LDR5 - Pre-Release Thread

[Dominikx4 25,413]

The pre-chorus and the bridge is what I love most about the song.

And can y'all hear how "you were so obsessed with writing the next BAR" sounds the same as "youve got a way, like JFK"?

[triangles19 2,454]

I don't like the teenage edm vibe in it and the useless noisy background, but the composition is really good.

[FLL 1,234]

I must be dumb... what song does she reference? 

Because of you

[Constantine 4,074]

This is how I imagine the finished version. If there's one

 

 

http://picosong.com/GhDW

 

this is a noisy mess

 

also Emile needs to keep his stale samples away from Lana.

[lanasgirl 3,800]

 THE SCREAM I LET OUT

Henny these are Emile's samples and his style 

 

babe, you forgot the T in your signature 

[triangles19 2,454]

this is a noisy mess

 

also Emile needs to keep his stale samples away from Lana.

 

Totally.

[FrankNotOcean 1,146]

I can't find b a r anywhere maybe thats a sign from God herself

[triangles19 2,454]

My problem with Love / BAR is that it sounds too manufactured.
I mean, I loved Ultraviolence & Honeymoon because they were independant from what people was waiting. It was popy but not easy, it was atypical.
But those two new songs are like syntheses of BTD, PARADISE, UV + HONEYMOON, for some kind of a fan-service strategy. And I deeply don't like it.
As @Constentine says, Emile's samples are too much. It was cool on BTD / P because it was new, but so much years later, it don't feels like before. It's just some kind of uninspired deja-vu gadget.
 

And in this two new songs I can't aim to localize the sounds. All the previous records was really warm, like seaside, west coasts hot vibes, or some times classy east coast vibes too. But here, it's not warm, but it's not cold. It's just some radio thing. And I can't see anything retro. I mean, a lot of people are saying there's something retro in "Love", but sorry, listen to real retro music, and there's nothing retro in Love. It just sounds like radio versions of LDR songs. Lyrics are really great, and I'm sure the songs could be great as f, but the actual production is really weak, uninspired and unrisky.

 

I understood why Born To Die was that pop, and heavily produced, but in 2017 I don't understand that whole stepback thing.

BTD and Paradise was uniques at their respective times. We don't need a third segment today.

Hope the whole album will not be like that.

[Rem 2,392]

Im feeling good this era.

 

Glad she's leaving the flop sound behind.

 

Tin can, snot nose Ultraviolence and Comatose Moon are not welcome.

 

[therealmikedealer 4,284]

Unpopular opinion 2: the production of Love renders the track memorable

(Although I'd prefer Auerbach style)

Therefore if she always sticks with the same bland songwriters, she needs to go back to this sound

[LucaS89 105]

My problem with Love / BAR is that it sounds too manufactured.

I mean, I loved Ultraviolence & Honeymoon because they were independant from what people was waiting. It was popy but not easy, it was atypical.

But those two new songs are like syntheses of BTD, PARADISE, UV + HONEYMOON, for some kind of a fan-service strategy. And I deeply don't like it.

As @Constentine says, Emile's samples are too much. It was cool on BTD / P because it was new, but so much years later, it don't feels like before. It's just some kind of uninspired deja-vu gadget.

 

And in this two new songs I can't aim to localize the sounds. All the previous records was really warm, like seaside, west coasts hot vibes, or some times classy east coast vibes too. But here, it's not warm, but it's not cold. It's just some radio thing. And I can't see anything retro. I mean, a lot of people are saying there's something retro in "Love", but sorry, listen to real retro music, and there's nothing retro in Love. It just sounds like radio versions of LDR songs. Lyrics are really great, and I'm sure the songs could be great as f, but the actual production is really weak, uninspired and unrisky.

 

I understood why Born To Die was that pop, and heavily produced, but in 2017 I don't understand that whole stepback thing.

BTD and Paradise was uniques at their respective times. We don't need a third segment today.

Hope the whole album will not be like that.

Totally agree, i don't know why at this point of her career, instead of growing and experimenting new sounds she's pleasing all the teenagers who want to return at BTD era.

[WaitForLife 5,238]

I don't know why it leaked but can they leak UV stuff now?

[Thunder Revenant 20,948]

Im feeling good this era.

 

Glad she's leaving the flop sound behind.

 

Tin can, snot nose Ultraviolence and Comatose Moon are not welcome.

 

 

who decided to un-ban this?

[cashcomesquick 5,381]

I feel sorry for people who dislike Honeymoon. Get your ears checked

[Rem 2,392]

At this point in her career, she can't afford more flops.

 

 

Soon Lana will be shooting videos on her iphones and do mall tours.

[issgouding 1,428]

I feel sorry for people who dislike Honeymoon. Get your ears checked

Salvatore religion MTWBT Theblackestday  swansong 

              

[Rem 2,392]

If you're not happy feel free to unstan.

 

[issgouding 1,428]

If you're not happy feel free to unstan.

 

Can we talk for a minute about how bad ur fat whore fav new  single is tho 

[Rem 2,392]

Can we talk for a minute about how bad ur fat whore fav single is tho

she can fart to a mic and still a legend.

 

She already paid her dues. 5 grammys 250 million records (Lana wishes)

 

 

Also how is this relate to anything in this thread? Get better at dragging.

[surfnoirswing 2,483]

On a good note, Love is predicted to rise on the UK charts next week and reach #33

I know yall dont wanna talk about sales but I want to change the subject of this thread