West Coast

Agreed, although I will say that overall I found Blue Banisters' sound to be somewhat cohesive, I'll take the production on that album over the NFR production any day.

Hopefully this is for LDR11, and in the meantime Lana will release another beautiful album in the vein of 'Blue Banisters' filled with nicely produced songs of different genres from different producers; so by the time she releases the next record I won't even care that Jack came back to disappoint us with yet another palatable album, with an unimaginative production.

It's only the beginning—reconnecting with my 2019/20 self.

Wasn't Laura the sound engineer responsible for the atrocious, flat & tinny mixing on most NFR songs?

The fact that Emile Haynie, Zach Dawes, Miles Kane, Gabe Simon & Dan Auerbach are literally out there and she settles for... Jack. Lana has lost her mind and she perpetuating mind loss by pushing it off onto us.

Hopefully it's only for the second poetry book, otherwise it's a loss for the culture

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I really liked what I heard on Violet, the instrumentation was very good, I feel like we'll hear something in a similar vein on Behind the Iron Gates and I'm not complaining.

I've come a long way with my appreciation of Jack's work with Lana, and I can't really tell whether or not it's Lana of Jack's input that doesn't work for me, but besides a few key tracks (which are some of her best work if I'm being honest; mainly Venice Bitch & White Dress) I find their work together to be very underwhelming. I also like that Lana has and will always work with different people, but I feel like we've heard enough of the Antonoff/Del Rey collab.

David Kahne - 15 Emile Haynie - 10 Dan Heath - 11 Dan Auerbach - 14 Blake Stranathan - 10 Rick Nowels - 14 Zach Dawes - 10 Drew Erickson - 7 Barrie-James O’Neill - 9

David Kahne - 11 Emile Haynie - 10 Dan Heath - 10 Dan Auerbach - 11 Blake Stranathan - 10 Rick Nowels - 11 Jack Antonoff - 7 Zach Dawes - 10 Drew Erickson - 10 Barrie-James O’Neill - 10

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I definitely forgot to mention 'Dealer', but it's definitely up there as well.

IDK what some of you guys are on with the production on Blue Banisters, but as far as production goes 'Text Book', 'Black Bathing Suit', 'If You Lie Down With Me' & 'Sweet Carolina' are some or her best produced songs in a moment. If she wants to go down that road, I'm fine with that. I'll take that style of production over the messy NFR & COCC production & mixing any day.

Just cause you have access to coveted material (or withhold it), doesn't mean your takes on Lana's music are... accurate. If anything, except for the poor audio on the unreleased tracks she put on the album, Blue Banisters is her best album as far as production goes since Honeymoon.

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Realistically speaking, if she were to perform at the half-time show, she'd have to do bops & the likes: 1. Cherry 2. Off To the Races 3. West Coast 4. Video Games 5. Venice Bitch Some might say this is safe, but I think those are the songs she's most comfortable performing and make you bop your head a little. ETA: She'd start the show with the intro to National Anthem ofc

Not my first time attending a Tame Impala concert, and I don't know if it's because it was my first concert Covid times, but the show I attended last night has got to be one of the best. Absolutely otherworldly.

oomf is a stan and like bless her for that, but I don't get the appeal... maybe she has good lyricism, but all the songs I've heard are so damn bland. It's one of those artists when you've heard 2-3 songs you've heard them all essentially.

Charitable kween. She looks so good.

cocc joocer huh

Getting real excited for Thursday night

I'm down to pay 5$-ish a month to get rid of the ads and randomly donate money throughout the year to add to my tax return papers