slayyyngel

Speed Drive is cute but its not what I expected from the title.
Also I'm getting irritated at the tracks on the Barbie album being under two minutes??? Like you guys cant even hit 2:01???

Yeah I have had the chance now to listen to the album all the way through multiple times and I do think that all of the songs are decent and theres no standout "awful" track or skip besides like, unholy if that even counts.
 
I don't think its a cohesive, or well made album necessarily though. And I do actually agree with the pitchfork review, but I do think like a 5/10 would be a better score.
Theres nothing on here that is groundbreaking, nothing about any of the tracks says "artistry". but there are songs that are fun to listen to.
Its just so overtly safe. Claws though is a standout track in her discography in my opinion.

Speed Drive is cute but its not what I expected from the title.
Also I'm getting irritated at the tracks on the Barbie album being under two minutes??? Like you guys cant even hit 2:01???

Yeah I have had the chance now to listen to the album all the way through multiple times and I do think that all of the songs are decent and theres no standout "awful" track or skip besides like, unholy if that even counts.
 
I don't think its a cohesive, or well made album necessarily though. And I do actually agree with the pitchfork review, but I do think like a 5/10 would be a better score.
Theres nothing on here that is groundbreaking, nothing about any of the tracks says "artistry". but there are songs that are fun to listen to.
Its just so overtly safe. Claws though is a standout track in her discography in my opinion.

After listening EXTENSIVELY, I've grown to love all of the songs on the album. I'm still disappointed, but I don't think it's terrible and is actually pretty enjoyable if you don't focus too hard.

The pitchfork review score....that hurts. I don't necessarily disagree, though I think maybe a 5 would be more accurate, but damn is it so upsetting to see an artist who has SO much potential and has put out stuff that is SO much better get a score like that. We know that Kim has it in her, we know she can elevate things; but this fucking label is holding her back so much.

Agree with everyone else that the "singles" for this album were shit, and the roll out was god awful. Claws and KOH need to be released as singles ASAP!

I know I'm biased but as soon as I saw the 360brat name with the neon pink, I wanted a Slayyyter feature on this project.
Especially knowing the production will be similar to Hot Girl, Welcome To My Island remix... and now especially after hearing the unused barbie track.
I just really feel like she would fit on the project more than any other artist right now. 
 
This is the type of project I want people like Slayyyter, Kim Petras, Chase Icon, Paris Hilton on. Like please just give us barbieCORE.

the singles did such a BAD job at promoting this album lmao they chose the worst possible material on the record to be front and center. truly career sabotage... 

Problématique might be more cohesive but Feed the Beast is the superior album TBH. Sure it has its flaws (Coconuts, Alone verses) but it’s full of top tier songs that blow any Problématique song out the water. Her label made some points when they scrapped Problématique and pushed her to put out better music 

I don't necessarily agree but I def see where you're coming from? If that makes sense?
 
I do think this era in particular sticks out as not being "uniquely Slayyyter". Only Plastic and Purr on this album I would consider to be songs only she can pull off. The rest of the tracks are amazing but I def could see another artist coming out with them also. To me, the reason I hated slutpop so much is Kim just cannot pull off these types of songs the way Slayyyter or Ayesha or Chase Icon can. But I don't hear any of these songs and feel like Slayyyter can't pull it off. I just usually expect something different from her than most of the tracks on this new era.
 
Really though I always see music as a collaborative effort. Its going to be influenced by everyone that worked on it. So I find it I guess incorrect to say the mixtape is "an Ayesha impression". Its an album Ayesha wrote and produced and collaborated on. TP sounds the way it does because those covid-era hyperpop producers worked on it. Out of Time sounds comparable to a Kim Petras song because.... well, one of Kim Petras's collaborators produced it.  And I mean honestly can you really criticize pop music for being trendy? Its kind of the point of it. Although I understand what you mean as sort of her stepping further away from that more edgy sound and towards a more mainstream approach which is I guess a valid criticism but one that doesn't personally bother me.
 
Honestly the first sessions leaks that came out for this era I was not that much impressed as I am at this moment now. But that's because now I can start to see her vision going forward with all the songs together in an album and the visuals, shes actually pulling it off in a way I didn't expect her to.
 
edit: this ended up kind of a repeat of what @DinahLee said at some parts but our posts were 5 minutes apart, made while I was typing, oop!!

Someone mentioned a few pages ago it sampling that song. 
She actually tweeted a while ago about her liking the recent trend of sampling. 
 
