niandra lades

Please-Liam Howe or someone involved with the Bristol trip hop scene 
Yeah I don’t listen to Lana for minimalistic production 

Hi! Thank you for your words.
To be honest, I should give them another listen. 
Well, to be honest, I got super excited when Lana said NFR! was inspired in the guitars of the Red Hot Chili Peppers (John Frusciante is another one of my favorite artists, that's why my username here is niandra lades, one of his albums), and I really got that sense when listening to Venice Bitch. When it came out, I showed it to a friend at the time without telling her anything, and she said it was very Frusciante-esque. She was actually the person who introduced me to Lana when Lana appeared. Anyways, I liked Venice Bitch when it came out, but, after time, it became one of the songs I just don't go back to. The guitar loop gets too repetitive for me, but I really love the influence this song has. Besides, I get that she said it's a song to drive to, and I don't really drive. Tbh, maybe I was too harsh in my other post. I think that what puts me off about NFR! is the production. I guess that's the type of sound she was looking for and I respect that, but I believe her voice is--- I don't know the word. It has grandeur, its enormity sounds better (in my opinion) when she is accompanied by a whole orchestra, by deep and even harsh sounds. Maybe that's what I feel with COCC and BB too. Friends have told me that the ones that are boring/reiterative are the pre NFR! albums, and I think it's funny how everyone has different feelings and opinions about Lana. I really think her most beautifully crafted album is Honeymoon, and I guess I see things from that perspective. About COCC and BB, I guess I just don't enjoy the folk sounds. I'd go for Joan Baez if I wanted to play some folk. I don't really like the minimalistic (?) approach. I'm OK with the lyrics. I like when she plays with the double meaning of things and I love that that's part of the way she is. 

neither Born To Die or Paradise are overproduced 

I want to squeeze her cheeks so bad 

I watched a video on this & the conspiracy was lowkey so interesting lol

That Lana uses a huge rainbow dildo on the men she dates

Danny Elfman’s score for the 1989 Batman will forever be THE Batman soundtrack, But I was blown away by the soundtrack for this 2022 Batman film!
Good Job guy!

Hi! Thank you for your words.
To be honest, I should give them another listen. 
Well, to be honest, I got super excited when Lana said NFR! was inspired in the guitars of the Red Hot Chili Peppers (John Frusciante is another one of my favorite artists, that's why my username here is niandra lades, one of his albums), and I really got that sense when listening to Venice Bitch. When it came out, I showed it to a friend at the time without telling her anything, and she said it was very Frusciante-esque. She was actually the person who introduced me to Lana when Lana appeared. Anyways, I liked Venice Bitch when it came out, but, after time, it became one of the songs I just don't go back to. The guitar loop gets too repetitive for me, but I really love the influence this song has. Besides, I get that she said it's a song to drive to, and I don't really drive. Tbh, maybe I was too harsh in my other post. I think that what puts me off about NFR! is the production. I guess that's the type of sound she was looking for and I respect that, but I believe her voice is--- I don't know the word. It has grandeur, its enormity sounds better (in my opinion) when she is accompanied by a whole orchestra, by deep and even harsh sounds. Maybe that's what I feel with COCC and BB too. Friends have told me that the ones that are boring/reiterative are the pre NFR! albums, and I think it's funny how everyone has different feelings and opinions about Lana. I really think her most beautifully crafted album is Honeymoon, and I guess I see things from that perspective. About COCC and BB, I guess I just don't enjoy the folk sounds. I'd go for Joan Baez if I wanted to play some folk. I don't really like the minimalistic (?) approach. I'm OK with the lyrics. I like when she plays with the double meaning of things and I love that that's part of the way she is. 

