Loona, stylized as LOOΠΔ, is an upcoming South Korean girl group. Starting in October 2016 Loona has debuted a new girl each month, and she would have a single, a music video, and a b-side usually featuring another girl. There are three sub units (mini groups) that every 3 or 4 girls are involved in. The sub units and solo singles were all to build up hype for the final debut of the full 12 member girl group, which finally debuted in August 2018. All of the girls/ subunits and all of their music videos are all connected so theories & conspiracies are very popular amongst their fans, there’s a whole concept of this mirror world or the “loonaverse” and many of the videos represent the girls somehow making their way into this other world joining the other girls. Different girls make small cameos in each solo video there’s a lot of easter eggs in the videos that connect them, this is why they have a growing fan base on social media because its exciting to come up with theories and follow the concept. Their latest music video for their lead single, Hi High, which is there official debut as a 12 member group, shows all of the girls from the sub unit coming together as a whole group.
okay now for the members:
LOOΠΔ/ Members represent with individual Colors, Animals, each has solos and Fruits (Starting to 8th to 12th):
Heejin (1st Member)
Color: Yellow
Animal: Cat
Song: Around You
Sub-Unit: LOONA 1/3 ("3")
HaSeul (3rd Member)
Color: Green
Animal: White Bird
Song: Let Me In
Sub-Unit: LOONA 1/3 ("3")
YeoJin (4th Member)
Color: Orange
Animal: Frog
Song: Kiss Later
Sub-Unit: LOONA 1/3 (BBC or BlockBerry Creative said that she's the "/".)
ViVi (5th Member)
Color: Pastel Rose
Animal: Deer
Song: Everyday I Love You ft. Haseul
Sub-Unit: LOONA 1/3 ("1")
So those were the first 5 girls, 4 of them (all except YeoJin) made up the subunit LOONA 1/3, the group made more orchestral ballads but they had some bops, they were cute.
~ ~ ~ ~ ~
Kim Lip (6th Member)
Color: Red
Animal: Owl
Song: Eclipse
Sub-Unit: ODD EYE CIRCLE
JinSoul (7th Member)
Color: Blue
Animal: Blue Betta/Betta Fish
Song: Singing In The Rain
Sub-Unit: ODD EYE CIRCLE
Choerry (8th Member)
Color: Purple
Animal: Fruit Bat
Fruit: Cherry
Song: Love Cherry Motion
Sub-Unit: ODD EYE CIRCLE
These were the next 3 girls they made up the subunit LOONA Odd Eye Circle which is the most popular because they had more EDM/ dance-ey songs and they’re ALL bops
~ ~ ~ ~ ~
Yves (9th Member)
Color: Burgundy
Animal: Swan
Fruit: Apple
Song: new
Sub-Unit: yyxy (youth youth by young)
Color: Eden Green
Animal: Butterfly
Fruit: Pineapple
Song: One & Only
Sub-Unit: yyxy (youth youth by young)
https://www.youtube.com/watch?v=m5qwcYL8a0o
Olivia Hye (12th Member)
Color: Silver
Animal: Wolf
Fruit: Blood Plum
Song: Egoist ft. JinSoul
Sub-Unit: yyxy (youth youth by young)
https://www.youtube.com/watch?v=UkY8HvgvBJ8
This is the 3rd and final subunit, YYXY (youth, youth by young) the concept of this group is all the girls that were kicked out of the garden of eden. Their sound is more in the style of Odd Eye Circle, all bops!
The group has finally debuted with an ep titled [++]. The EP features 5 high energy electro pop songs and an interlude that combines all of the interludes from the sub unit albums! Their two 12 member singles are included in the music video playlist down below!
Here is a playlist of all of the music videos starting with HeeJin going to Loona 1/3 to Loona Odd Eye Circle all the way to the last girl Olivia Hye!
