Honeymoon - Post-Release Discussion Thread + Poll

[a11111 528]

I don’t intend to write on LB for a while so I put all my thoughts about the HM era here and it came out a bit lengthy sry for that

 

I would entitled this review “LDR hits a wall with Honeymoon”, but in fact is more accurate to say that she hit several walls at once with this release. I said in my earlier posts that I don’t understand her rush to come out so soon with an album after UV. Commercially didn’t make any sense as it is confirmed by the dismal sales of HM. She wasn’t ready to promote and her shy and awkward promotion of HM is a clear indication of that. I feared that she will come out with an album that will be the bad middle point of being in the same time subpar commercially and critically. The critics didn’t panned the album but no one is enthusiastic about it as were some of them with UV. This album just doesn’t make sense from the standpoint of her career and taken together with the botched UV era is creating a lack of perspective on her career which has inevitable influences on everybody who’s following her.

 

The lyrical wall. When you put out slow music you put inevitably your lyrics to the front. She was widely criticized for her cliché-istic writing by using a lot of well-known poetic references, pop imagery and for the over use of location names and icons. When you’re aware of that you have to be extra careful to not abuse it again because otherwise you’re putting yourself in the trolling category. At this point in her career trolling is just infuriating and lame. BB, MPG, FMWTT was enough of trolling, she didn’t needed more emphasis on how misunderstood and how mistreated she is by the critics. That’s why I don’t like the cover of DLBM, as it is an unnecessary lament especially after the UV era when she was praised plenty. Another major critical point regarding the lyrical content of HM is about the narrow sided artistic vision of hers. Honeymoon opens a bit towards more nuances about relationships but not enough to create the feeling of her moving forward artistically. I felt that HM is a combination of BTD and UV lyrically but there are present the same overused tropes in her work: escapism to nowhere and from nothing specific, being desperately in love and lonely after the inevitable disappointment. In my opinion the critics gave HM a better evaluation that it deserves. This is maybe due to their ridiculous negative overreaction during the BTD era and they are compensating here. I would gave HM a 6/10 for the lyrics but in the same time I’m convinced that she cannot put out an album with the same lyrical pitfalls and be taken seriously.

 

The sonic wall. Many critics and listeners are saying that all LDR songs sound the same and they are boring. If we analyze the melodies or the genre variety on her albums we can objectively say that they are surprisingly varied. I don’t know many artists who have on the same album rock, blues, pop and jazz (UV) or jazz, pop, trap (HM) songs. I think that the problem resides rather with her delivery. Lana is capable of a wide variety of vocals ranging from operatic highs to low contra-alto warbles. The problem is her disaffected tone in her voice, like she is so bored to sing that song. You don’t know, for example, if watching the boys is boring or sexy (probably both which is awkward). There are no sustained emotional highs on HM despite some songs are clearly demanding it. It’s like she’s afraid or restrained to sing emotionally which is disappointing. This coldness in her delivery makes HM a difficult listen and is diminishing the beautiful sonic constructions she came up with. I give HM 7/10 for the sound. I think that she reached another wall here because this type of singing is not enjoyable for longer periods and she needs to change it for her next albums. I have to say that I changed my opinion on HM after several listens and I think that UV is better than HM. HM had better potential but falls flat mainly because of her cold delivery (sadness with no emotion is off-putting).

 

The video and imagery wall. We discussed here how after Tropico her videography became lackluster. Tropico was a huge mistake which highlighted both her unchecked artistic freedom and her limitations as a video artist. In my opinion, her best videos were BTD, BJ, NA and Ride, beautifully shot with cohesive stories and imagery. But Tropico was a mishmash of ideas, frankensteined together, too much even for trolling purposes. Her last good video was SOC, but the emphasis on that old dude just didn’t make any sense when you’re considering who her audience is. Her videos just don’t add lately anything to her artistic appeal, they are just dismissed as awkward or surreal by the critics (see MTWBT video) and they don’t have any significant commercial impact. She needs to let the reins of her videos in the hands of people who understand her vision but who can execute it rightly (like Woodkid did). I never really cared about or liked her album imagery tbh. BTD cover is iconic with that steely stare but UV’s sad boring look cover is forgettable and the HM cover is just bad while suggesting the disconnection between her and the listener. Moreover, her public image slowly became uncool, especially when we count her numerous subpar public appearances and photo shoots. These things are not directly related to the album but it affects the perception of it. Her image is tired and boring. She needs to brake this sad potato meets Priscilla Presley image which will be very difficult because she’s so entrenched in it and there is a chance that people will not be into the new image.

