kristinaj

I don't know where else to write this, but I've been here for a couple of months and I've noticed how many pretentious people there seem to be here, and people are always trying to connect Lana's inspirations to something from the past, oftentimes so irrelevant to her music and to what she writes about. Can't wait until someone claims that she's written a song about the diary entries of a Nazi officer or something

I think the most feasbile thing here is that Lana read a book about Bowie (didn't she say that she liked reading biographies about musicians?) and saw Terry being mentioned there, maybe his story touched her heart and she liked his name, so she just decided to use it as the name in the song's title

What rock have you been living under
 
Edit: nvm I saw your other post lmao

I don't know where else to write this, but I've been here for a couple of months and I've noticed how many pretentious people there seem to be here, and people are always trying to connect Lana's inspirations to something from the past, oftentimes so irrelevant to her music and to what she writes about. Can't wait until someone claims that she's written a song about the diary entries of a Nazi officer or something

Didn't somebody here jokingly connected the title 'Ultraviolence' with WW2 awhile ago?  

I love how this is her first [explicit] Bowie reference and some people on here already came to conclusion she knows his entire life story I'm not saying it couldn't be true - but sistrens... it's just one line

In Space Oddity there is the line 'Tell my wife I love her very much', maybe the title 'Terrence Loves You' is connected to that, idk
 
I've got to admit some of the lines are kind of awkward, especially 'Trying to transmit can you hear me' and also the way she rhymes 'Ground Control To Major Tom' with 'Can you hear me all night long'
 
I do like how 'Trying to transmit can you hear me' seems to be her version of the line 'Can you hear me, Major Tom'. I think it's the word 'Transmit' that is kind of awkward

That drives me mad. In High By The Beach it's the same thing with the piano which lasts for like 1.5 seconds

That drives me mad. In High By The Beach it's the same thing with the piano which lasts for like 1.5 seconds

That drives me mad. In High By The Beach it's the same thing with the piano which lasts for like 1.5 seconds

Every song on the album (except Burnt Norton and DLMBM) is over 4 minutes. What kind of dream  

I honestly started crying a little when I heard TLY. I'm a massive Bowie stan and the Major Tom bridge sent me to heaven for just a few seconds it was just so beautiful.Loved the reverb as well...
 
This is how I imagined HM would sound like. I'm just so happy....
 

Me during the major tom part:
        
 
Me during the rest of the song:
    
 
 
 
But overall I love it but that bridge just makes the song for me. Lanz channeling those Bowie vibes.~~~~~

Poor Lana thinks adding some "Jazz elements" makes it Jazz. You need more sounds in the background to make it jazz.

I like how her hat matches the red vinyl so nicely!

No it isn't dude

I'm starting to hate the word 'Lynchian'

Didn't someone here say that Honeymoon is a less personal album and more about her observations about other people/stuff? That cover would make sense then, she's not in the focus but is just an observer

Wait, Ground Control to Major Tom? Omg Bowie reference. My life is made

Omg Art Deco, I love it

I'm starting to hate the word 'Lynchian'

Didn't someone here say that Honeymoon is a less personal album and more about her observations about other people/stuff? That cover would make sense then, she's not in the focus but is just an observer

I'm starting to hate the word 'Lynchian'

Lemme call that bus and get lost in it so I won't see the cover ever again

it doesn't actually look AS bad when it's in HQ... atleast u can actually see her... sort of...
 
but still an awful cover someone photoshop out the words on the tourbus please...