delreyfreak

The film he described that she's created sounds amazing.. I would love to see Lana in something like that. She's so dramatic and was adoreable in Poolside, she would do great in something as such.

awww, no you guys, I loved it. What he said about Lana being so disappointed by life that she had to create her own little world to live in... Thats how I've always read her. All the "K" and "daddies" and "diamonds and pearls" and "motorcycles", its something she's dreamed up. imo

Some photos:
 




 

Her smooth flow in "And I'm lonely/I'm lonely/I'm lonely"
 
Long live the loon.

Lana's songs are nearly almost songs that grow on me instead of being instant. I like the sound of this so far, but I'll probably enjoy it more once I know the lyrics. I think it might be a favourite though as its the vibe I love.
 
I want Emile on Honeymoon to be honest, I'll be a bit dissapointed if its all Mark Ronson, I like Lana to work with a few different people for variety. BTD had a few different people but the the album still feels complete as a album so I know she can still make an album with songs that all fit together well even working with a mix of producers.

Ugh, Riverside and Last Song better be fucking phenomenal to follow this up

well thats probably what happened lol 

Right 
But I mean it sounds like she went in to sing a song that was all done and she had nothing to do with it beyond singing. I'm not even sure if the melody is hers.

Third listen and I'm starting to like it. But it sounds like a side project, not a Lana song.

We will see that   
People only have their opinions and some of them express them on strange/hateful/different way, just like you did in that ultraviolence thread. 
So don't get so butthurt for no reason. 
 
If our happiness for Emile/loon makes u bitter, I suggest you to post your nude pics in poy and that will distract us from this 

No, because I know you won't get it on an official Lana album anymore 
But srsly, some of the posts are really poor and disrespectful towards Lana and all people who love UV.
You can love or dislike an album, I don't dislike BTD (quite the opposite), but goodness some of the posts here are pathetic

What is actually going on here at this place, like...????   
 
Some of you should really consider stanning for Emile rather than Lana, tbqfh.
 
The intro of the song is lovely, but afterwards she loses me. In the end, it's not her song, she only gave the vocals and that's okay for me.
 
The annoying "OMG this is what UV should have sounded like" is so annoying and disrespectful towards Lana with all my respect for different tastes.
 
Maybe after the next era the annoying loon stans will finally realise that if they wanna stan Loon they should better ditch Lana. 

I honestly think people should stop being so critical of this song. This isn't even technically Lana's song, and it wasn't released by her. When songs from her album start coming out, then I understand having constructive criticism. This is just like a bonus for people who actually like the song.

Hm .. I get the idea of the song and I think it#s good. The execution ... meh.
The instrumental sounds like a "block", not really many instruments playing together. Emile did this on BtD a few times aswell, however, this time it's a bit more striking. The loom is a bit random, I don't really feel it. It's not nearly as fitting as in Million Dollar Man. But I like this "thrown in" e-guitar strings during the chorus, reminds me of Gods & Monsters and Carmen. The production .. sounds a bit raw. Her voice sounds a bit like a filtered acapella layed over an instrumental, and the whole song feels like you would listen to it with low quality headphones. The bridge also sounds thrown in. It starts out of nowhere, doesn't really fit the parts that come before and both lyrically and sonically it's unfitting. Talking about her voice, I don't really hear Born To Die Lana. The way she uses her voice her reminds me more of I Can Fly, Is This Happiness, Flipside and Big Eyes. The lyrics .. hm. At least she's a bit "critical" towards her lover but yeah ... The chorus is better than in her previous efforts but somehow there isn't much emotion going on there for me.
Basically, it's a nice song and I could imagine I will need some time, so it can grow on me. But right now, I don't feel like it's something that will "satisfy" me for long, just like it was with the Big Eyes soundtrack songs.
And I also don't want her to keep this style for Honeymoon. It's nice to have an instrumental style which is a thor back to Born To Die, but I don't feel like this would be any kind of "artistic progress". Apart from that, that#s not the style I imagine if I think about "Honeymoon" and Mark Ronson.

Birds aren't allowed in studios...ONLY SAMPLING     

3:33 gives me chills when she goes super low 

YASSSSS. MY IMPACT
 
 

What do you got against me working? 
 

 wtf is a thatsomason  
 

Come on you guys, get it straight. The sound you hear over "call" around 1:42, that's my loon call. That similar but slightly different sound you hear over "shout" at 1:47, that's a boiling tea kettle of Emile's hangover cure. Hear the difference? 
If you don't get it, then forget it. 'Cause I don't have to fucking explain it.
 
Birdbrains.

hmmm If you don't think the award winning highly praised most successful christmas song of all time good music then i feel sorry for you.

After 5 listens:
The song starts out strong, the melody of the chorus is just annoying in my opinion ("cute" Clayderman type of melody), the bridge doesn't fit with the rest of the song, it's a mess (she tries some vocal acrobatics that I'm not sure that works well for her that I'm loooonly part)

I prefer when Lana works with one main producer to execute her vision. It tends to feel more cohesive.

So I adore that intro since it really gives me Hawaiian summer vibes and sounds so beautifully tragic. The verses are also quite nice and it's great to hear her clear voice again (I like her voice on UV but it's just refreshing to listen to a loud, clear voice again). Somehow I don't like the chorus at all. The way it is sang kinda annoys me and I feel the strong need to wake her up during singing. Finally some scatting on a studio version !
 
I know that this is Emile's song and that's why I think that Wait For Life doesn't foreshadow the Honeymoon sound. It still would be amazing if she adapted the summer vibes.
 
All in all Wait For Life is a decent song imo but it doesn't move anything inside of me.

Africans are starved of water, food, and good music

I'm ok if he decides to produce a song or two on Honeymoon but I don't want  a full album filled with Emile's loon and repetitive production again. A Paradise kind of record would be nice with Nowels, Dan Heath and Emilie interleaving as producer rather than only one as main producer. 

Sorry if I came on a bit strong: I was just trying to make a point. I do agree that blindly praising lana leads to no meaningful discussion, but, equally, tearing her down at every moment leads to no meaningful discussion either. Perhaps my judgement was unfair considering your low post count.

ANYway, i do like the ~summer~ vibes i get from the track, i hope they continue onto Honeymoon (albeit in a better style)