They also release daily vlogs called "Loona TV" which can be seen here
special thanks to @@basico for helping with the colors and animals... I did not have the energy to type up all that
I honestly think "Love" was meant to set the mood for the album overall. It has the guitar, but it has the "wall of sound" hip-hop to it, as well. And then, from "Lust for Life" to "Coachella", it really is like a stretch of sexy, summer-driven hip-hop tracks and ends on a positive track that is political - and then, we get all the guitars, and the veteran folk singers (or related to them) rather than the contemporary artists that feature in the first half. I think it's very intentional that the last half is going to have a Woodstock-vibe, only through some of the familiar hip-hop additions that modernize classic sounds. "Tomorrow Never Came" sounds very 1967-71 rock. Definitely see where she's connecting the "two generations", and why she probably feels kids looking into vintage music may find it denser if they understand that history is sort of repeating itself through the anxiety of the current political American heat. It's exactly what she said she wanted to do with the album, and her chronology of the tracks seems to really suit that concept. Even at around the half-point of the album, if you count "Love" as just the intro/combination of the two sounds, and "Coachella" the track that moves the hip-hop into its poltical, folk-driven side.
Lana still doing concept, for sure.
A SORT OF CHART (lol):
INTRODUCTION (folk guitar strings open the album, but blends into spacey, "wall-to-wall" hip-hop noises)
01. Love
SEXY, SUMMER-Y, HIP-HOP ("wall-to-wall" hip-hop noises)
02. Lust for Life
03. 13 Beaches
04. Cherry
05. White Mustang
06. Summer Bummer
07. Groupie Love
08. In My Feelings
THE BRIDGE (a more stripped back hip-hop beat, letting the album kind of cool off a bit before getting more poltically-minded)
09. Coachella..
POLITICAL "GANGSTA" FOLKY-Y ("wall-to-wall" hip-hop noises, but more laid back, with heavier guitar and folk featured artists)
10. God Bless America..
11. When the War Was at War...
12. Beautiful People, Beautiful Problems
13. Tomorrow Never Came
14. Heroin
15. Change
16. Get Free
It's like she takes us from "Coachella" to "Woodstock" by using that track as a bridge. As I predicted, the song works in concept of the album; but releasing it as a single is bizarre. From what we have in the snippets, this album seems to be very well-thought out.
Not as excited for the first half (except for Love) since the melodies, subject matter and lyrics are what we've all heard before from her past work.
However the second half of the album... I'm still sad the Shangri-La girl group influences went away. The opening 30 seconds of Lust for Life was the only good thing about that song .
Still holding out hope though that LDR6 finally brings back the live drums & narco swing backdropping Lana's newfound witchy lust for a full-automated luxury gay space communism that abolishes all forms of capitalist paid work & an equal distribution of leisure time and socially necessary unpaid labour responsibilities across all genders, class and race .
California Dreaming - FULL INTERVIEW
Does Lana Del Rey really live right inside the middle of the 'H' of the Hollywood sign and spend most of her nights perched high above the chaos that swirls within the city of angels below, as the teaser for her new album, Lust For Life, suggests?
Or does she rent a house in LA's Santa Monica or Silver Lake or someplace else she's not about to divulge, in case, having taken a cryptic February tweet of hers literally, a posse of her 6.3 million well-meaning Twitter followers showup on her doorstep with the "magic ingredients" to cast spells on President Trump?
Does she really only dip her toes into the muck and the mires of the city every now and then, as she says in the album's trailer? Or does she go out quite a lot actually, as she tells me when we meet, and spend her nights having fun with a tight crew of mainly musician mates, dancing at house parties, going to gigs and occasionally wrestling the microphone from her male friends to sing Hotel California in karaoke bars? In this post-truth world, it feels pedantic to care too much either way.
The 'real' Lana Del Rey is a 31-year-old woman called Elizabeth Woolridge Grant, born in Lake Placid, New York. She's close to her younger sister Chuck, a photographer but less so to her parents, Patricia and Robert, and her little brother, Charlie. They're a family of individual she tells me: "It was natural that we all went down our own separate paths, and we've all stayed there."
We are sitting next to each other on a sofa in the Los Angeles recording studio where she has been creating her most musically accomplished work yet the aforementioned album, Lust For Life, is destined to be the sound of this summer. Lana is fully present, smart, funny, engaging and refreshingly able to laugh at herself. She wears jeans and a vintage shirt, and she talks softly but with a compelling certainty. I like her all the more for the fact that no amount of everydayness negates the magic she exudes as a performer. To her fans, Lana exists in flickering Super 8; the Manic Pixie Dream Girl who comes with no baggage or bad days, but is here only for you in a Valencia-filtered fantasy. She's an idea of a woman who didn't grow up anywhere, but emerged fully formed from the elevator at the Chateau Marmont Hotel. She's a montage of Americana, finished with a flick of black eyeliner.