 

The likability/hype wall. “I wish I was dead”, “I fucked my way to the top”, “I’m not interested in feminism”, “I make everything for myself” these statements did an irreparable damage to her career. Her words were twisted by the journalists for sure but what counts is the end result which is tragic for Lana. I will put here the Gaga diss also which was another terrible blow for her, turning against her the majority of one of the most numerous and compact fandoms in pop. She was perceived as a threat by many fandoms whose faves have no chance when comparing them with Lana’s voice, beauty and music. Many Lana fans contributed to this with their obnoxious behavior on twitter and forums and now there are many stans rooting for her to fail. She became isolated from the GP which has no information about her and whose perception about her is rather negative and she became limited to her small fanbase who is following her activity on the internet. Let’s face it, the hype is dead and she has a very low likability factor today which explains the crumbling interest in her album. Likability is a subjective thing and is very easy to destroy it and is very hard or next to impossible to regain it. There is always other artists ready to pick up your audience (Lorde, Martinez, Halsey, Banks, Day, etc.).  If we are taking in account her lack of confidence and her inability to perform live there is practically no chance that she can turn this situation around. The next bad thing for her will be the lack of interest in her tour which is closely related to her sales (who would pay 50$ for her ticket and not buying an album for 15$?).

 

The promotion wall. Depression is a hard sell. First, you have to do it right and with high artistic credibility. Secondly, the way you’re presenting the album will have a great effect on how people are perceiving it. If you put the album out without any promotion there is a good chance that people will not take notice or that they will judge it on their own terms. I’m still not over about her assessment that UV and HM are basically words that have a cool sound to them. Really Lana, that’s all you’re saying and you’re trying to sell me your 1 hour of disaffected depression? One of the most annoying things regarding the album and the promo is the length of the songs. They are dragged indefinitely with purposely slow vocal deliveries and with endless repetition of some lyrics (GKIT). Well, I suspect that she did this on purpose so that no songs will fit the radio formats. But why would any artist in their right mind do that when hits are moving records and keep the interest alive? I would say something about BTD here. BTD sold continuously in relatively small numbers, except for the opening weeks in Europe. The momentum was kept by her high profile in the mainstream media and fashion in 2012 and by her only hits in the US, YB and SS. I hate that SS remix, but I have to admit that a large part of the sales after 2012 are due to these hit songs which were played relentlessly on the radio. She had 4 hit worthy songs on BTD: BTD, BJ, VG and SS which were enough for a buying decision. She went hitless on UV and HM and the consequences are dire: her albums are off the radar in 2-3 weeks after the release. Why wouldn’t she have a hit? My opinion is that she’s afraid to perform live in the mainstream media and hits would put a huge pressure on her to do so. I speculate that she had taken a decision to not do live TV anymore. No TV performances and no radio? Let’s be real this is an insurmountable wall regarding her promotion which will push her towards irrelevancy sooner than later. The drop in interest regarding her music from album to album is huge and I would be curious how many stans will be on this site after 3 years from now. Go to the MarinaBoards to have a taste of that.

Sometimes I bashed her management for not doing enough or doing stupid things regarding her career. Well, I don’t like that Mawson guy a bit, but I have to admit, looking back with more objectivity, that is a miracle that they made out of Lana a relatively big name in music on the strength of one good song and an awkward video. None of the songs on BTD were close to the artistry of VG, and she was terrible performing live (that’s why I will never understand how could Interscope take the decision to put her on SNL). If I had been an executive, after watching her live performances as Lizzy Grant I would never gave her a contract tbh. From her attitude while singing I would never felt that she wants it badly and she’ll do everything what it takes to shine her work.

 

She’s talented no doubt, a good songwriter and a very good studio singer and I will be ever grateful for her beautiful music (included HM) but lately, for the first time since I’m a fan of hers, I felt that there is a possibility in the future when I will not care about LDR anymore. And this is the biggest wall for any artist: when they are starting losing their hardcore fans. But she probably doesn’t care. I would have liked her more to perform confidently for her fans, on some improvised stage, new songs from HM, televised for the fans who will never have a chance to see her performing live, than kissing on lips some deranged fans who thinks that this is appropriate.