In my opinion its getting really, really tired at this point. Almost every song that comes out anymore right now is sampled off a more popular song.
Alone ft. Nicki Minaj for me was the breaking point tbh but I'm Good (Blue) was the song that really made me hate the trend at first.
But I didn't even know this song was originally sampled, and this song has always had that "familiar 80s sound", to me, it just sounded "somewhat like Thriller, but new". So it doesn't take me out of it.
 
But... this isn't new for Slayyyter though. Theres been a few songs, like Sweet 16 that went unreleased because it sampled Its My Party and couldnt get the sample to clear.
And then of course her remix of Gimme More. And then her Heidi Montag collab that apparently didnt release because it sampled Britney. (why would you even bother trying that a second time? why waste Heidi's time and get our hopes up?!) They should have done a "Heidi's Version" of I'll Do It ft. Slayyyter like Paris and Kim did and absolutely clear them.

Someone mentioned a few pages ago it sampling that song. 
She actually tweeted a while ago about her liking the recent trend of sampling. 
 
In my opinion its getting really, really tired at this point. Almost every song that comes out anymore right now is sampled off a more popular song.
Alone ft. Nicki Minaj for me was the breaking point tbh but I'm Good (Blue) was the song that really made me hate the trend at first.
But I didn't even know this song was originally sampled, and this song has always had that "familiar 80s sound", to me, it just sounded "somewhat like Thriller, but new". So it doesn't take me out of it.
 
But... this isn't new for Slayyyter though. Theres been a few songs, like Sweet 16 that went unreleased because it sampled Its My Party and couldnt get the sample to clear.
And then of course her remix of Gimme More. And then her Heidi Montag collab that apparently didnt release because it sampled Britney. (why would you even bother trying that a second time? why waste Heidi's time and get our hopes up?!) They should have done a "Heidi's Version" of I'll Do It ft. Slayyyter like Paris and Kim did and absolutely clear them.

Someone mentioned a few pages ago it sampling that song. 
She actually tweeted a while ago about her liking the recent trend of sampling. 
 
In my opinion its getting really, really tired at this point. Almost every song that comes out anymore right now is sampled off a more popular song.
Alone ft. Nicki Minaj for me was the breaking point tbh but I'm Good (Blue) was the song that really made me hate the trend at first.
But I didn't even know this song was originally sampled, and this song has always had that "familiar 80s sound", to me, it just sounded "somewhat like Thriller, but new". So it doesn't take me out of it.
 
But... this isn't new for Slayyyter though. Theres been a few songs, like Sweet 16 that went unreleased because it sampled Its My Party and couldnt get the sample to clear.
And then of course her remix of Gimme More. And then her Heidi Montag collab that apparently didnt release because it sampled Britney. (why would you even bother trying that a second time? why waste Heidi's time and get our hopes up?!) They should have done a "Heidi's Version" of I'll Do It ft. Slayyyter like Paris and Kim did and absolutely clear them.

Someone mentioned a few pages ago it sampling that song. 
She actually tweeted a while ago about her liking the recent trend of sampling. 
 
In my opinion its getting really, really tired at this point. Almost every song that comes out anymore right now is sampled off a more popular song.
Alone ft. Nicki Minaj for me was the breaking point tbh but I'm Good (Blue) was the song that really made me hate the trend at first.
But I didn't even know this song was originally sampled, and this song has always had that "familiar 80s sound", to me, it just sounded "somewhat like Thriller, but new". So it doesn't take me out of it.
 
But... this isn't new for Slayyyter though. Theres been a few songs, like Sweet 16 that went unreleased because it sampled Its My Party and couldnt get the sample to clear.
And then of course her remix of Gimme More. And then her Heidi Montag collab that apparently didnt release because it sampled Britney. (why would you even bother trying that a second time? why waste Heidi's time and get our hopes up?!) They should have done a "Heidi's Version" of I'll Do It ft. Slayyyter like Paris and Kim did and absolutely clear them.

I didn't say the roll out was smooth.
I said this album has a better chance at mainstream success than Problematique and Candy. Which is undeniably true.
Doesn't matter how messed up the stans think the tracklist is, or how good Kim's old songs are.
I've listened to every leaked track of Problematique and what we have of Candy and her other leaks. Those tracks aren't hitmakers babes. If Kim has any chance for mainstream solo success up to this point so far, its coming from the new singles on this album.
 
Yeah, the album is giving "corporate soulless sellout", not consistency. But Kim, you get what you wish for!

Supporting artists isn't a zero-sum game.

You can absolutely support, stan, and fan on multiple artists, both within and across genres.
 
 
Pass the poppers I need a hit.
 

Sis the charts ain't even out yet, let alone the album.
 

Kim Petras apparently invented findom.

Yeah, the new album songs are amazing.
This is above, beyond, in entirely different leagueS higher than Problematique.
 