Both the reality and the fantasy of Lana Del Rey make up a fully formed, albeit exceptional, human being. But, as Lana tells me, inhabiting these two worlds hasn't always been easy: "I know that if I had more of a persona then [when she released her breakthrough hit, Video Games, on the internet in 2011] I have less of one now. I think it comes down to getting a little older. Maybe I needed a stronger look or something to lean on [back then]. But it wouldn't really be hard for me today to play a mega-show in jeans without rehearsing and still feel like I was coming from the right place."
I suggest that the scrutiny Lana was put under by the media for having a melancholic persona was unfair. Everyone, to some degree, presents a different side of themselves at work, right? Plus, she's hardly the first artist to change her name or cultivate a distinctive stage look. Yet, countless conspiracy theories called into question her appearance, talent, and family background around the time her second album, Born To Die, was released in 2012 but Lana is remarkably understanding.
"Looking back now, I get a little more of what they're saying. When I was in the mix of a lot of reviews and critiques, I was kind of like, 'What? I do my hair and my make-up just like everyone else for my pictures and my show, and yes my songs are melancholic, but so are whoever else's.' So to see a couple of other female artists not get criticised made me think, 'What is it about me?'"
In hindsight, she says, she understands what the criticism and intrigue over her authenticity as an artist was about: "I think it comes down to energy, I really do. It wasn't overtly saying 'I'm unhappy' or 'I'm struggling' in my music, but I think maybe people did catch that and they were saying, 'If you're going to put music like that out there, you better fessup to it.' But I don't think I really knew how felt. Then when things got a little bigger with the music I was still figuring out what was important to me."
I get the sense that she's done a lot off figuring out in the past few years, like many of us now in our early thirties probably have done too. The difference with Lana, of course, is that all her experimentation, mistakes and regrets were fodder for public consumption. I mention that sinking feeling I get when I stumble across an old diary or a Facebook post that feels like it was from a totally different place to where I am now. I ask if she can relate.
"That applies to me," she says. "I have cringy moments. Certain things I have said and songs I have done, but mostly the ones that were leaked... I mean, they're not my finest."
She's talking about her computer being hacked in 2010, when hundreds of unfinished songs were released online, without her permission. It was a horrible invasion of her privacy, and it leads on to a discussion about vulnerability though interestingly, it's not a word she says she has ever applied to herself.
I ask her what performing on stage takes from her emotionally and what she gains from it, her amphitheatre shows usually hold up to 24,000 people at capacity. She fixes me with a not-at-all vulnerable look and says, "Well, it depends on the day. If I'm having a good day, it still takes a lot, but so much of it is physical. I try to take strength and sing from my core, so I have to actually feel good and get a lot of sleep. Of course, it also helps if my personal life is even; when you're on stage for an hour and 40 minutes, you think while you're singing. I don't like my in-between thoughts to be restless, or worrisome, so I can focus on the crowd."
After a show, she feels reflective and needs time to process it. "It's not like you do it and it didn't happen; it's a real experience. I know rock bands who say they fucking love it that they would [perform] every night and wouldn't do anything else. I don't know if it's as emotional an experience for them [as it is for me]
Back to that need to feel good and have an 'even' personal life, Lana has lived in both New York and London, but says Los Angeles is starting to feel like home, and that's a big part of what's making her happy right now. "I'm growing my roots and meeting a lot of other friends, so I feel a little more settled." In her downtime, she loves swimming in the ocean. "I have a friend called Ron who likes to swim with me. So every now and then, we find an empty beach, jump in and swim the length of the coast, from one side of the cove to the other."
Hey friends are her family, says Lana and that's why she can't accept anything less than total honesty and trust from them: "The fact that l know that now everything a lot clearer. What's interesting is how unsafe we [could] feel among each other if we weren't able to express how we really feel. It's hard knowing that if you tell someone exactly how you feel, like if you're happy or unhappy, that could be the end of the relationship because they don't feel the same way."
