TrashMagiq

Don't know how to feel about the first verse of Sweetest Fruit but other than that 10/10 no notes, amazing album

I'm fine with Jack being heavily involved considering the best songs on Ocean Blvd were produced by him. Drew Erickson was enemy nr1 in my eyes but he did his thing on Let The Light In so perhaps he isn't the spawn of satan. Either way I do hope some more producers she hasn't worked with before are also involved so we get a new perspective and it feels fresh.

Big Time Nothing is insane, this album's gonna be so good

I’m never wrong so I have nothing to add here…

I'd say this album is better than Lover and Midnights, but def not as good as folklore, evermore, 1989 or Red. A lot of it sounds like Midnights in the way the 1989 vault tracks sound like Midnights. Obvs not the exact same, but Jack's been keeping that same production style which kinda feels worn out at this point. Not hearing her on those Midnights-y synths on the Aaron produced tracks felt refreshing. Not to beat a dead horse cause people have been saying this over and over again, but she really needs to ditch Jack for at LEAST one album. And I'm not even a Jack hater, I love a lot of his work, but his production on Taylor songs is starting to feel very same-y. Anyways, I do like this album. I can see myself listening to it a lot. It's not her magnum opus, but that's ok.

Lana & Pete

the spirit of Whitney possessed her in Love To Make

or she's just nervous

Well I guess there’s always week 2

ijbol

her just fully turning the mic around bsjjdfh

did someone just say “is Billie…”