slayyyngel

I JUST KEEP WINNING
 
Brat on my birthday, now Charli Troy AND SHYGIRL in my city!!!!!! 
 
Addison Rae voice: AAAAAAAAHHHHHHHH!!!!!!

With Sia collabing with Paris and Brooke Candy making music with Heidi Montag that is actually getting released it makes me so mad Cathy dropped the ball on their collab when she really could have had an iconic moment with it.

Speaking of Brooke - don’t know if anyone shared this here already - but a very reliable insider revealed that Brooke Candy recorded Slayyyter’s Glamorous and it’s a contender for Brooke’s next project

With Sia collabing with Paris and Brooke Candy making music with Heidi Montag that is actually getting released it makes me so mad Cathy dropped the ball on their collab when she really could have had an iconic moment with it.

With Sia collabing with Paris and Brooke Candy making music with Heidi Montag that is actually getting released it makes me so mad Cathy dropped the ball on their collab when she really could have had an iconic moment with it.

Whats so fascinating to me about Grimes...
 
Is based on her previous releases, in my mind she was such a forward thinking intellectual, a really talented artist who was unlike any other and was passionate about making sure she had her hands in every single part of her art from the production, lyrics, video, the artwork for her covers...
 
Fast forward to now and her releases are literally the epitome, the amalgamation of the most generic, lifeless, uninspired production, lazily using AI just for the gimmick of it, cant even be bothered to sing your own vocals because you think its "cool" an AI is doing it, generic trite lifeless slop artwork stolen from other artists through an AI in the most boring and pandering ways: "robot anime elf girl on crazy galaxy background" prompt type shit. Like its all just awful. 
 
And what makes it all truly for the worse is she seems to be completely oblivious of it all? She really seems to act like this is all cutting edge when it couldn't be any more on the nose and obvious. This is the type of stuff that I would tell an AI to make if somebody said to me: "Try to make the most hilariously stereotypical AI bro thing imaginable". 
 
And listen to her talk about it. There is no faux art-forward "irony" to it. She is obsessed with this slop. Just devouring it like a pig in a trough.

Whats so fascinating to me about Grimes...
 
Is based on her previous releases, in my mind she was such a forward thinking intellectual, a really talented artist who was unlike any other and was passionate about making sure she had her hands in every single part of her art from the production, lyrics, video, the artwork for her covers...
 
Fast forward to now and her releases are literally the epitome, the amalgamation of the most generic, lifeless, uninspired production, lazily using AI just for the gimmick of it, cant even be bothered to sing your own vocals because you think its "cool" an AI is doing it, generic trite lifeless slop artwork stolen from other artists through an AI in the most boring and pandering ways: "robot anime elf girl on crazy galaxy background" prompt type shit. Like its all just awful. 
 
And what makes it all truly for the worse is she seems to be completely oblivious of it all? She really seems to act like this is all cutting edge when it couldn't be any more on the nose and obvious. This is the type of stuff that I would tell an AI to make if somebody said to me: "Try to make the most hilariously stereotypical AI bro thing imaginable". 
 
And listen to her talk about it. There is no faux art-forward "irony" to it. She is obsessed with this slop. Just devouring it like a pig in a trough.

Whats so fascinating to me about Grimes...
 
Is based on her previous releases, in my mind she was such a forward thinking intellectual, a really talented artist who was unlike any other and was passionate about making sure she had her hands in every single part of her art from the production, lyrics, video, the artwork for her covers...
 
Fast forward to now and her releases are literally the epitome, the amalgamation of the most generic, lifeless, uninspired production, lazily using AI just for the gimmick of it, cant even be bothered to sing your own vocals because you think its "cool" an AI is doing it, generic trite lifeless slop artwork stolen from other artists through an AI in the most boring and pandering ways: "robot anime elf girl on crazy galaxy background" prompt type shit. Like its all just awful. 
 
And what makes it all truly for the worse is she seems to be completely oblivious of it all? She really seems to act like this is all cutting edge when it couldn't be any more on the nose and obvious. This is the type of stuff that I would tell an AI to make if somebody said to me: "Try to make the most hilariously stereotypical AI bro thing imaginable". 
 