I really dislike NFR!, BB and COCC 😔 wish I didn't but I do. Only songs I like from NFR are the greatest (which i believe is one of her best songs), fuck it i love you and happiness is a butterfly. I like COCC and in blue banisters I don't really like anything 🤔 maybe the interlude. I coul expand but I don't want to be annoying

Hi! Thank you for your words.
To be honest, I should give them another listen. 
Well, to be honest, I got super excited when Lana said NFR! was inspired in the guitars of the Red Hot Chili Peppers (John Frusciante is another one of my favorite artists, that's why my username here is niandra lades, one of his albums), and I really got that sense when listening to Venice Bitch. When it came out, I showed it to a friend at the time without telling her anything, and she said it was very Frusciante-esque. She was actually the person who introduced me to Lana when Lana appeared. Anyways, I liked Venice Bitch when it came out, but, after time, it became one of the songs I just don't go back to. The guitar loop gets too repetitive for me, but I really love the influence this song has. Besides, I get that she said it's a song to drive to, and I don't really drive. Tbh, maybe I was too harsh in my other post. I think that what puts me off about NFR! is the production. I guess that's the type of sound she was looking for and I respect that, but I believe her voice is--- I don't know the word. It has grandeur, its enormity sounds better (in my opinion) when she is accompanied by a whole orchestra, by deep and even harsh sounds. Maybe that's what I feel with COCC and BB too. Friends have told me that the ones that are boring/reiterative are the pre NFR! albums, and I think it's funny how everyone has different feelings and opinions about Lana. I really think her most beautifully crafted album is Honeymoon, and I guess I see things from that perspective. About COCC and BB, I guess I just don't enjoy the folk sounds. I'd go for Joan Baez if I wanted to play some folk. I don't really like the minimalistic (?) approach. I'm OK with the lyrics. I like when she plays with the double meaning of things and I love that that's part of the way she is. 

🙏 all hail the titty 🙏

I really dislike NFR!, BB and COCC 😔 wish I didn't but I do. Only songs I like from NFR are the greatest (which i believe is one of her best songs), fuck it i love you and happiness is a butterfly. I like COCC and in blue banisters I don't really like anything 🤔 maybe the interlude. I coul expand but I don't want to be annoying

Taylor Swift 😭 I don't like her voice at all. My friends bully me relentlessly because of that. 
Also, Rosalia. I liked Malamente but I doubt I'll ever listen to the full Motomami album 😭 I love reggaeton but hers doesn't sound in harmony or synch. It's quite annoying to me, really. Besides, cuando los cubitos de agua se congelan, ya no es agua ahora es hielo? Wtf is that lyric 😤
 

Hi! Thank you for your words.
To be honest, I should give them another listen. 
Well, to be honest, I got super excited when Lana said NFR! was inspired in the guitars of the Red Hot Chili Peppers (John Frusciante is another one of my favorite artists, that's why my username here is niandra lades, one of his albums), and I really got that sense when listening to Venice Bitch. When it came out, I showed it to a friend at the time without telling her anything, and she said it was very Frusciante-esque. She was actually the person who introduced me to Lana when Lana appeared. Anyways, I liked Venice Bitch when it came out, but, after time, it became one of the songs I just don't go back to. The guitar loop gets too repetitive for me, but I really love the influence this song has. Besides, I get that she said it's a song to drive to, and I don't really drive. Tbh, maybe I was too harsh in my other post. I think that what puts me off about NFR! is the production. I guess that's the type of sound she was looking for and I respect that, but I believe her voice is--- I don't know the word. It has grandeur, its enormity sounds better (in my opinion) when she is accompanied by a whole orchestra, by deep and even harsh sounds. Maybe that's what I feel with COCC and BB too. Friends have told me that the ones that are boring/reiterative are the pre NFR! albums, and I think it's funny how everyone has different feelings and opinions about Lana. I really think her most beautifully crafted album is Honeymoon, and I guess I see things from that perspective. About COCC and BB, I guess I just don't enjoy the folk sounds. I'd go for Joan Baez if I wanted to play some folk. I don't really like the minimalistic (?) approach. I'm OK with the lyrics. I like when she plays with the double meaning of things and I love that that's part of the way she is. 

