BlackoutZone
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poetic jess liked a post in a topic by BlackoutZone in LDR Album Process Discussion
Is it true that the entire chorus of Your Girl is just sung by Patrick Warren and edited to sound like Lana, cause his acapella was incomplete?
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poetic jess liked a post in a topic by BlackoutZone in LDR Album Process Discussion
Honeymouns remains the reason you got all the Dan UV demos so let's not do too much on him
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poetic jess liked a post in a topic by BlackoutZone in LDR Album Process Discussion
Yeah this surely must be wrong, never heard about it
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Dark City liked a post in a topic by BlackoutZone in LDR Album Process Discussion
I don't know
Also any claims that Lana made 100+ songs for any album are just wrong
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poetic jess liked a post in a topic by BlackoutZone in LDR Album Process Discussion
BZ AMA is a bit of a stretch as there are some questions that I just don't want to answer and I hope you will respect that
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Dark City liked a post in a topic by BlackoutZone in LDR Album Process Discussion
Whatever that means
What I'll say tho... if you are to manifest some amazing outtakes. Manifest LFL outtakes.
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PARADIXO liked a post in a topic by BlackoutZone in LDR Album Process Discussion
It was properly reworked yes
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Dark City liked a post in a topic by BlackoutZone in LDR Album Process Discussion
Yes and it's not only that, it's kinda a pattern throughout her career!
Each time Lana wrote a song with Rick, but it was released with/alongside someone else's production, but she still liked the demo, she would finish it with Rick and release as radio mix.
Radio mixes of Dark Paradise and Summertime Sadness are both finished Rick demos
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poetic jess liked a post in a topic by BlackoutZone in LDR Album Process Discussion
Pretty sure that what she said was "I have an idea for this record called Music to Watch Boys to", but I don't know in what context she meant that, I would say it was about the song, but please note that first actual recording sessions for HM with Rick started in September 2014, so everything prior was just ideas
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Dark City liked a post in a topic by BlackoutZone in LDR Album Process Discussion
I don't recall Get High, but yes the other 2 are definitely real OG titles of the songs so Get High might as well be
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Dark City liked a post in a topic by BlackoutZone in LDR Album Process Discussion
Yeah I Don't Wanna Go / Tonight / Black Leather Moonlight (as annoying as it sounds, all 3 titles are equally correct, you can use whichever one you want) that leaked is from mid 2012, then it was rewritten and re-produced as Lake Placid for Tropico/UV
ITTJ is another essay-type post I don't have energy for right now. Not gonna lie I hate that song, never put full effort to piece its timeline together
The simple answer to this is that Rob Orton, UV's mixing engineer, was still mixing the tracks at the time of WC release and they just attached earlier mix to it. Pretty sure it was even released on streaming later as Rob Orton mix or something
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Brooklyn Fetus liked a post in a topic by BlackoutZone in LDR Album Process Discussion
I'm not sure about YTH, but Fine China went as far as being mixed by Rob Orton and it's a Rick Nowels version. Same with Your Girl
But as soon as she came back to work on Honeymoon the first person to touch SYTH again was Rick so you could say the last version of YTH for UV was Rick's (per leaked files though - James Ford version is the latest, from April 2014 I think)
What you are missing is the fact that Dan did demos of Pretty When You Cry and Guns & Roses as well, they just never leaked
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xlanax liked a post in a topic by BlackoutZone in LDR Album Process Discussion
Wow there is so much disappointed coming for some of you it seems, Dan Auerbach never produced SYTH or Fine China
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poetic jess liked a post in a topic by BlackoutZone in LDR Album Process Discussion
Lana did record Ave Maria, it was considered for UV even "after Tropico"
Talking like an Answering Machine is a bit of a mystery to me as well, but there seems to be a higher chance that it's real rather than that it's not
Melancholia uses seemingly the same instrumentation as UV and some parts of the melody, but outside of that it's pretty much a very different song, very rough though.
It's just an unreleased song, all I'll say
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Dark City liked a post in a topic by BlackoutZone in LDR Album Process Discussion
Never heard about Elvis being actually reworked, but it's a song Lana remembered if that makes sense. Also wasn't it used for some movie a few years ago, that Lana acknowledged as well? They surely used the "final" existing version there
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poetic jess liked a post in a topic by BlackoutZone in LDR Album Process Discussion
Because it was not planned. She wanted the visual to be made for songs only from the new record. I guess she wanted to launch the album alongside, but when she realized the album was not ready they just decided to use it for Paradise era and create different visuals for LP2 when it's all done.