We speak about the crews you pick up through your life and agree that, in your thirties, you are much better at surrounding yourself with people who make you feel good. "When you're in your twenties, you let this cast of characters [into your life], especially if you're in the arts,' she says. "It didn't matter what they stood for or what they thought was important. But as the years went on, there were things that I saw in people that I didn't like."
Lana is enjoying being part of a music scene in LA where her friends include photographer Emma Tillman (also the wife of
singer-songwriter Father John Misty), Zach Dawes, who has played bass with the British super-group The Last Shadow Puppets, and musicians Jonathan Wilson and Cam Avery. They play music together, which is not something she's done with friends before. The first time she had dinner with the wholegang, she thought: 'Wow, this is great." She tells me: "Feeling part of something is definitely a nice feeling." The downside to rolling with a crew of fellow musicians is that karaoke becomes a competitive sport. "If I am with the guys, they're always on the microphone and
sometimes it's hard to grab it from them. Everyone pretends that it doesn't matter, but you can tell there are moments in the choruses when people are really singing."
We laugh and I feel pleased that I'm meeting Lana at a time in her life when, as she puts it: "All the tough things that I have been through - that I've drawn upon [in my work] - don't exist for me any more. Not all my romantic relationships were bad, but some of them challenged me in a way that I didn't want to be challenged, and I am happy I don't have to do that now."
I don't mean to rain on her parade, but I ask whether she feels that when she admits she's happy that something bad might be just around the corner? "Yes, sometimes. I have a little bit of that feel that it's a human thing to be superstitious. Sometimes I say to my friends, 'I don't want to jinx it.' Or if l'm on the phone I'm like, 'I'm so excited about this', and then waiting for that phone call the next day... but there's no such thing as jinxing it. Just let go."
The key to happiness, she says, is to ask yourself what will make you happy: "I try not to do anything that won't [make me happy] even if it's a show in a place that doesn't suit me. It's so simple: I always used to ask myself that, but never listened to the answer because I knew I was probably going to do it anyway. If someone really needed me to do something, I would probably be like, 'OK!'"
I wonder if we put too much emphasis on being happy and that in itself causes stress and anxiety, but Lana passionately disagrees: "No! I think happiness is the ultimate life goal. I think it's the only thing that's important. There are no mechanisms in place for routes to happiness, that's the whole fucking problem. I think people are unhappy in school - the education structure has been the same for a long time and kids are still not satisfied all over the world with their educational experience. And you don't have enough conversations when you're young about what makes for a satisfying mutual relationship. Those collective life experiences - your youth, your academic education and your education about business
marriage or relationship goals they all lead up to happiness. I think the emphasis is on the wrong things, and it has been for a long time."
Lana tells me she's more socially engaged than ever; her fifth and latest album is a mix of personal introspection and outward-looking anthems, such as God Bless America, in which she sings: "God bless America and all the beautiful women in it." She says that, with this record, she was striving for a feeling that we're all in this together: "I think it would be weird to be making a record during the past 18 months and not comment on how [the political landscape] was making me or the people I know feel, which is not good. It would be really difficult if my views didn't line up with a lot of what people were saying."
We discuss being constantly bombarded with news and other people's views in our hyper-connected world, and I ask how she reconciles her personal wellbeing with the collective feeling that we are all going to hell in a handcart.
"I think it's a balance, I really do. You are so fortunate if you have good health and high energy because it takes a lot to be a responsible human. Responsible to yourself, responsible to others, and to know when not to get too deep into the wormhole of news, but still be politically in-the-know and not be disconnected. In my life, it's like walking on a tightrope. I read the news, but I won't read it before bed; I won't read it when I get up and won't read it between my recording sessions. I have windows of time where I check in and catch up with everyone, but I keep my sacred things sacred."
And as for her paean to America's women? "I wrote God Bless America before the Women's Marches sprung up, but I could tell they were going to happen. As soon as the election was over, I knew that was going happen. People were way more vocal and more active on social media and in real life, so I realised a lot of women were saying out loud that they needed support and they were nervous about some of the bills that might get passed that would directly affect them. So yes, it's a direct response in anticipation of what I thought would happen, and what did happen."