The FBI found LDR9 and. American Standards and Classics in Trump’s safe at Mara Lago. He was beta ing it for his close friend and supporter Miss Elizabeth Woolridge Grant, a wealthy GOP donor, and enthusiast of coke and horses and country clubs. The leak is expected at any moment as The FBI wants to sabotage Miss Grant as they are confirmed Beyhive marxists

Hi! Thank you for your words.
To be honest, I should give them another listen. 
Well, to be honest, I got super excited when Lana said NFR! was inspired in the guitars of the Red Hot Chili Peppers (John Frusciante is another one of my favorite artists, that's why my username here is niandra lades, one of his albums), and I really got that sense when listening to Venice Bitch. When it came out, I showed it to a friend at the time without telling her anything, and she said it was very Frusciante-esque. She was actually the person who introduced me to Lana when Lana appeared. Anyways, I liked Venice Bitch when it came out, but, after time, it became one of the songs I just don't go back to. The guitar loop gets too repetitive for me, but I really love the influence this song has. Besides, I get that she said it's a song to drive to, and I don't really drive. Tbh, maybe I was too harsh in my other post. I think that what puts me off about NFR! is the production. I guess that's the type of sound she was looking for and I respect that, but I believe her voice is--- I don't know the word. It has grandeur, its enormity sounds better (in my opinion) when she is accompanied by a whole orchestra, by deep and even harsh sounds. Maybe that's what I feel with COCC and BB too. Friends have told me that the ones that are boring/reiterative are the pre NFR! albums, and I think it's funny how everyone has different feelings and opinions about Lana. I really think her most beautifully crafted album is Honeymoon, and I guess I see things from that perspective. About COCC and BB, I guess I just don't enjoy the folk sounds. I'd go for Joan Baez if I wanted to play some folk. I don't really like the minimalistic (?) approach. I'm OK with the lyrics. I like when she plays with the double meaning of things and I love that that's part of the way she is. 

Hi! Thank you for your words.
To be honest, I should give them another listen. 
Well, to be honest, I got super excited when Lana said NFR! was inspired in the guitars of the Red Hot Chili Peppers (John Frusciante is another one of my favorite artists, that's why my username here is niandra lades, one of his albums), and I really got that sense when listening to Venice Bitch. When it came out, I showed it to a friend at the time without telling her anything, and she said it was very Frusciante-esque. She was actually the person who introduced me to Lana when Lana appeared. Anyways, I liked Venice Bitch when it came out, but, after time, it became one of the songs I just don't go back to. The guitar loop gets too repetitive for me, but I really love the influence this song has. Besides, I get that she said it's a song to drive to, and I don't really drive. Tbh, maybe I was too harsh in my other post. I think that what puts me off about NFR! is the production. I guess that's the type of sound she was looking for and I respect that, but I believe her voice is--- I don't know the word. It has grandeur, its enormity sounds better (in my opinion) when she is accompanied by a whole orchestra, by deep and even harsh sounds. Maybe that's what I feel with COCC and BB too. Friends have told me that the ones that are boring/reiterative are the pre NFR! albums, and I think it's funny how everyone has different feelings and opinions about Lana. I really think her most beautifully crafted album is Honeymoon, and I guess I see things from that perspective. About COCC and BB, I guess I just don't enjoy the folk sounds. I'd go for Joan Baez if I wanted to play some folk. I don't really like the minimalistic (?) approach. I'm OK with the lyrics. I like when she plays with the double meaning of things and I love that that's part of the way she is. 

To tell your opinions, weather they're negative or postitive e.g. about an album, does not eqaul being annoying. Everyone's got different opinions and hey! This is the unpopular Lana opinions thread, so feel free to express your unpopular thoughts! 
I like these three albums but I'm still interested in why you don't so I say expand it, if you want!

🙏 all hail the titty 🙏

🙏 all hail the titty 🙏

Lana, reggaeton and RKT. I used to listen to metal like Sepultura and Pantera when I was younger but now I'm barely reminded of their existence. 

Lana, reggaeton and RKT. I used to listen to metal like Sepultura and Pantera when I was younger but now I'm barely reminded of their existence. 

I remember when this album first came out. I was 13 and I didn't like the vibes I got from the cover. I wanted something like BTD... And then it came out and I loved it and still do. It's such a dark, complex record. She was at a terrible moment in her life and the fact that she was able to build something so enchanting and special... That's a lot. Love UV to pieces.

I'm so tired of the acoustic themes 😭 I don't like country music at all. I'm from Argentina, it's way too North American to be understood by my brain.