99centlips

me: i hate this bitch and her dumb awful set list!!!!
 
also me: *in the fetal position listening to Blue Jeans live for the 10004th time sobbing like a bABBYYYY*

the pit is so EMPTY

We will always one look that we won’t get cause of the cancelled show.

I love ha but that outfit was a choice

Yes. She's a liar.   

@lanadelreypictures on insta said she might livestream the beginning

Hey everyone!
One thing I love to do is look at Lana's activity from when she was working on a record or what she says about working on a record and use that evidence to help formulate a timeline of when she began or finished writing songs on that record. 
 
I feel like LFL was the perfect record to do this with, considering Lana was pretty active outside of the studio with this record, and a lot of it deals with themes that were very current and had to do with the real world.
 
Please share your ideas and thoughts and discuss! 
__________________________________________________________________________________________________________________________
September 2015 - November 2015
“Lust for Life" (solo, "art song" version)
-Lana states that this was the first song she wrote for the record
-in an interview with KROQ in July 2017, Lana states that she began working on the record the day she put out “Honeymoon”
December 2015 - February 2016
“Heroin”
-December 2015, Lana attends a Motley Crüe concert (“Life rocked me like Motley”)
-February 2016, Lana talks about “a clarity of inner dialogue” regarding her new album during a Billboard event
-that same event, her hair resembles that of an iconic look of Sharon Tate, whose death is referenced in the song (“Writing in blood on all my walls…” She also told Billboard mag in October 2015 that she was asked to play the role of Sharon Tate in a film
March 2016
“Get Free”
-Originally titled “Malibu” - Lana was spotted in Malibu frequently during this time, and the song was regarded as an earlier, darker track in the Billboard 2017 interview
-She posted about being in the studio this month 
 
 
April 2016
“Love”
-Lana spotted with Emile Haynie frequently
-Love lyrics tweeted by insider/leaker as early as April 2016
 
“Groupie Love”
-Lana saw A$AP Rocky perform at Coachella, and has stated that she was inspired by Rocky’s “groupie” female fans
 
May 2016
“13 Beaches”/"Something Real"
-Lana spent a lot of time on the beach during Spring 2016 and in the Billboard 2017 interview, this was regarded as an earlier, darker track.
-She posted about being in the studio this month
(cr: @@Eclipse for month/year)
 
June 2016
"Yosemite"
-I know it's not on the record, but Lana was spotted at Yosemite National Park on June 13, 2016 with Chuck and Stella, so maybe around this time, she was inspired to write Yosemite?
 
July - August 2016
“13 Beaches” (also worked on in summer?)
as Paris Match Mag stated that Lana wrote the song “last summer” in spring 2017
 
 
September 2016
“Lust for Life” (recording with The Weeknd)
-Lana stated in an interview Zane Lowe for Beats Radio 1 that he jumped on the track soon after his dramatic haircut
-it was also around this time that Lana most likely recorded her vocals for The Weeknd's album, Starboy, which she featured on "Party Monster" and "Stargirl (Interlude)"
 
September 2016 - January 2017
“God Bless America - And All the Beautiful Women In It”
-Lana talked a lot about the importance of politics on social media and this was most likely the record’s “stylistic turn” she referred to in a KROQ interview in July 2017
 
October 2016
"Groupie Love"
-potentially re-recorded Rocky verse done during this time which was stated to be done 6 months after initial recording (potentially April 2016) in interview with Zane Lowe for Beats Radio 1
 
October 2016 - November 2016
"Best American Record"/"Architecture" VIDEO
- Again, not on the record, but I thought it should be included.
- I don't have any evidence as to when this track could have been potentially written but the video (which turned out to be for White Mustang) was most likely filmed in Oct/Nov 2016, so it was done before then. I would say it was an earlier track, so it could be anywhere from September 2015 (assuming it was a song written after HM) to the time the video was filmed
- lyrics posted on November 27, 2016:  http://lanaboards.com/index.php?/statuses/user/1645-eclipse/?status_id=109008
 
November 2016 - January 2017
"Groupie Love"
- another potential date, as Lana also saw A$AP Rocky at Camp Flog Gnaw Carnival with Stella in Nov. 2016 (seeing his female fans go wild for him, inspiring the song, as Lana has said)
 
“When the World Was at War We Kept Dancing”
-The timeframe between Trump’s election and appointment in office, and the song is a commentary and staying hopeful in the era of Trump
 
January 2017
“Tomorrow Never Came”
-Most likely worked on in 2016, but it is known that Sean Ono Lennon added his production and vocals around this time
 
March - April 2017
“Cherry”
-Stated that this was written “at the end of the record” in interview with Zane Lowe for Beats Radio 1
-finished before May 18, 2017
 
"Roses Bloom For You"
-Again, not on the record, but in a snippet Lana posted on Instagram in June 2017, she stated that she wrote the song in March in the caption. 
 