And listen to her talk about it. There is no faux art-forward "irony" to it. She is obsessed with this slop. Just devouring it like a pig in a trough.

the spirit of Whitney possessed her in Love To Make

She just updated her Spotify profile.... is the new era coming???

She just updated her Spotify profile.... is the new era coming???

In all seriousness I think a lot of the hate is overblown.
At least for the reasons most people seem to have.
 
I feel for her not really having agency over her childhood but also being forced to mimic being a child well into adulthood because of the brand image that was developed around her when she was so young. I genuinely do think she sees herself as growing up but it just clearly comes across as immature and naïve so much so that it seems almost like its a joke to actual adults.
 
Honestly I don't really get the people who will gladly defend an Ava Max or Kim Petras song but have such a problem with Karma. Its a basic 2000-2010s pop radio song. I actually commend her for putting a great amount of effort into the choreography and the video even if I dont really like it. I personally havent seen such a direct display of lesbian-for-lesbian imagery in a mainstream pop video like that before.
 
She played another song at her release party that sounded better in my opinion.
https://x.com/chazzers_/status/1775875354327978389
 
There ARE genuine criticisms and reasons to not like her though. Rather that be her defense of Colleen Ballinger, the crazy events that went down with her backup dancers / girl group she was trying to make or whatever, and just being rather insufferable according to ex's on tiktok and her costars from her various dance shows. 

In all seriousness I think a lot of the hate is overblown.
At least for the reasons most people seem to have.
 
I feel for her not really having agency over her childhood but also being forced to mimic being a child well into adulthood because of the brand image that was developed around her when she was so young. I genuinely do think she sees herself as growing up but it just clearly comes across as immature and naïve so much so that it seems almost like its a joke to actual adults.
 
Honestly I don't really get the people who will gladly defend an Ava Max or Kim Petras song but have such a problem with Karma. Its a basic 2000-2010s pop radio song. I actually commend her for putting a great amount of effort into the choreography and the video even if I dont really like it. I personally havent seen such a direct display of lesbian-for-lesbian imagery in a mainstream pop video like that before.
 
She played another song at her release party that sounded better in my opinion.
https://x.com/chazzers_/status/1775875354327978389
 
There ARE genuine criticisms and reasons to not like her though. Rather that be her defense of Colleen Ballinger, the crazy events that went down with her backup dancers / girl group she was trying to make or whatever, and just being rather insufferable according to ex's on tiktok and her costars from her various dance shows. 

In all seriousness I think a lot of the hate is overblown.
At least for the reasons most people seem to have.
 
I feel for her not really having agency over her childhood but also being forced to mimic being a child well into adulthood because of the brand image that was developed around her when she was so young. I genuinely do think she sees herself as growing up but it just clearly comes across as immature and naïve so much so that it seems almost like its a joke to actual adults.
 
Honestly I don't really get the people who will gladly defend an Ava Max or Kim Petras song but have such a problem with Karma. Its a basic 2000-2010s pop radio song. I actually commend her for putting a great amount of effort into the choreography and the video even if I dont really like it. I personally havent seen such a direct display of lesbian-for-lesbian imagery in a mainstream pop video like that before.
 
She played another song at her release party that sounded better in my opinion.
https://x.com/chazzers_/status/1775875354327978389
 
There ARE genuine criticisms and reasons to not like her though. Rather that be her defense of Colleen Ballinger, the crazy events that went down with her backup dancers / girl group she was trying to make or whatever, and just being rather insufferable according to ex's on tiktok and her costars from her various dance shows. 

I know that record contracts usually work by amount of albums but i dunno i feel like if a song/album leaks just dump it on streaming and move on.
You might as well make money off of it. Otherwise people are just stealing your work and take the power of that work away from you and you will always fight a losing battle against fans who want you to perform it (Taxi). 
 
Its so annoying though that not only because of the contracts but labels dont want artists to be seen as "flopping" by dropping albums that aren't promoted. I dunno its all stupid.

They definitely tried to recreate the thank u next music video moment with the intro in the yes and music video, it was a little bit too on the nose to be honest.
 
I honestly think that if yes and wasn't the first single it wouldn't have been judged so harshly.
There was too much expectation for Ariana's comeback. The song ultimately did not live up to that but it isn't bad.
 