[naachoboy 7,993]

if she does do another video I hope it's not freak I find that song so overrated

Same, but Freak is still a fan favorite so it would be ok for her to do a video for it.

The only other options I see are Honeymoon (which would be the VHS footage) or Terrence Loves You (which is something I highly doubt would turn out interesting).

 

The Blackest Day would be great, since you could really develop a plot around this song, but I doubt we'll have a video for it. Salvatore would make a great video with a lot of summery imagery and Freak ... well, she could use the cult-footage for it and make it fit MTWBT.

She could seriously shot a good video for Salvatore in Italy where she did UV, not an iphone video tho 

[SuperMegaStan 10,009]

Same, but Freak is still a fan favorite so it would be ok for her to do a video for it.

She could seriously shot a good video for Salvatore in Italy where she did UV, not an iphone video tho 

 

bookmark me. it will be a montage of the footages of her and Francesco eating soft ice cream.  

[renaissance 8,330]

Why do you think we are getting more videos at all?

I thought the era is over now that we have MTWBT. We'll get a tour with like, 6 HM songs and that's it.

The era is over? Honeymoon literally came out two weeks ago. There will be another video. She said that she has a lot more vision for HM video wise so I don't think we will only get two videos. 

[ILostMyself 171]

Do you guys think they Lana will use the cult leader snippets from her Honeymoon teaser for the next video? Like Freak?

[graham4anything 2,859]

re post 1041

 

This Lana supporter thinks Shades of Cool old man Mark Mahoney is cool, and it sure resonated with me.

 

 

let's just say you and that other one should live happily ever after, but please, go do it on an artist you actually like board. Because not one post indicates you ever knew what Lana was about in the first place.

 

Perhaps Cedric G. will remix one of those other artists and you will get a disco album from one of them (Maybe Martika?). No one ever heard of Cedric G. either prior to his piggybacking off of Lana did they?
And note, not once in concert did Lana ever do the remix version.

 

Lana could snap her fingers show up in Europe and instantly do a full series of soldout concerts at any time any year in the future, be it 2015 or 2035..

 

Here is a trick question- when was the last concert Kate Bush did in Nashville Tennessee or Houston Texas or New York City or Los Angeles? (note, it is a trick question).

Bet Kate would have died to have 4 Top 10 lps in America. Or even one radio song.

 

Keep doing just what you are doing Lana...remember "Illegitimi non carborundum" .  Never be anything you are not. Be everything you are.

 

and here's to Mark Mahoney. From East Coast to West Coast.

[RuiCard0s0 23]

We should get more 2 videos from this. Freak as 3rd and Salvatore last. Just like BTD had Born To Die, Blue Jeans, National Anthem, Summertime Sadness...

[cherryblossoms 10,424]

I think LanaDelReyVEVO just uploaded a private video. Possibly another music video?

 

 

 

Total video count is 30 but only 29 are currently visible. Same thing happened when High By The Beach and the Honeymoon Sampler were uploaded privately so maybe someone will rip the video/audio soon 

[countercouper 30]

I liked your post, because I think it's posts like these that are what message boards are for, and agree with some of what you've said, especially on the lyrical side.

 

But I think if you reframe your conception of LDR from commercial pop singer to the most successful indie artist in America, a lot of what you've written in the last 3 paragraphs become irrelevant.

 

Sonically, if she ever stopped singing in the disaffected style, I would stop listening. For every fan that likes her for what she's not, there will be 10 fans who like her for what she already is.

 

I don’t intend to write on LB for a while so I put all my thoughts about the HM era here and it came out a bit lengthy sry for that

 

I would entitled this review “LDR hits a wall with Honeymoon”, but in fact is more accurate to say that she hit several walls at once with this release. I said in my earlier posts that I don’t understand her rush to come out so soon with an album after UV. Commercially didn’t make any sense as it is confirmed by the dismal sales of HM. She wasn’t ready to promote and her shy and awkward promotion of HM is a clear indication of that. I feared that she will come out with an album that will be the bad middle point of being in the same time subpar commercially and critically. The critics didn’t panned the album but no one is enthusiastic about it as were some of them with UV. This album just doesn’t make sense from the standpoint of her career and taken together with the botched UV era is creating a lack of perspective on her career which has inevitable influences on everybody who’s following her.