I hope once this album releases, Kim stans will finally shut UP!!! about her being "screwed over" by her label. Saying that they're "stopping her from releasing music"
Actually, it turns out, that sometimes the record label, whose sole purpose of existence, is to create the most profitable and marketable music from that artist as possible, and spends millions to make it happen, has some experience and knowledge in directing a pop artist to succeed. Who would have thought????!
 
Like be real if Problematique or Candy released it would not do as well as this album could. I am so glad they blocked her from releasing an album until now because these songs are some of her very very best, no comparison. 
 
The only unfortunate thing is the tracklist including some unnecessary singles and how horrible brr / unholy is as the closer.

Yeah, the new album songs are amazing.
This is above, beyond, in entirely different leagueS higher than Problematique.
 
I hope once this album releases, Kim stans will finally shut UP!!! about her being "screwed over" by her label. Saying that they're "stopping her from releasing music"
Actually, it turns out, that sometimes the record label, whose sole purpose of existence, is to create the most profitable and marketable music from that artist as possible, and spends millions to make it happen, has some experience and knowledge in directing a pop artist to succeed. Who would have thought????!
 
Like be real if Problematique or Candy released it would not do as well as this album could. I am so glad they blocked her from releasing an album until now because these songs are some of her very very best, no comparison. 
 
The only unfortunate thing is the tracklist including some unnecessary singles and how horrible brr / unholy is as the closer.

I don't necessarily agree but I def see where you're coming from? If that makes sense?
 
I do think this era in particular sticks out as not being "uniquely Slayyyter". Only Plastic and Purr on this album I would consider to be songs only she can pull off. The rest of the tracks are amazing but I def could see another artist coming out with them also. To me, the reason I hated slutpop so much is Kim just cannot pull off these types of songs the way Slayyyter or Ayesha or Chase Icon can. But I don't hear any of these songs and feel like Slayyyter can't pull it off. I just usually expect something different from her than most of the tracks on this new era.
 
Really though I always see music as a collaborative effort. Its going to be influenced by everyone that worked on it. So I find it I guess incorrect to say the mixtape is "an Ayesha impression". Its an album Ayesha wrote and produced and collaborated on. TP sounds the way it does because those covid-era hyperpop producers worked on it. Out of Time sounds comparable to a Kim Petras song because.... well, one of Kim Petras's collaborators produced it.  And I mean honestly can you really criticize pop music for being trendy? Its kind of the point of it. Although I understand what you mean as sort of her stepping further away from that more edgy sound and towards a more mainstream approach which is I guess a valid criticism but one that doesn't personally bother me.
 
Honestly the first sessions leaks that came out for this era I was not that much impressed as I am at this moment now. But that's because now I can start to see her vision going forward with all the songs together in an album and the visuals, shes actually pulling it off in a way I didn't expect her to.
 
edit: this ended up kind of a repeat of what @DinahLee said at some parts but our posts were 5 minutes apart, made while I was typing, oop!!

I don't necessarily agree but I def see where you're coming from? If that makes sense?
 
I do think this era in particular sticks out as not being "uniquely Slayyyter". Only Plastic and Purr on this album I would consider to be songs only she can pull off. The rest of the tracks are amazing but I def could see another artist coming out with them also. To me, the reason I hated slutpop so much is Kim just cannot pull off these types of songs the way Slayyyter or Ayesha or Chase Icon can. But I don't hear any of these songs and feel like Slayyyter can't pull it off. I just usually expect something different from her than most of the tracks on this new era.
 
Really though I always see music as a collaborative effort. Its going to be influenced by everyone that worked on it. So I find it I guess incorrect to say the mixtape is "an Ayesha impression". Its an album Ayesha wrote and produced and collaborated on. TP sounds the way it does because those covid-era hyperpop producers worked on it. Out of Time sounds comparable to a Kim Petras song because.... well, one of Kim Petras's collaborators produced it.  And I mean honestly can you really criticize pop music for being trendy? Its kind of the point of it. Although I understand what you mean as sort of her stepping further away from that more edgy sound and towards a more mainstream approach which is I guess a valid criticism but one that doesn't personally bother me.
 
Honestly the first sessions leaks that came out for this era I was not that much impressed as I am at this moment now. But that's because now I can start to see her vision going forward with all the songs together in an album and the visuals, shes actually pulling it off in a way I didn't expect her to.
 
edit: this ended up kind of a repeat of what @DinahLee said at some parts but our posts were 5 minutes apart, made while I was typing, oop!!

I don't necessarily agree but I def see where you're coming from? If that makes sense?
 
