Hundred Dollar Bill

how is that even remotely related to this thread
 
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After seeing how well Lana can do an entirely different style of music (UV), why would anyone want her to regress back to an old sound?? It'd be so much more exciting to see her grow more through a new ~sonic landscape~ than to be like "nah I don't feel like trying with Honeymoon, just gloss it with the BTD sound filter effects and call it a day."
 
I don't get the logic at all.

After seeing how well Lana can do an entirely different style of music (UV), why would anyone want her to regress back to an old sound?? It'd be so much more exciting to see her grow more through a new ~sonic landscape~ than to be like "nah I don't feel like trying with Honeymoon, just gloss it with the BTD sound filter effects and call it a day."
 
I don't get the logic at all.

FUCK ME FUCK ME FUCK ME FUCK ME FUCK ME FUCK ME FUCK ME FUCK ME FUCK ME FUCK ME FUCK ME FUCK ME FUCK ME FUCK ME FUCK ME FUCK ME FUCK ME FUCK ME FUCK ME FUCK ME FUCK 

After seeing how well Lana can do an entirely different style of music (UV), why would anyone want her to regress back to an old sound?? It'd be so much more exciting to see her grow more through a new ~sonic landscape~ than to be like "nah I don't feel like trying with Honeymoon, just gloss it with the BTD sound filter effects and call it a day."
 
I don't get the logic at all.

After seeing how well Lana can do an entirely different style of music (UV), why would anyone want her to regress back to an old sound?? It'd be so much more exciting to see her grow more through a new ~sonic landscape~ than to be like "nah I don't feel like trying with Honeymoon, just gloss it with the BTD sound filter effects and call it a day."
 
I don't get the logic at all.

As a song title, Music To Watch Boys To gives me a midtempo-mellow-touching-myself-through-my-pants kind of vibe.
 

After seeing how well Lana can do an entirely different style of music (UV), why would anyone want her to regress back to an old sound?? It'd be so much more exciting to see her grow more through a new ~sonic landscape~ than to be like "nah I don't feel like trying with Honeymoon, just gloss it with the BTD sound filter effects and call it a day."
 
I don't get the logic at all.

when ultraviolence came out I was legitimately shocked at how different it was. I'd never heard Lana sing that way on a track before, her voice never sounded so pretty as in brooklyn baby, as emotional as in pretty when you cry or as free spirited as the other woman. I want to feel like that again when listening to a new album

After seeing how well Lana can do an entirely different style of music (UV), why would anyone want her to regress back to an old sound?? It'd be so much more exciting to see her grow more through a new ~sonic landscape~ than to be like "nah I don't feel like trying with Honeymoon, just gloss it with the BTD sound filter effects and call it a day."
 
I don't get the logic at all.

After seeing how well Lana can do an entirely different style of music (UV), why would anyone want her to regress back to an old sound?? It'd be so much more exciting to see her grow more through a new ~sonic landscape~ than to be like "nah I don't feel like trying with Honeymoon, just gloss it with the BTD sound filter effects and call it a day."
 
I don't get the logic at all.

As a song title, Music To Watch Boys To gives me a midtempo-mellow-touching-myself-through-my-pants kind of vibe.
 

After seeing how well Lana can do an entirely different style of music (UV), why would anyone want her to regress back to an old sound?? It'd be so much more exciting to see her grow more through a new ~sonic landscape~ than to be like "nah I don't feel like trying with Honeymoon, just gloss it with the BTD sound filter effects and call it a day."
 
I don't get the logic at all.

After seeing how well Lana can do an entirely different style of music (UV), why would anyone want her to regress back to an old sound?? It'd be so much more exciting to see her grow more through a new ~sonic landscape~ than to be like "nah I don't feel like trying with Honeymoon, just gloss it with the BTD sound filter effects and call it a day."
 
I don't get the logic at all.

After seeing how well Lana can do an entirely different style of music (UV), why would anyone want her to regress back to an old sound?? It'd be so much more exciting to see her grow more through a new ~sonic landscape~ than to be like "nah I don't feel like trying with Honeymoon, just gloss it with the BTD sound filter effects and call it a day."
 
I don't get the logic at all.

As a song title, Music To Watch Boys To gives me a midtempo-mellow-touching-myself-through-my-pants kind of vibe.
 

As a song title, Music To Watch Boys To gives me a midtempo-mellow-touching-myself-through-my-pants kind of vibe.
 

As a song title, Music To Watch Boys To gives me a midtempo-mellow-touching-myself-through-my-pants kind of vibe.
 

how is that even remotely related to this thread
 
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how is that even remotely related to this thread
 
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I would love to hear some of her grittiest laptop demos fully fleshed out into a beautiful Lana ~soundscape~ ~~sonically~~ tho! But I do agree generally for the songs that are basically final, finished versions.
 
Daytona Meth cleaned up and re-recorded though.. I'd die. Put Your Lips Together, You're Gonna Love Me... I'd love to hear those kind of Lana songs revisited for future works, if they fit her theme of course.

how is that even remotely related to this thread
 
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how is that even remotely related to this thread
 
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how is that even remotely related to this thread
 
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how is that even remotely related to this thread
 
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