 

The lyrical wall. When you put out slow music you put inevitably your lyrics to the front. She was widely criticized for her cliché-istic writing by using a lot of well-known poetic references, pop imagery and for the over use of location names and icons. When you’re aware of that you have to be extra careful to not abuse it again because otherwise you’re putting yourself in the trolling category. At this point in her career trolling is just infuriating and lame. BB, MPG, FMWTT was enough of trolling, she didn’t needed more emphasis on how misunderstood and how mistreated she is by the critics. That’s why I don’t like the cover of DLBM, as it is an unnecessary lament especially after the UV era when she was praised plenty. Another major critical point regarding the lyrical content of HM is about the narrow sided artistic vision of hers. Honeymoon opens a bit towards more nuances about relationships but not enough to create the feeling of her moving forward artistically. I felt that HM is a combination of BTD and UV lyrically but there are present the same overused tropes in her work: escapism to nowhere and from nothing specific, being desperately in love and lonely after the inevitable disappointment. In my opinion the critics gave HM a better evaluation that it deserves. This is maybe due to their ridiculous negative overreaction during the BTD era and they are compensating here. I would gave HM a 6/10 for the lyrics but in the same time I’m convinced that she cannot put out an album with the same lyrical pitfalls and be taken seriously.

 

The sonic wall. Many critics and listeners are saying that all LDR songs sound the same and they are boring. If we analyze the melodies or the genre variety on her albums we can objectively say that they are surprisingly varied. I don’t know many artists who have on the same album rock, blues, pop and jazz (UV) or jazz, pop, trap (HM) songs. I think that the problem resides rather with her delivery. Lana is capable of a wide variety of vocals ranging from operatic highs to low contra-alto warbles. The problem is her disaffected tone in her voice, like she is so bored to sing that song. You don’t know, for example, if watching the boys is boring or sexy (probably both which is awkward). There are no sustained emotional highs on HM despite some songs are clearly demanding it. It’s like she’s afraid or restrained to sing emotionally which is disappointing. This coldness in her delivery makes HM a difficult listen and is diminishing the beautiful sonic constructions she came up with. I give HM 7/10 for the sound. I think that she reached another wall here because this type of singing is not enjoyable for longer periods and she needs to change it for her next albums. I have to say that I changed my opinion on HM after several listens and I think that UV is better than HM. HM had better potential but falls flat mainly because of her cold delivery (sadness with no emotion is off-putting).

 

The video and imagery wall. We discussed here how after Tropico her videography became lackluster. Tropico was a huge mistake which highlighted both her unchecked artistic freedom and her limitations as a video artist. In my opinion, her best videos were BTD, BJ, NA and Ride, beautifully shot with cohesive stories and imagery. But Tropico was a mishmash of ideas, frankensteined together, too much even for trolling purposes. Her last good video was SOC, but the emphasis on that old dude just didn’t make any sense when you’re considering who her audience is. Her videos just don’t add lately anything to her artistic appeal, they are just dismissed as awkward or surreal by the critics (see MTWBT video) and they don’t have any significant commercial impact. She needs to let the reins of her videos in the hands of people who understand her vision but who can execute it rightly (like Woodkid did). I never really cared about or liked her album imagery tbh. BTD cover is iconic with that steely stare but UV’s sad boring look cover is forgettable and the HM cover is just bad while suggesting the disconnection between her and the listener. Moreover, her public image slowly became uncool, especially when we count her numerous subpar public appearances and photo shoots. These things are not directly related to the album but it affects the perception of it. Her image is tired and boring. She needs to brake this sad potato meets Priscilla Presley image which will be very difficult because she’s so entrenched in it and there is a chance that people will not be into the new image.

