KillForLove

why is he dressed like Johnny Depp in that Pirates of the Caribbean movie?

why is he dressed like Johnny Depp in that Pirates of the Caribbean movie?

why is he dressed like Johnny Depp in that Pirates of the Caribbean movie?

not everyone lives/trolls on publishing sites

She has a lot of nerve dropping Better in the beginning of November like theres a new album coming soon and then falling completely silent

She has a lot of nerve dropping Better in the beginning of November like theres a new album coming soon and then falling completely silent

I'm not asking her to go back to TR sonically, I'm saying she needs to figure out how to incorporate the elements of it into her work because it's what made her great. TR had some of the best writing I've heard in awhile coming from a synth-pop artist and then we got Sucker. Its not like asking for BTD 2.0, it'd be like asking Lana to step her game up if Lana recorded BTD and then followed it up with Pink Friday: Roman Reloaded

Hopefully with a vinyl exclusive track 

I think my growing problem with Charli is theres nothing to her anymore. Sucker was very clearly derivative of it's own influences both sonically and lyrically and it was just bubblegum pop with a bit of a "punk" tinge. This new EP goes even further into this issue. Its a Charli XCX EP but it sounds like a SOPHIE EP with Charli's voice on it. It may be pushing the boundaries of pop, but its not really doing anything unique because its nothing SOPHIE and the rest of PC Music haven't already done before. Its a nice release for what it is, but I just hope that isn't the sound of her album because instead of a true collaboration, the Vroom Vroom EP comes across as about 90% SOPHIE and 10% Charli. I think I got into her so much because True Romance was truly unique and really felt authentic rather than feeling completely derivative of it's influences and collaborators.

I'm not asking her to go back to TR sonically, I'm saying she needs to figure out how to incorporate the elements of it into her work because it's what made her great. TR had some of the best writing I've heard in awhile coming from a synth-pop artist and then we got Sucker. Its not like asking for BTD 2.0, it'd be like asking Lana to step her game up if Lana recorded BTD and then followed it up with Pink Friday: Roman Reloaded

I think my growing problem with Charli is theres nothing to her anymore. Sucker was very clearly derivative of it's own influences both sonically and lyrically and it was just bubblegum pop with a bit of a "punk" tinge. This new EP goes even further into this issue. Its a Charli XCX EP but it sounds like a SOPHIE EP with Charli's voice on it. It may be pushing the boundaries of pop, but its not really doing anything unique because its nothing SOPHIE and the rest of PC Music haven't already done before. Its a nice release for what it is, but I just hope that isn't the sound of her album because instead of a true collaboration, the Vroom Vroom EP comes across as about 90% SOPHIE and 10% Charli. I think I got into her so much because True Romance was truly unique and really felt authentic rather than feeling completely derivative of it's influences and collaborators.

I'm not asking her to go back to TR sonically, I'm saying she needs to figure out how to incorporate the elements of it into her work because it's what made her great. TR had some of the best writing I've heard in awhile coming from a synth-pop artist and then we got Sucker. Its not like asking for BTD 2.0, it'd be like asking Lana to step her game up if Lana recorded BTD and then followed it up with Pink Friday: Roman Reloaded

I think my growing problem with Charli is theres nothing to her anymore. Sucker was very clearly derivative of it's own influences both sonically and lyrically and it was just bubblegum pop with a bit of a "punk" tinge. This new EP goes even further into this issue. Its a Charli XCX EP but it sounds like a SOPHIE EP with Charli's voice on it. It may be pushing the boundaries of pop, but its not really doing anything unique because its nothing SOPHIE and the rest of PC Music haven't already done before. Its a nice release for what it is, but I just hope that isn't the sound of her album because instead of a true collaboration, the Vroom Vroom EP comes across as about 90% SOPHIE and 10% Charli. I think I got into her so much because True Romance was truly unique and really felt authentic rather than feeling completely derivative of it's influences and collaborators.

