Trinity

He used to call me D.N, that stood for Drunken Nudist.

He used to call me D.N, that stood for DEEZ NUTZ

I usually make a playlist every summer but this summer I only got halfway through so it's a bit short... Mostly upbeat/happy songs, a few moody-girl tunes, and the occasional throwback all of which I can jam to in the car.
 

I usually make a playlist every summer but this summer I only got halfway through so it's a bit short... Mostly upbeat/happy songs, a few moody-girl tunes, and the occasional throwback all of which I can jam to in the car.
 

I usually make a playlist every summer but this summer I only got halfway through so it's a bit short... Mostly upbeat/happy songs, a few moody-girl tunes, and the occasional throwback all of which I can jam to in the car.
 

Just my kind of thread, PB I wish I could ask for as much advice in here as I can ask for in the Lana thread, but I can't assume everyone has every song I'm referencing.
 
Here's one of my favorites though, been working on it since like last year. Night time listening, mostly electronic stuff.
 

I'm always here for more music. And I'm always here for new tracks like Florida Kilos.

1. whats ur definition of authenticity
2. is there a difference between lizzy and lana
3. did your father fund your music career?
 
you know.. questions we've never heard lana asked before   [i feel live evil using this emoticon]

Ehhh.. I prefer BTD's lyrics more. 

@@Trinity - 12=Black Beauty; 13=Guns and Roses; 14=Florida Kilos
 
Thank you Moy, and to whoever put this together. Annoyingly, the Target edition does not give any credits for 'Flipside' - anybody with the French/Japanese versions want to check theirs? In any case, it seems to be just Blake and Lana, but I'd like to know who was behind the desk for it.
 
In case anyone's interested, here's a song by Floating Action, the band with the mysterious Seth Kauffman.
 
 

Photos:


 
Preview:
On the collaboration process for Ultraviolence:
“Meeting [producer/Black Keys frontman] Dan Auerbach changed everything. He really brought fun back into my life. We had a natural chemistry between us that was kind of palpable and he was spontaneous. We’d go into the studio with the band and do one cut of Ultraviolence—raw and live with all seven players in the same room with an old bedroom microphone—and leave it as it was. It was thrilling.”
 
On her current fashion transformation:
“There has been an evolution. It came with the music. I love the idea of being able to get up on stage in my favourite denim shorts and my favourite linen shirt and wear a pair of gold bands and diamonds. It is so freeing. When I first got on stage—four years ago—I felt like what I had to do was put a dress on and be presentable in some way.”
 
On how her relationship with rocker Barrie-James O’Neill fueled Ultraviolence‘s lyrics: 
“I’m a dark character and he very is an even darker character than I am. Trying to get some consistency and some normality within the dynamic of that relationship has been impossible. Songs like “Shades of Blue” came out all that.”
 
On what gives her confidence:
“Lately, I’ve sought comfort in one-on-one interactions with people backstage after the shows—spending hours with fans afterwards and drawing energy from that well. People liking what I’m doing on stage is a big ‘fuck you’ to whoever doubted me in the first place.”

I know it's been said a thousand times already but I'll say it again... This video is a disappointment at it's finest. Ultraviolence isn't a bad song and she could have done so much more with the video. Although I'm a little biased because I always prefer high production videos over low quality, this video isn't even a good homemade one. Here what I don't like about it: 1) There's literally one scene. One. One outfit, one filter, one location. It's singular and predictable, and in turn, boring as hell. 2) The filter isn't even pretty! I know Lana loves her muted greens, but the whole yellow tone theme is ugly. I thought with Ultraviolence, she'd go with darker, cooler colors like blues, purples, grays... not this pee-colored mess of a color palette. If there would have been a little more of that purple tone seen as she first walks into the church and the lighting changes, maybe it would have been better. 3) There's no story line whatsoever. You can go on with your theories about lost love and marriage and death but in all honesty, I think Lana just wanted to put on a wedding dress, pout, and play with filters. I think it's all about what's aesthetically pleasing to Lana, but even then, I wasn't expecting something so flat. Lana's has such an interesting mind and has spoken before about how she's in really into film so I was expecting something much more advanced in terms of plot and themes. 4) The video doesn't suit the song, at least in my opinion. I know not everything has to be literal but she could have at least saved the wedding dress for something like a Yayo/Gun & Roses (although we all know that's never going to happen.) The only part that was the least bit literal was when he put her hand around her neck in a choking fashion, it was only a glimpse of the "violence love" portrayed in the song. 
 