 

The likability/hype wall. “I wish I was dead”, “I fucked my way to the top”, “I’m not interested in feminism”, “I make everything for myself” these statements did an irreparable damage to her career. Her words were twisted by the journalists for sure but what counts is the end result which is tragic for Lana. I will put here the Gaga diss also which was another terrible blow for her, turning against her the majority of one of the most numerous and compact fandoms in pop. She was perceived as a threat by many fandoms whose faves have no chance when comparing them with Lana’s voice, beauty and music. Many Lana fans contributed to this with their obnoxious behavior on twitter and forums and now there are many stans rooting for her to fail. She became isolated from the GP which has no information about her and whose perception about her is rather negative and she became limited to her small fanbase who is following her activity on the internet. Let’s face it, the hype is dead and she has a very low likability factor today which explains the crumbling interest in her album. Likability is a subjective thing and is very easy to destroy it and is very hard or next to impossible to regain it. There is always other artists ready to pick up your audience (Lorde, Martinez, Halsey, Banks, Day, etc.).  If we are taking in account her lack of confidence and her inability to perform live there is practically no chance that she can turn this situation around. The next bad thing for her will be the lack of interest in her tour which is closely related to her sales (who would pay 50$ for her ticket and not buying an album for 15$?).

 

The promotion wall. Depression is a hard sell. First, you have to do it right and with high artistic credibility. Secondly, the way you’re presenting the album will have a great effect on how people are perceiving it. If you put the album out without any promotion there is a good chance that people will not take notice or that they will judge it on their own terms. I’m still not over about her assessment that UV and HM are basically words that have a cool sound to them. Really Lana, that’s all you’re saying and you’re trying to sell me your 1 hour of disaffected depression? One of the most annoying things regarding the album and the promo is the length of the songs. They are dragged indefinitely with purposely slow vocal deliveries and with endless repetition of some lyrics (GKIT). Well, I suspect that she did this on purpose so that no songs will fit the radio formats. But why would any artist in their right mind do that when hits are moving records and keep the interest alive? I would say something about BTD here. BTD sold continuously in relatively small numbers, except for the opening weeks in Europe. The momentum was kept by her high profile in the mainstream media and fashion in 2012 and by her only hits in the US, YB and SS. I hate that SS remix, but I have to admit that a large part of the sales after 2012 are due to these hit songs which were played relentlessly on the radio. She had 4 hit worthy songs on BTD: BTD, BJ, VG and SS which were enough for a buying decision. She went hitless on UV and HM and the consequences are dire: her albums are off the radar in 2-3 weeks after the release. Why wouldn’t she have a hit? My opinion is that she’s afraid to perform live in the mainstream media and hits would put a huge pressure on her to do so. I speculate that she had taken a decision to not do live TV anymore. No TV performances and no radio? Let’s be real this is an insurmountable wall regarding her promotion which will push her towards irrelevancy sooner than later. The drop in interest regarding her music from album to album is huge and I would be curious how many stans will be on this site after 3 years from now. Go to the MarinaBoards to have a taste of that.

Sometimes I bashed her management for not doing enough or doing stupid things regarding her career. Well, I don’t like that Mawson guy a bit, but I have to admit, looking back with more objectivity, that is a miracle that they made out of Lana a relatively big name in music on the strength of one good song and an awkward video. None of the songs on BTD were close to the artistry of VG, and she was terrible performing live (that’s why I will never understand how could Interscope take the decision to put her on SNL). If I had been an executive, after watching her live performances as Lizzy Grant I would never gave her a contract tbh. From her attitude while singing I would never felt that she wants it badly and she’ll do everything what it takes to shine her work.

 

She’s talented no doubt, a good songwriter and a very good studio singer and I will be ever grateful for her beautiful music (included HM) but lately, for the first time since I’m a fan of hers, I felt that there is a possibility in the future when I will not care about LDR anymore. And this is the biggest wall for any artist: when they are starting losing their hardcore fans. But she probably doesn’t care. I would have liked her more to perform confidently for her fans, on some improvised stage, new songs from HM, televised for the fans who will never have a chance to see her performing live, than kissing on lips some deranged fans who thinks that this is appropriate.

 

[SuperMegaStan 10,009]

I think LanaDelReyVEVO just uploaded a private video. Possibly another music video?

 

 

 

Total video count is 30 but only 29 are currently visible. Same thing happened when High By The Beach and the Honeymoon Sampler were uploaded privately so maybe someone will rip the video/audio soon 

 

isn't that the Tropico US version or the BTD live vid????