I'm not asking her to go back to TR sonically, I'm saying she needs to figure out how to incorporate the elements of it into her work because it's what made her great. TR had some of the best writing I've heard in awhile coming from a synth-pop artist and then we got Sucker. Its not like asking for BTD 2.0, it'd be like asking Lana to step her game up if Lana recorded BTD and then followed it up with Pink Friday: Roman Reloaded

I think my growing problem with Charli is theres nothing to her anymore. Sucker was very clearly derivative of it's own influences both sonically and lyrically and it was just bubblegum pop with a bit of a "punk" tinge. This new EP goes even further into this issue. Its a Charli XCX EP but it sounds like a SOPHIE EP with Charli's voice on it. It may be pushing the boundaries of pop, but its not really doing anything unique because its nothing SOPHIE and the rest of PC Music haven't already done before. Its a nice release for what it is, but I just hope that isn't the sound of her album because instead of a true collaboration, the Vroom Vroom EP comes across as about 90% SOPHIE and 10% Charli. I think I got into her so much because True Romance was truly unique and really felt authentic rather than feeling completely derivative of it's influences and collaborators.

I'm not asking her to go back to TR sonically, I'm saying she needs to figure out how to incorporate the elements of it into her work because it's what made her great. TR had some of the best writing I've heard in awhile coming from a synth-pop artist and then we got Sucker. Its not like asking for BTD 2.0, it'd be like asking Lana to step her game up if Lana recorded BTD and then followed it up with Pink Friday: Roman Reloaded

I think my growing problem with Charli is theres nothing to her anymore. Sucker was very clearly derivative of it's own influences both sonically and lyrically and it was just bubblegum pop with a bit of a "punk" tinge. This new EP goes even further into this issue. Its a Charli XCX EP but it sounds like a SOPHIE EP with Charli's voice on it. It may be pushing the boundaries of pop, but its not really doing anything unique because its nothing SOPHIE and the rest of PC Music haven't already done before. Its a nice release for what it is, but I just hope that isn't the sound of her album because instead of a true collaboration, the Vroom Vroom EP comes across as about 90% SOPHIE and 10% Charli. I think I got into her so much because True Romance was truly unique and really felt authentic rather than feeling completely derivative of it's influences and collaborators.

I'm not asking her to go back to TR sonically, I'm saying she needs to figure out how to incorporate the elements of it into her work because it's what made her great. TR had some of the best writing I've heard in awhile coming from a synth-pop artist and then we got Sucker. Its not like asking for BTD 2.0, it'd be like asking Lana to step her game up if Lana recorded BTD and then followed it up with Pink Friday: Roman Reloaded

I think Bloom in general is their magnum opus and probably the magnum opus of dream pop as a genre. The album as a whole is just complete perfection.

I'm not asking her to go back to TR sonically, I'm saying she needs to figure out how to incorporate the elements of it into her work because it's what made her great. TR had some of the best writing I've heard in awhile coming from a synth-pop artist and then we got Sucker. Its not like asking for BTD 2.0, it'd be like asking Lana to step her game up if Lana recorded BTD and then followed it up with Pink Friday: Roman Reloaded

I think Bloom in general is their magnum opus and probably the magnum opus of dream pop as a genre. The album as a whole is just complete perfection.

I think Bloom in general is their magnum opus and probably the magnum opus of dream pop as a genre. The album as a whole is just complete perfection.

I think my growing problem with Charli is theres nothing to her anymore. Sucker was very clearly derivative of it's own influences both sonically and lyrically and it was just bubblegum pop with a bit of a "punk" tinge. This new EP goes even further into this issue. Its a Charli XCX EP but it sounds like a SOPHIE EP with Charli's voice on it. It may be pushing the boundaries of pop, but its not really doing anything unique because its nothing SOPHIE and the rest of PC Music haven't already done before. Its a nice release for what it is, but I just hope that isn't the sound of her album because instead of a true collaboration, the Vroom Vroom EP comes across as about 90% SOPHIE and 10% Charli. I think I got into her so much because True Romance was truly unique and really felt authentic rather than feeling completely derivative of it's influences and collaborators.