I do think this era in particular sticks out as not being "uniquely Slayyyter". Only Plastic and Purr on this album I would consider to be songs only she can pull off. The rest of the tracks are amazing but I def could see another artist coming out with them also. To me, the reason I hated slutpop so much is Kim just cannot pull off these types of songs the way Slayyyter or Ayesha or Chase Icon can. But I don't hear any of these songs and feel like Slayyyter can't pull it off. I just usually expect something different from her than most of the tracks on this new era.
 
Really though I always see music as a collaborative effort. Its going to be influenced by everyone that worked on it. So I find it I guess incorrect to say the mixtape is "an Ayesha impression". Its an album Ayesha wrote and produced and collaborated on. TP sounds the way it does because those covid-era hyperpop producers worked on it. Out of Time sounds comparable to a Kim Petras song because.... well, one of Kim Petras's collaborators produced it.  And I mean honestly can you really criticize pop music for being trendy? Its kind of the point of it. Although I understand what you mean as sort of her stepping further away from that more edgy sound and towards a more mainstream approach which is I guess a valid criticism but one that doesn't personally bother me.
 
Honestly the first sessions leaks that came out for this era I was not that much impressed as I am at this moment now. But that's because now I can start to see her vision going forward with all the songs together in an album and the visuals, shes actually pulling it off in a way I didn't expect her to.
 
edit: this ended up kind of a repeat of what @DinahLee said at some parts but our posts were 5 minutes apart, made while I was typing, oop!!

I don't necessarily agree but I def see where you're coming from? If that makes sense?
 
I do think this era in particular sticks out as not being "uniquely Slayyyter". Only Plastic and Purr on this album I would consider to be songs only she can pull off. The rest of the tracks are amazing but I def could see another artist coming out with them also. To me, the reason I hated slutpop so much is Kim just cannot pull off these types of songs the way Slayyyter or Ayesha or Chase Icon can. But I don't hear any of these songs and feel like Slayyyter can't pull it off. I just usually expect something different from her than most of the tracks on this new era.
 
Really though I always see music as a collaborative effort. Its going to be influenced by everyone that worked on it. So I find it I guess incorrect to say the mixtape is "an Ayesha impression". Its an album Ayesha wrote and produced and collaborated on. TP sounds the way it does because those covid-era hyperpop producers worked on it. Out of Time sounds comparable to a Kim Petras song because.... well, one of Kim Petras's collaborators produced it.  And I mean honestly can you really criticize pop music for being trendy? Its kind of the point of it. Although I understand what you mean as sort of her stepping further away from that more edgy sound and towards a more mainstream approach which is I guess a valid criticism but one that doesn't personally bother me.
 
Honestly the first sessions leaks that came out for this era I was not that much impressed as I am at this moment now. But that's because now I can start to see her vision going forward with all the songs together in an album and the visuals, shes actually pulling it off in a way I didn't expect her to.
 
edit: this ended up kind of a repeat of what @DinahLee said at some parts but our posts were 5 minutes apart, made while I was typing, oop!!

She is... a popstar. She never hid the fact she wants to be successful and 90% of the "shtick" (I don't think that's the best term but you get it) is about being a celebrity and a huge star followed by paparazzi and the y2k shit. Literally about tabloid obsession and so on.
 
The thing is; she's killing it while doing the "basic sound". Out Of Time is literally everything some of these girls were TRYING and FAILING, and she does it looking effortlessly. I'm sure the album will have different gems all around. Troubled Paradise is fantastic, a little hodgepodge of genres and sounds but everything works. This album is shaping up to be much more cohesive and well constructed. She keeps evolving as an artist: visuals are getting better and better, she keeps showing her RANGE, doing her lyrics... eveyrything is aligning.
 
I find it tiring and awkward as fuck when people try to box her as "Hyperpop!" or anything like that, and the constant Ayesha digs as well. They were friends, Ayesha never said anything negative about Slayyyter or viceversa, and they created GREAT songs together, but everybody gotta move on. They already did.

Yeah thats not the title, in fact that title was rumored a whiiiile ago but allegedly the label wanted a name that wasnt explicit. (What i heard from other people at least)
 
So its safe to say this is an older file from when the title was still pending.
 
She did actually tweet at one point “im glad i didnt get a tattoo of the album title yet because we changed it” so this actually could have been the title at the time.

ok but wtf that didn't sound anything like tommy in the clip that @Gore posted

she looked so good posting her makeup and stuff on insta stories for this but watching the video itssssssss not her best look. I wish she never cut her hair so short.
 
does anyone have a full recording of that "new" song? to know if she said the title or know if its a cover of something? it doesnt sound like her typical type of sound it makes me think its a cover.