[Pensacola 212]

I don’t intend to write on LB for a while so I put all my thoughts about the HM era here and it came out a bit lengthy sry for that

 

I would entitled this review “LDR hits a wall with Honeymoon”, but in fact is more accurate to say that she hit several walls at once with this release. I said in my earlier posts that I don’t understand her rush to come out so soon with an album after UV. Commercially didn’t make any sense as it is confirmed by the dismal sales of HM. She wasn’t ready to promote and her shy and awkward promotion of HM is a clear indication of that. I feared that she will come out with an album that will be the bad middle point of being in the same time subpar commercially and critically. The critics didn’t panned the album but no one is enthusiastic about it as were some of them with UV. This album just doesn’t make sense from the standpoint of her career and taken together with the botched UV era is creating a lack of perspective on her career which has inevitable influences on everybody who’s following her.

 

The lyrical wall. When you put out slow music you put inevitably your lyrics to the front. She was widely criticized for her cliché-istic writing by using a lot of well-known poetic references, pop imagery and for the over use of location names and icons. When you’re aware of that you have to be extra careful to not abuse it again because otherwise you’re putting yourself in the trolling category. At this point in her career trolling is just infuriating and lame. BB, MPG, FMWTT was enough of trolling, she didn’t needed more emphasis on how misunderstood and how mistreated she is by the critics. That’s why I don’t like the cover of DLBM, as it is an unnecessary lament especially after the UV era when she was praised plenty. Another major critical point regarding the lyrical content of HM is about the narrow sided artistic vision of hers. Honeymoon opens a bit towards more nuances about relationships but not enough to create the feeling of her moving forward artistically. I felt that HM is a combination of BTD and UV lyrically but there are present the same overused tropes in her work: escapism to nowhere and from nothing specific, being desperately in love and lonely after the inevitable disappointment. In my opinion the critics gave HM a better evaluation that it deserves. This is maybe due to their ridiculous negative overreaction during the BTD era and they are compensating here. I would gave HM a 6/10 for the lyrics but in the same time I’m convinced that she cannot put out an album with the same lyrical pitfalls and be taken seriously.

 

The sonic wall. Many critics and listeners are saying that all LDR songs sound the same and they are boring. If we analyze the melodies or the genre variety on her albums we can objectively say that they are surprisingly varied. I don’t know many artists who have on the same album rock, blues, pop and jazz (UV) or jazz, pop, trap (HM) songs. I think that the problem resides rather with her delivery. Lana is capable of a wide variety of vocals ranging from operatic highs to low contra-alto warbles. The problem is her disaffected tone in her voice, like she is so bored to sing that song. You don’t know, for example, if watching the boys is boring or sexy (probably both which is awkward). There are no sustained emotional highs on HM despite some songs are clearly demanding it. It’s like she’s afraid or restrained to sing emotionally which is disappointing. This coldness in her delivery makes HM a difficult listen and is diminishing the beautiful sonic constructions she came up with. I give HM 7/10 for the sound. I think that she reached another wall here because this type of singing is not enjoyable for longer periods and she needs to change it for her next albums. I have to say that I changed my opinion on HM after several listens and I think that UV is better than HM. HM had better potential but falls flat mainly because of her cold delivery (sadness with no emotion is off-putting).

 

The video and imagery wall. We discussed here how after Tropico her videography became lackluster. Tropico was a huge mistake which highlighted both her unchecked artistic freedom and her limitations as a video artist. In my opinion, her best videos were BTD, BJ, NA and Ride, beautifully shot with cohesive stories and imagery. But Tropico was a mishmash of ideas, frankensteined together, too much even for trolling purposes. Her last good video was SOC, but the emphasis on that old dude just didn’t make any sense when you’re considering who her audience is. Her videos just don’t add lately anything to her artistic appeal, they are just dismissed as awkward or surreal by the critics (see MTWBT video) and they don’t have any significant commercial impact. She needs to let the reins of her videos in the hands of people who understand her vision but who can execute it rightly (like Woodkid did). I never really cared about or liked her album imagery tbh. BTD cover is iconic with that steely stare but UV’s sad boring look cover is forgettable and the HM cover is just bad while suggesting the disconnection between her and the listener. Moreover, her public image slowly became uncool, especially when we count her numerous subpar public appearances and photo shoots. These things are not directly related to the album but it affects the perception of it. Her image is tired and boring. She needs to brake this sad potato meets Priscilla Presley image which will be very difficult because she’s so entrenched in it and there is a chance that people will not be into the new image.