“Coachella - Woodstock in My Mind”
-Began on Lana’s way home from Coachella on April 17, 2017
-Possibly worked on in May 2017 as well
 
“Beautiful People Beautiful Problems”
-Registered in 2015, possibly worked on with Justin Parker in 2012 OR Nov. 2015
- News of collab with Stevie Nicks broke in late April 2017, most likely track already had Stevie’s vocals ready in early-mid April 2017 before news was revealed
 
May  - June 2017
"Groupie Love"
-potentially re-recorded Rocky verse done during this time which was stated to be done 6 months after initial recording (potentially November 2016) in interview with Zane Lowe for Beats Radio 1
 
“Summer Bummer”
-one of the last songs for the record, considering the record “loosened up” as it progressed
-features "Magnolia" vocal stems from Playboi Carti, which was released in April 2017
-one version finished before June 2, 2017 (snippet posted that day)
 
“In My Feelings”
-after G-Eazy and Lana’s break-up in May 2017
 
“White Mustang”
-written about Barrie James O’Neill OR G-Eazy (most likely the latter, with Lana’s “AND IT WASN’T EVEN THAT GOOD!” comment at the Denver Show on 1/7/18)
-finished before June 8, 2017
 
“Change”
-last song written for the record
-written on June 8 at approx 8:00 PM and finished on June 9 at 2:00 AM (June 8 is the same day the WM snippet was posted, her cap and makeup from the recording sessions are the same as the snippet, a fan also saw her that day, confirming the date)

Local radio station brought up her G-Eazy drag. I was shook

IMO this is the only time she sang the bridge in the right key and didn't screw it up....

marfa journal is one of her best shoots and i wish we had it in hq or outtakes tbh

give all of them a credit, life goes on. 
it's the best outcome, instead of having to give up 40 to Radio and 40 to Hammond/Hazelwood. Isn't that all the same as offering 40%?
 
then have some DJ release a remix of all the songs on one and have another hit that isn't officially official
 
(now if only somehow this controversy can finally get BTD to #1 next week in its 300th week 
 
 
Right now- Lust for life is #2 on ITunes Alternative album charts and #52 on the main top 200 album chart
and Born to die is #39 on the I Tunes Alternative album 100
Honeymoon #72 Paradise #78 Ultraviolence #85  so all of her albums are on the Alternative chart

Local radio station brought up her G-Eazy drag. I was shook

Local radio station brought up her G-Eazy drag. I was shook

Agree with National Anthem

Agree with National Anthem

I think she took it out because of all the bad press she got about glamorizing death. Although in the songs she’s obviously just paying tribute, but she was probably wary of the press taking it the wrong way and taking away from the message of the song.
I’m so so so glad she let us know though, it makes it such a special song

With all the press Get Free is getting..I wonder if she’s glad she took our “for Amy and for Whitney.”
There’d be so many articles about it too

So what I got from that is that she's planning on re-releasing the album at some point....like Born to Die was to Paradise... 

 
She's being such a badass this tour first WaW now PWYC I love it so much, I hope G-Eazy or Ratsey shades her so she can put IMF on the medley and rip them apart on a changed verse lmaoo

Well I thought she was great tonight. Smiley. Happy. She seemed to be having fun. Vocals were great. Too bad about the Radiohead weight on her shoulders and the less than full arena. Obviously would have liked more songs but am not unhappy at the set list at all.

I couldn’t find if there’s a thread for the UV video, but @JerDelRey on Twitter found the location of the church. Don’t know if that’s news though, I wasn’t a member here back then.
Cappella di San Sebastiano, Portofino. (Italy)

Is no one at this show? Not that much hype

Radiohead must be at the door not letting people in

Is no one at this show? Not that much hype

Now imagine that on her world tour as the closer or an encore, the fans being her backing vocals for her as she sings a song about hopeful change and good tidings but no fuckstick mcgee's at radiohead decided to ruin a gorgeous song
 

With all the press Get Free is getting..I wonder if she’s glad she took our “for Amy and for Whitney.”
There’d be so many articles about it too