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poetic jess liked a post in a topic by BlackoutZone in LDR Album Process Discussion
What I see here and what seems to make sense by what existed in January 2013 already:
1. Old Money?
2. Black Beauty?
3. ??
4. Lake Placid
5. Summertime
6. Melancholia
7. Jesus (ITTJ)
8. Pink Champagne - this is the original name of Let Me Love You Like A Woman demo
9. Elvis
10. Earthquakes
and further I can't read, but it Guns n Roses, Money Power Glory and maybe Cherry Blossom I'd expect to be on such draft from that time as well
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Dark City liked a post in a topic by BlackoutZone in LDR Album Process Discussion
I don't know if it's ok to just continue it all in this thread, but I guess everything related to unreleased material from UV does count as "Scrapped 3rd album" discussion.
Starting with the name, I personally never heard of "Trans-Am" being referenced, whether as a song title, album title or some project. Maybe it was a code name Lana used, maybe something insignificant. I did however see Tropico being used interchangeably as LP2/Second studio album form late 2012. I suspect that Lana had a visual idea for it from the start and already was in talks to make a movie for it in early stages. Maybe it went as far as her signing some agreements or label scheduling some timelines that had to be met in order to make the visual happen, but when it approached Lana might have decided she is not ready with the record at all and needs more time to finish it so they made ultimate decision to use the visual for Paradise edition instead. Since the name Tropico was more attached to the visual theme than the album she was making, she changed the album name and kept Tropico for the movie
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poetic jess liked a post in a topic by BlackoutZone in LDR Album Process Discussion
Hi everyone, thank you so much for collective effort to get my account back!
Before I answer anything, I just wanted to say that at the end of the day I am not Lana, I am not in her head, I was not in the room when these songs were made and there is always a tiny bit of chance that I am wrong. Everything I'm revealing is based on (sometimes years of researching) things I listened to, read about or heard from people who worked with her directly. I do find timeliness, demos, drafts etc very fascinating as it gives you some additional cool insight of what was happening behind the scenes so I'll happily join the discussions here
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takemybreath liked a post in a topic by BlackoutZone in LDR Album Process Discussion
I'm gonna do a whole post on Yes To Heaven, Fine China and Your Girl, but it's gonna be an essay, cause there is a lot to say, especially in relation to the Eclipse leaked files... I need some time to put it together
It was the pre-chorus
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Rockwell Firefly liked a post in a topic by BlackoutZone in LDR Album Process Discussion
Nope, pretty much everything that goes pre-major label debut is unknown to me beyond what is known. Maybe I will encourage someone who does know a thing or two to come here one day and talk
hmm Axl Rose Husband!
And as you know Methamphetamines turned into Old Money
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poetic jess liked a post in a topic by BlackoutZone in LDR Album Process Discussion
I know nothing about this, same with that St. Petersburg soundcheck song. I tried to find out what this was all about, but never reached anything.
What I did learn however is that Lana happens to improvise random things during soundchecks as a form of warm up and I think these might be those cases. But I really don't know
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Embach liked a post in a topic by BlackoutZone in LDR Album Process Discussion
Seems like that's a wrap for now! I think I said everything essential that I wanted to say. Hope this brought some closure to those who were seeking it or that at least you learnt something interesting. It was fun and maybe one day I will come back to talk more, maybe in upcoming years more interesting stuff to talk about will surface as well. Thanks for joining and being all nice and respectful. And remember, Lana's word is always above me or any of us, she is the artist and the visionary and none of us other than her will fully know the truth about all those mysterious things.
Pre-order and stream the amazing Did you know that there's a tunnel under Ocean Blvd, out March 10th!
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Dark City liked a post in a topic by BlackoutZone in LDR Album Process Discussion
She worked quite a bit with Rick for NFR still
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poetic jess liked a post in a topic by BlackoutZone in LDR Album Process Discussion
Oh I thought that was the version that leaked, that's the one I was talking about that was definitely made in 2016.
Either way the difference is that John Fortis is the actual producer of the track anyway so this was something he was able to do. Patrick Warren is not, his mixes are not Lana's or Rick's visions