I really do think if it had been a surprise and first listened in context of the album, half of the gays talking bad about the song would have been tweeting like:
"YES AND????!!?!?!!? OH MY GOD ITS GIVING 90s HOUSE DOWN BOOTS!! *fan clacking drag queen gif*
 
Looking back though, it was kind of smart to do a sort of throw away single while the general public was at her throat. By the time We Cant Be Friends video dropped, the hate train kind of died down a bit and this video really made a lot of people come around to the album overall.

her music is the first time i've seriously noticed jumps in quality of the files from track to track. i find myself having to turn my music way way up just to hear it then the next track is perfectly fine. i hate how bootleg her catalog is lmao.

They definitely tried to recreate the thank u next music video moment with the intro in the yes and music video, it was a little bit too on the nose to be honest.
 
I honestly think that if yes and wasn't the first single it wouldn't have been judged so harshly.
There was too much expectation for Ariana's comeback. The song ultimately did not live up to that but it isn't bad.
 
I really do think if it had been a surprise and first listened in context of the album, half of the gays talking bad about the song would have been tweeting like:
"YES AND????!!?!?!!? OH MY GOD ITS GIVING 90s HOUSE DOWN BOOTS!! *fan clacking drag queen gif*
 
Looking back though, it was kind of smart to do a sort of throw away single while the general public was at her throat. By the time We Cant Be Friends video dropped, the hate train kind of died down a bit and this video really made a lot of people come around to the album overall.

In her new interview she said she'd be releasing tracks that didn't make the album

In all seriousness I think a lot of the hate is overblown.
At least for the reasons most people seem to have.
 
I feel for her not really having agency over her childhood but also being forced to mimic being a child well into adulthood because of the brand image that was developed around her when she was so young. I genuinely do think she sees herself as growing up but it just clearly comes across as immature and naïve so much so that it seems almost like its a joke to actual adults.
 
Honestly I don't really get the people who will gladly defend an Ava Max or Kim Petras song but have such a problem with Karma. Its a basic 2000-2010s pop radio song. I actually commend her for putting a great amount of effort into the choreography and the video even if I dont really like it. I personally havent seen such a direct display of lesbian-for-lesbian imagery in a mainstream pop video like that before.
 
She played another song at her release party that sounded better in my opinion.
https://x.com/chazzers_/status/1775875354327978389
 
There ARE genuine criticisms and reasons to not like her though. Rather that be her defense of Colleen Ballinger, the crazy events that went down with her backup dancers / girl group she was trying to make or whatever, and just being rather insufferable according to ex's on tiktok and her costars from her various dance shows. 

honestly i cannot help but to genuinely feel bad for her, obviously she's been famous and in the public eye since childhood, we all know that'll mess anybody up, also, she received so much vitriol as well, for being childish at 16, she became a meme and a target for online bullying around 2018/2019, although it was her brand and it made her very successful with younger audiences, now, i don't really know too much about her, but i can't imagine she wasn't pressured into it or somewhat made to do it, most 16-year-olds don't feel compelled to wear giant bows and outfits you would typically see on 4-year-olds, whether or not she enjoyed it, or whether or not it was her own choice, i'm sure it would affect how she sees herself as a young adult trying to find her way in the world, i can imagine it would be very difficult to know what to do or what's right for somebody her age, especially since for most of her life she portrayed a very kid-friendly image to an almost comical and strange extent, it seems like nobody's going to take her seriously and that would be so hard for anybody, for people to never be able to see you as just a normal young woman for all of those reasons
 
if i were her, i would just want to completely reject my fame and just live a comfortable, quiet life with all of the money i've made, but i'm sure for most famous people, especially ones who've been famous since they were very little, it's very hard to just decide not to be famous and to give it all up

Not to sound too chronically online but you have to be so vehemently evil to go out of your way to sabotage the life of and steal from the livelihood of a near-homeless trans woman of color trying to reach sobriety. I genuinely hope this person ****.

Not to sound too chronically online but you have to be so vehemently evil to go out of your way to sabotage the life of and steal from the livelihood of a near-homeless trans woman of color trying to reach sobriety. I genuinely hope this person ****.

Not to sound too chronically online but you have to be so vehemently evil to go out of your way to sabotage the life of and steal from the livelihood of a near-homeless trans woman of color trying to reach sobriety. I genuinely hope this person ****.