IanadeIrey

this is so beautiful 
 
i love all of your edits, please keep it up!!! <3

i have a shrine and an altar for it
 
girl have you seen my member title? we been out here making blood sacrafices on the full and dark moon 
 
we stay grinding for her ununlockable magnum opus

which we know won happen

Can we organize "release Yosemite" chants at the LA To The Moon Tours 
 
I'm getting very impatient 

she said she wanted to
 
she also said she wanted to release 25 unrerlealed skjds'

Get Free is thematically essential to the record. You may not like it, and that is your opinion, which is totally fine, but you cannot argue that, with Love, it is where the heart of the record it is.
 
 Don't believe me? Check my username. I state facts 

BEST AMERICAN RECORD single cover. Inspired by her look at the 2017 San Francisco show. 
 
 
 
 
 

BEST AMERICAN RECORD single cover. Inspired by her look at the 2017 San Francisco show. 
 
 
 
 
 

Get Free is thematically essential to the record. You may not like it, and that is your opinion, which is totally fine, but you cannot argue that, with Love, it is where the heart of the record it is.
 
 Don't believe me? Check my username. I state facts 

I know it's old news, but what do you want to see in the homemade MV for Cherry? 
 
I would like it to be shot using the same texture and film as the video for National Anthem, with monochrome red, with Lana and her dancers in an empty studio (similar to LFL beginning) doing the onstage choreography, interlaced with shots of Lana sitting in a posh hotel room, done up, with cherry earrings, just looking at the camera or eating a cherry. Then maybe some abstract shots could be included, like how MTWBT had original shots of Lana, the underwater girls, and the basketball boys, and then stock footage of flamingos and film cameras, etc. Share your ideas! 

Okay but seriously, I'm with you, I need Yosemite, she hyped us up 

I need the instrumentals..

Okay but seriously, I'm with you, I need Yosemite, she hyped us up 

if ur username is anything to go off of....drop yosemite goddamnit

I want a surf rock, more 50's glamour California sound. Something like the fake snippet of Love from January that sounded very beach-y and like a mature Lizzy (a la Kill Kill or Trash Magic demo)
 
My icon is an aesthetic I'd like for LDR6, maybe a title like "Good Vibrations."
 
I was saying it in another thread, but it's very possible, as "into the blue" (AKA water AKA being freed) is a jumping off point for LDR6, and the end of Get Free is basically what you hear at the beach, so  

The "I can taste it turning sour" gets me every time, it's so haunting

!!!!!
also, in WTWWAWWKD, the last chorus and  "And we'll do it again" at the end are very magical for me

The whole album. 

To be specific, 
Love - the last "and in love" where her notes soar high, and the outro, "don't worry baby"
Lust for Life - the anticipation of the moment the song starts; you hear air clearing, with the revving of a motorcycle, and then BAM! "(Uhhmmm) Climb up the H." The twinkling piano notes are beautiful as well.
13 Beaches -  the moments the satellite noise hits in the pre-chorus, so unique.
Cherry - the drumroll pattern, when the beat drops, the quiet swear words laced throughout the tracks, and the "Why?" part
White Mustang "You're revving and revving it up" and the moment after the second whistle (you can hear some strings and piano and bass, it sounds like a sci-fi show theme)
Summer Bummer - the siren notes in the background after Rocky's verse, and the outro of those siren notes.
​Groupie Love - the plucked strings in the pre chorus and the hazy, dreaminess in the chorus, the backing whisper of  "having my baby" right after she sings "Having my baby right next to me" the faint moan/sigh right before "And every time we hook up"
In My Feelings - the moment the beat drops right before "Cause you got me in my feelings" and the bridge vocals. Bop alert!1!!!11!!!
Coachella - Woodstock in My Mind - that futuristic sound the moment the song starts, the first "I'd trade it all" and of course, the bridge
God Bless America - And all the Beautiful Women In It -  the bridge, and the slightly folksy but regal instrumental when she says "Even when I'm alone"
WTWWAWWKD - "Shake it out, throw your hands up and get loose..." and the soprano vocals in the choruses
BPBP - The hums in the bridge, the last moment when Lana and Stevie alternate between "yeah" 
TNC - the first triadic chord of "hey, lady lay" and the bridge
Heroin - the whole song. The bridge is bliss. Best song on the record.
Change - the transition between first chorus and second verse, the last piano note of the song.
Get Free - whole stanza about the rainbows, the "shadup, shadup!" and "touch, touch!" in the background. The moment towards the end where the shouty Lizzy vocals begin to overpower the sweet, languorous Lana vocals. The entire last minute, with the seagulls and the beach sounds, the sound of freedom. 

