poetic jess

Umm. What.

Umm. What.

Umm. What.

Umm. What.

she's clearly not talking about AB or Kanye. BUT, if she was talking about some of them, it would be racist.
I promise that that's the last comment that I'm going to do about this topic

god, I've just said that she wasn't being racist bc it's not about anyone, that's it

Let's leave @@daytonadeath alone and at least acknowledge that "black narcissist" is a poor choice of metaphor. 

The lyrics...... the single cover....... *face palm*

this.... made me lose brain cells 
people aren‘t ctitising her for using well-established symbols or allegories (no one has issues with black beauty) the issue is that the line uses poor wording and the current fights and association with k/a don’t help in that case as the line can be terribly misinterpreted
i can’t believe she didn’t realise it herself it’s almost as if she wants people to drag her every album cycle at least once.

ultrababy and Eclipse, I thought you two had a taste. Looks like I was wrong. Don't @ me, cuz I said what I said.

the "untouchable five" are honestly not that untouchable, there are plenty of other unreleased tracks just as good

And to say depression is a black narcissist is still racist since you associate the blackness with something bad, evil or dark.

Blue Jeans single cover vs Sylvia single cover
 
 
 

 
Like...I know to some people single covers don't mean much, but to me it does especially when you know Lana's single covers used to SLAY.
Honestly it's like she's not even trying? Single covers are what draw people to listen to the song, it's like what they say "it's all about presentation".
If I saw the Sylvia cover without knowing about Lana, nothing would make me want to listen to it because it literally looks like it'll be a song recorded on an iPhone and uploaded to Bandcamp or something...
 
But thank god the song itself is a masterpiece so maybe I'll let it slide
 
Edit: Happy 600 pages gays!

Oh god, I love everything about this; but the "black narcissist" line...really? I understand what she's talking about, but people are already taking this way out of context. 

I don't think it's his fault. You should blame Lana for that, OFC if you want someone to blame.
I mean, producer can't put out the song without artist listening to it first, right? Plus, we all know that Lana is involved in producing her songs, so, yeah, blame Lana and don't come after Jack cause it's not his fault. OFC partly IT IS his fault, but it's more Lana's. Oh well...

Rick produced coachella and change.Next

I don’t think I will listen to it more than 20 times tho
And the “black narcissist” line really bothers me

Does she really say “black narcissist?”
 
I love the rest, but...

Here’s the thing, Lana wouldn’t disrespect Sylvia by putting her “head in an oven” just to stir drama when she’s been working on editing herself down since 2014. She didn’t show the graphic images of the assasination scene in the National Anthem video, and the worst we’ve seen during that era was the ending of the BTD music video, the ending of Blue Jeans, and the jumping off scenes in Summertime Sadness. She could’ve kept the original video for UV, but she didn’t because who knows? Maybe she thought the original went too far, maybe her managers convinced her it wasn’t the right move for her career and the backlash would get worse. She even removed the “drowning” scene in Shades of Cool, yet it’s one of her best music videos. Anyway, she hasn’t spoken up any regret for these kinds of decisions. Usually it’s for moments she said she should’ve thought more of what she was putting out there. Not putting effort in visuals is lazy. But so is being controversial for the sake of being controversial. That’s not deep or entertaining.

She pretended to be pregnant, stole my Change video edit and claimed she did it, stole other people’s edits, and I think she’s the same person behind the Neohumanism account (allegedly). I thought people reported her account. lol

Lana singing about driving fast in a car for the 836401893618th time, but I love the production. It reminds me more of Paradise than Honeymoon.

I wouldn’t mind this, but lately while listening to MAC, it feels like it is the continuation of Get Free with the lyrics alone. She’s fulfilling that promise to get out of that dark part of her life. She’s confronting someone who thinks of her simply as the “sad girl” and says upfront she’s much more than that and says she can be the strong person in the relationship. In Get Free we hear sounds of the ocean and in MAC she’s references herself as the water (Catch a wave and take in the sweetness/Think about it, the darkness, the deepness/All the things that make me who I am). I don’t think the beginning of this album has to sound connected to the ending of the last album. I mean Ultraviolence didn’t start sounding like the end of Paradise and both albums are good on their own.

Did this girl really just wait to get 666K followers to kick off MASOCHISM...

wait is billie eillish releasing a song on the 9th... yikes sorry lana