSTAGRAM: FIRST SNIPPET SONG IS A BALLAD! SECOND SNIPPET SONG IS A BOP SONG WITH BEATS! AND THEY'RE GOOD, I LOVE THE VOCALS ON THE FIRST SNIPPET!

I'm sure that by then it would be delayed as well, if she said that it comes out in Oct 2025

Today I noticed on Instagram that some Lana fanpages had reposted these Jack Antonoff's Instagram stories where he shared memories from studio while creating the NFR! album! He shared these in honor of NFR's 5th anniversary few weeks ago! I saw these pictures for the first time, I didn't see his stories back then and I haven't seen anyone posting these here as well, so I'll post them here! Nice and lovely pictures, she looked so happy and joyful while making the album!

YES PLEASE!

To be honest, she doesn't release singles on Fridays anymore. I think during Ocean Blvd era, A&W and The Grants were released on Tuesdays ("especially on Tuesdays" LFL trailer reference omfg? ) and the title track was released on Wednesday. So that could mean that the single could drop any day. Also some examples: Tough was released on Wednesday, triple singles from BB were released on Thursday and Arcadia on Wednesday. COTCC single on Monday, Mariners on Wednesday, Venice on Tuesday, Hope Dangerous Thing on Wednesday. Wednesday seems to be the "most popular" release day for her lately to be honest.

Terrence Loves You vs God Knows I Tried

Every week is a possible single release week now

Finally, I'm crossing the threshold From the ordinary world To the reveal of my heart Undoubtedly, that will for certain Take the dead out of the sea And the darkness from the arts Vs Blue are the color of the eyes of the man I love He's hard to take and hot to touch Green is the color of the sea in the early month Of July, I love you much