 

The likability/hype wall. “I wish I was dead”, “I fucked my way to the top”, “I’m not interested in feminism”, “I make everything for myself” these statements did an irreparable damage to her career. Her words were twisted by the journalists for sure but what counts is the end result which is tragic for Lana. I will put here the Gaga diss also which was another terrible blow for her, turning against her the majority of one of the most numerous and compact fandoms in pop. She was perceived as a threat by many fandoms whose faves have no chance when comparing them with Lana’s voice, beauty and music. Many Lana fans contributed to this with their obnoxious behavior on twitter and forums and now there are many stans rooting for her to fail. She became isolated from the GP which has no information about her and whose perception about her is rather negative and she became limited to her small fanbase who is following her activity on the internet. Let’s face it, the hype is dead and she has a very low likability factor today which explains the crumbling interest in her album. Likability is a subjective thing and is very easy to destroy it and is very hard or next to impossible to regain it. There is always other artists ready to pick up your audience (Lorde, Martinez, Halsey, Banks, Day, etc.).  If we are taking in account her lack of confidence and her inability to perform live there is practically no chance that she can turn this situation around. The next bad thing for her will be the lack of interest in her tour which is closely related to her sales (who would pay 50$ for her ticket and not buying an album for 15$?).

 

The promotion wall. Depression is a hard sell. First, you have to do it right and with high artistic credibility. Secondly, the way you’re presenting the album will have a great effect on how people are perceiving it. If you put the album out without any promotion there is a good chance that people will not take notice or that they will judge it on their own terms. I’m still not over about her assessment that UV and HM are basically words that have a cool sound to them. Really Lana, that’s all you’re saying and you’re trying to sell me your 1 hour of disaffected depression? One of the most annoying things regarding the album and the promo is the length of the songs. They are dragged indefinitely with purposely slow vocal deliveries and with endless repetition of some lyrics (GKIT). Well, I suspect that she did this on purpose so that no songs will fit the radio formats. But why would any artist in their right mind do that when hits are moving records and keep the interest alive? I would say something about BTD here. BTD sold continuously in relatively small numbers, except for the opening weeks in Europe. The momentum was kept by her high profile in the mainstream media and fashion in 2012 and by her only hits in the US, YB and SS. I hate that SS remix, but I have to admit that a large part of the sales after 2012 are due to these hit songs which were played relentlessly on the radio. She had 4 hit worthy songs on BTD: BTD, BJ, VG and SS which were enough for a buying decision. She went hitless on UV and HM and the consequences are dire: her albums are off the radar in 2-3 weeks after the release. Why wouldn’t she have a hit? My opinion is that she’s afraid to perform live in the mainstream media and hits would put a huge pressure on her to do so. I speculate that she had taken a decision to not do live TV anymore. No TV performances and no radio? Let’s be real this is an insurmountable wall regarding her promotion which will push her towards irrelevancy sooner than later. The drop in interest regarding her music from album to album is huge and I would be curious how many stans will be on this site after 3 years from now. Go to the MarinaBoards to have a taste of that.

Sometimes I bashed her management for not doing enough or doing stupid things regarding her career. Well, I don’t like that Mawson guy a bit, but I have to admit, looking back with more objectivity, that is a miracle that they made out of Lana a relatively big name in music on the strength of one good song and an awkward video. None of the songs on BTD were close to the artistry of VG, and she was terrible performing live (that’s why I will never understand how could Interscope take the decision to put her on SNL). If I had been an executive, after watching her live performances as Lizzy Grant I would never gave her a contract tbh. From her attitude while singing I would never felt that she wants it badly and she’ll do everything what it takes to shine her work.

 

She’s talented no doubt, a good songwriter and a very good studio singer and I will be ever grateful for her beautiful music (included HM) but lately, for the first time since I’m a fan of hers, I felt that there is a possibility in the future when I will not care about LDR anymore. And this is the biggest wall for any artist: when they are starting losing their hardcore fans. But she probably doesn’t care. I would have liked her more to perform confidently for her fans, on some improvised stage, new songs from HM, televised for the fans who will never have a chance to see her performing live, than kissing on lips some deranged fans who thinks that this is appropriate.