To be specific, 
Love - the last "and in love" where her notes soar high, and the outro, "don't worry baby"
Lust for Life - the anticipation of the moment the song starts; you hear air clearing, with the revving of a motorcycle, and then BAM! "(Uhhmmm) Climb up the H." The twinkling piano notes are beautiful as well.
13 Beaches -  the moments the satellite noise hits in the pre-chorus, so unique.
Cherry - the drumroll pattern, when the beat drops, the quiet swear words laced throughout the tracks, and the "Why?" part
White Mustang "You're revving and revving it up" and the moment after the second whistle (you can hear some strings and piano and bass, it sounds like a sci-fi show theme)
Summer Bummer - the siren notes in the background after Rocky's verse, and the outro of those siren notes.
​Groupie Love - the plucked strings in the pre chorus and the hazy, dreaminess in the chorus, the backing whisper of  "having my baby" right after she sings "Having my baby right next to me" the faint moan/sigh right before "And every time we hook up"
In My Feelings - the moment the beat drops right before "Cause you got me in my feelings" and the bridge vocals. Bop alert!1!!!11!!!
Coachella - Woodstock in My Mind - that futuristic sound the moment the song starts, the first "I'd trade it all" and of course, the bridge
God Bless America - And all the Beautiful Women In It -  the bridge, and the slightly folksy but regal instrumental when she says "Even when I'm alone"
WTWWAWWKD - "Shake it out, throw your hands up and get loose..." and the soprano vocals in the choruses
BPBP - The hums in the bridge, the last moment when Lana and Stevie alternate between "yeah" 
TNC - the first triadic chord of "hey, lady lay" and the bridge
Heroin - the whole song. The bridge is bliss. Best song on the record.
Change - the transition between first chorus and second verse, the last piano note of the song.
Get Free - whole stanza about the rainbows, the "shadup, shadup!" and "touch, touch!" in the background. The moment towards the end where the shouty Lizzy vocals begin to overpower the sweet, languorous Lana vocals. The entire last minute, with the seagulls and the beach sounds, the sound of freedom. 

Thank you so much! You too!
and yes, I'm praying too 

To be specific, 
Love - the last "and in love" where her notes soar high, and the outro, "don't worry baby"
Lust for Life - the anticipation of the moment the song starts; you hear air clearing, with the revving of a motorcycle, and then BAM! "(Uhhmmm) Climb up the H." The twinkling piano notes are beautiful as well.
13 Beaches -  the moments the satellite noise hits in the pre-chorus, so unique.
Cherry - the drumroll pattern, when the beat drops, the quiet swear words laced throughout the tracks, and the "Why?" part
White Mustang "You're revving and revving it up" and the moment after the second whistle (you can hear some strings and piano and bass, it sounds like a sci-fi show theme)
Summer Bummer - the siren notes in the background after Rocky's verse, and the outro of those siren notes.
​Groupie Love - the plucked strings in the pre chorus and the hazy, dreaminess in the chorus, the backing whisper of  "having my baby" right after she sings "Having my baby right next to me" the faint moan/sigh right before "And every time we hook up"
In My Feelings - the moment the beat drops right before "Cause you got me in my feelings" and the bridge vocals. Bop alert!1!!!11!!!
Coachella - Woodstock in My Mind - that futuristic sound the moment the song starts, the first "I'd trade it all" and of course, the bridge
God Bless America - And all the Beautiful Women In It -  the bridge, and the slightly folksy but regal instrumental when she says "Even when I'm alone"
WTWWAWWKD - "Shake it out, throw your hands up and get loose..." and the soprano vocals in the choruses
BPBP - The hums in the bridge, the last moment when Lana and Stevie alternate between "yeah" 
TNC - the first triadic chord of "hey, lady lay" and the bridge
Heroin - the whole song. The bridge is bliss. Best song on the record.
Change - the transition between first chorus and second verse, the last piano note of the song.
Get Free - whole stanza about the rainbows, the "shadup, shadup!" and "touch, touch!" in the background. The moment towards the end where the shouty Lizzy vocals begin to overpower the sweet, languorous Lana vocals. The entire last minute, with the seagulls and the beach sounds, the sound of freedom. 

To be specific, 
Love - the last "and in love" where her notes soar high, and the outro, "don't worry baby"
Lust for Life - the anticipation of the moment the song starts; you hear air clearing, with the revving of a motorcycle, and then BAM! "(Uhhmmm) Climb up the H." The twinkling piano notes are beautiful as well.
13 Beaches -  the moments the satellite noise hits in the pre-chorus, so unique.
Cherry - the drumroll pattern, when the beat drops, the quiet swear words laced throughout the tracks, and the "Why?" part
White Mustang "You're revving and revving it up" and the moment after the second whistle (you can hear some strings and piano and bass, it sounds like a sci-fi show theme)
Summer Bummer - the siren notes in the background after Rocky's verse, and the outro of those siren notes.
​Groupie Love - the plucked strings in the pre chorus and the hazy, dreaminess in the chorus, the backing whisper of  "having my baby" right after she sings "Having my baby right next to me" the faint moan/sigh right before "And every time we hook up"
In My Feelings - the moment the beat drops right before "Cause you got me in my feelings" and the bridge vocals. Bop alert!1!!!11!!!
Coachella - Woodstock in My Mind - that futuristic sound the moment the song starts, the first "I'd trade it all" and of course, the bridge
God Bless America - And all the Beautiful Women In It -  the bridge, and the slightly folksy but regal instrumental when she says "Even when I'm alone"
WTWWAWWKD - "Shake it out, throw your hands up and get loose..." and the soprano vocals in the choruses
BPBP - The hums in the bridge, the last moment when Lana and Stevie alternate between "yeah" 
TNC - the first triadic chord of "hey, lady lay" and the bridge
Heroin - the whole song. The bridge is bliss. Best song on the record.
Change - the transition between first chorus and second verse, the last piano note of the song.
Get Free - whole stanza about the rainbows, the "shadup, shadup!" and "touch, touch!" in the background. The moment towards the end where the shouty Lizzy vocals begin to overpower the sweet, languorous Lana vocals. The entire last minute, with the seagulls and the beach sounds, the sound of freedom. 

The whole album. 

The whole album.