Predicting the Women's Marches must have taken a seriously smart, social instinct, or some kind of sorcery straight from one of her otherworldly Lust For Life trailers. Whatever you think, you can't deny that the pulse of the zeitgeist beats throughout Lana's new album, from her pop collaboration with The Weeknd on the title track to the moody duet with John Lennon's son, Sean,and my personal favourite, Yosemite, a beautiful song about the way relationships change over time.
After she plays me this track in the very room in which it was recorded, I can't help but ask what Lana is like as a girlfriend. "I'm amazing. I'm the best," she jokes, before clarifying, "I actually am the best girlfriend because I only get into a relationship if I'm really excited about it. I'm unconditionally understanding, very loving and like to be with that person for a lot of the time." After hearing Yosemite's refrain that she's no longer a candle in the wind, which to mean she's found a steadier light in her life, I wonder whether what she looks for in a relationship has also changed? "For me, the dream is to have a little bit of the edge, the sexiness, the magnetism, the camaraderie, be on the same page and all that stuff, but without the fallout that comes from a person who is really selfish and puts only their needs first, which is like a lot of frontmen if we're talking about musicians!" (Lana has previously dated Barrie-James O'Neill, the Scottish lead singer of alt-rock band Kassidy.) "I'm going to write a book one day called, 'The curse of the frontman and why you should always date the bassist.'"
Lana smiles, takes a sip of her iced coffee, and says: "I guess have a little bit of a fantasy that really great relationships, friendships, and romances can stand the test of time. Even though each person in the relationship or the group changes, they don't change in ways that would make the relationship come to an end."
"The chorus [of Yosemite] is about doing things for fun, for free, and doing them for the right reasons. It's about having artistic integrity; not doing things because you think they would be big, but because the message is something that's important. And then, it's about just being with someone because you really can't see not having them in your life,not because it would be 'beneficial' to you to be in their company. It's that concept of just being in a relationship for 100% the right reasons. Being a good person, basically."
Lana Del Rey is mercurial - just when you think you've got her she slips through your fingers like quicksilver - but in that hot second, I think I see her clearly: an artist who is rising from the ambiguity of youth and emerging into a woman with an authentic vision for her life and her art. Yes, that might one day fade like the barely there "Chateau Marmont' tattoo on her left wrist, but right now her power is in sharp, unfiltered focus.
Lana Del Rey's fifth studio album, Lust For Life, is out soon.
I'm so sorry for calling Lolita cringey, for laughing at "Jesus is my bestest friend". Im sorry for dragging Guns and Roses and saying DLMBM is a bore. Im sorry for not realising the beauty of "Stranger than a stranger". Lana sis please end this prank and release the real promo single THIS SONG I CAN'T-
Okay j know this is rn lee Waka tjeres but one young to take the time to rent because I'm really mad these tho sfucking how iAds botch who keeps keeping on my life and it's like botch don't I have anything better to do line jke go for yore lame as skit okay I'm sorry for rantinfbjt line I could explain it all to you but mevermind I don't feel like explaining but guys I lien you so much donate to lanaboardsfotclm I love yon ex on ex oh exon oh wait I can just type xoozozocoxozo mwahhh fish limps Lyon know like Dua lips
Cultural appropriation exists. And ignoring it means to erase actual problems faced by minorities in society, when white people make meaningful culture into coachella outfits and get praised for looking boho, without even trying to respect the significance behind it, whereas the actual communities that wear these things get looked down upon for not conforming to Western beauty standards/social norms
But I guess white ppl are unable empathise with an issue until they actually find themselves victim to it, so
It's offensive. Get over it. Not only is it offensive to the men that earned and died for them but it's war valor, and since 2013 it's illegal to use war valor on such a manor.
Would you guys be fucked off if she wore a pair of Elizabeth Crosses or Purple Hearts as earrings? Hell yeah, because it's war valor, not a stylish accessory. People die. It's not fashion. After working on reservations she should have known better, that's a fact.
/not trying to attack anyone just mentioning it is actually a pretty major thing we can't sweep under the rug.