 

I think you're letting your investment in commercial success cloud your enjoyment (and to a certain degree, opinion) of her output. A lot of this smacks of being really attached to other people's opinions and characterizations of Lana instead of your own. Which is unfortuante but I notice that a lot of fanbases get caught up in this way of thinking. Most grow out of it eventually and just relax. Living vicariously through pop stars is a bit pathetic but I realize it's a phase.

 

I saw someone make a comparison of Lana and Bjork awhile ago. They're completely different artists, and Bjork is far less polarizing and controversial, but her trajectory was very similar. She started relatively strong considering the material she was putting out. She had a shtick and never veered from it. Her albums are all markedly different, but still rooted in the same world (the alien experimental art world). She's still a household name, but doesn't sell albums and hasn't been a commercially viable artist since the late 90s. Yet critics fall head over heels for her and she still has a very solid fanbase. I see Lana going this route.

 

Lana's refusal to succumb to commercial/mainstream demands the way say, The Weeknd  has (arguably her most perfectly matched contemporary) is not somethign to shit on just because you're not happy she's not doing 2012 numbers. You should applaud her for settling into her vision confidently, for not doing things she doesn't want to do (television and interviews), and for being true to herself overall. I guarantee you that if she felt forced to be or do things she wasn't interested in, she'd unravel, like anyone would.

 

I understand the artistic frustrations you have, with lyrics or videos or whatever, but you're going to have to accept that you're in the minority since she's getting the best reviews of her career and despite the bare-bones budget, the last two videos have gotten a great reception too (and this is coming from someone who agrees that the videos have gotten a little unimaginative, but I can still find things to admire about them on a technical level).

[Lad 8,801]

isn't that the Tropico US version or the BTD live vid????

Yeah people have been saying this ever since the Ultraviolence era with every single video and getting their hopes up and every time someone explains why it has that one private video. so yeah no new video

[cherryblossoms 10,424]

Yeah people have been saying this ever since the Ultraviolence era with every single video and getting their hopes up and every time someone explains why it has that one private video. so yeah no new video

yikes, so sorry guys omf 

[Coney Island King 26,107]

I think you're letting your investment in commercial success cloud your enjoyment (and to a certain degree, opinion) of her output.

 

 

a problem a few of her fans on here seem to have.

 

 

Living vicariously through pop stars is a bit pathetic but I realize it's a phase.

 

 

very true for a few on here too, but i sometimes forget a lot of the members here are still teens which is why they're so hysterical about the fandom.

 

 

the rest of your post was fantastic too.

[Paperface08 32]

I just wish Lana would go back to Auburn. She still seems active when it comes to dying her hair (from dark brown to light brown to black in this era) so how come she never goes auburn again?

 

Also, I can't wait for her to release Freak as a single and make a video for it!

[intensely 48]

Does anyone know how much promotion Lana did for BTD as opposed to UV and HM?

 

I know she definitely did more TV appearances - thanks for the info @ - and she cancelled shows during UV? But what else? I know she had more exposure because of VG. And had more upmarket mag covers etc. 

 

TIA

[Paperface08 32]

Does anyone know how much promotion Lana did for BTD as opposed to UV and HM?

 

I know she definitely did more TV appearances - thanks for the info @ - and she cancelled shows during UV? But what else? I know she had more exposure because of VG. And had more upmarket mag covers etc. 

 

TIA

 

I think I remember her promoting as much (maybe not AS much) as Sam Smith promoted for his 1st album.

[leaked_version 10,499]

Does anyone know how much promotion Lana did for BTD as opposed to UV and HM?

 

I know she definitely did more TV appearances - thanks for the info @ - and she cancelled shows during UV? But what else? I know she had more exposure because of VG. And had more upmarket mag covers etc. 

 

TIA

she had 3 televized performances on three big us shows alone: snl, letterman, american idol. she cancelled ellen, probably because of snl 

she had plenty (can't count them all) televized and radio promo slots in the UK, Germany and France.

[ilovetati 15,299]

she had 3 televized performances on three big us shows alone: snl, letterman, american idol. she cancelled ellen, probably because of snl

she had plenty (can't count them all) televized and radio promo slots in the UK, Germany and France.

She did Jimmy Kimmel too.

[leaked_version 10,499]

She did Jimmy Kimmel too.

has she? can't remember. don't think so