On a less critical, more positive note, there were some things I did enjoy about the video! 1) The lips are back. I know they look a little awkward in some scenes (see: orange) but overall I love when her lips are plumped up like that. Her makeup looked good in this video, now if only I could actually see it through all those filters... 2) She, in general, looked beautiful. I think it's hard to deny that aspect. Lana's facial expression, for the most part, were convincing and beautiful. 3) Some of the angles were good. In particular I really liked the scene under the wedding veil with the light coming through the lace on to her face. If there were more scenes with interesting angles, the video would have been less boring. 
 
I'm hoping this is just a project Lana wanted to do with Francesco in Italy and that there's another Ultraviolence video directed by Nabil laying around somewhere. One with the smokey black and white rock n' roll theme. Praying for that. 

I know it's been said a thousand times already but I'll say it again... This video is a disappointment at it's finest. Ultraviolence isn't a bad song and she could have done so much more with the video. Although I'm a little biased because I always prefer high production videos over low quality, this video isn't even a good homemade one. Here what I don't like about it: 1) There's literally one scene. One. One outfit, one filter, one location. It's singular and predictable, and in turn, boring as hell. 2) The filter isn't even pretty! I know Lana loves her muted greens, but the whole yellow tone theme is ugly. I thought with Ultraviolence, she'd go with darker, cooler colors like blues, purples, grays... not this pee-colored mess of a color palette. If there would have been a little more of that purple tone seen as she first walks into the church and the lighting changes, maybe it would have been better. 3) There's no story line whatsoever. You can go on with your theories about lost love and marriage and death but in all honesty, I think Lana just wanted to put on a wedding dress, pout, and play with filters. I think it's all about what's aesthetically pleasing to Lana, but even then, I wasn't expecting something so flat. Lana's has such an interesting mind and has spoken before about how she's in really into film so I was expecting something much more advanced in terms of plot and themes. 4) The video doesn't suit the song, at least in my opinion. I know not everything has to be literal but she could have at least saved the wedding dress for something like a Yayo/Gun & Roses (although we all know that's never going to happen.) The only part that was the least bit literal was when he put her hand around her neck in a choking fashion, it was only a glimpse of the "violence love" portrayed in the song. 
 
On a less critical, more positive note, there were some things I did enjoy about the video! 1) The lips are back. I know they look a little awkward in some scenes (see: orange) but overall I love when her lips are plumped up like that. Her makeup looked good in this video, now if only I could actually see it through all those filters... 2) She, in general, looked beautiful. I think it's hard to deny that aspect. Lana's facial expression, for the most part, were convincing and beautiful. 3) Some of the angles were good. In particular I really liked the scene under the wedding veil with the light coming through the lace on to her face. If there were more scenes with interesting angles, the video would have been less boring. 
 
I'm hoping this is just a project Lana wanted to do with Francesco in Italy and that there's another Ultraviolence video directed by Nabil laying around somewhere. One with the smokey black and white rock n' roll theme. Praying for that. 

I know it's been said a thousand times already but I'll say it again... This video is a disappointment at it's finest. Ultraviolence isn't a bad song and she could have done so much more with the video. Although I'm a little biased because I always prefer high production videos over low quality, this video isn't even a good homemade one. Here what I don't like about it: 1) There's literally one scene. One. One outfit, one filter, one location. It's singular and predictable, and in turn, boring as hell. 2) The filter isn't even pretty! I know Lana loves her muted greens, but the whole yellow tone theme is ugly. I thought with Ultraviolence, she'd go with darker, cooler colors like blues, purples, grays... not this pee-colored mess of a color palette. If there would have been a little more of that purple tone seen as she first walks into the church and the lighting changes, maybe it would have been better. 3) There's no story line whatsoever. You can go on with your theories about lost love and marriage and death but in all honesty, I think Lana just wanted to put on a wedding dress, pout, and play with filters. I think it's all about what's aesthetically pleasing to Lana, but even then, I wasn't expecting something so flat. Lana's has such an interesting mind and has spoken before about how she's in really into film so I was expecting something much more advanced in terms of plot and themes. 4) The video doesn't suit the song, at least in my opinion. I know not everything has to be literal but she could have at least saved the wedding dress for something like a Yayo/Gun & Roses (although we all know that's never going to happen.) The only part that was the least bit literal was when he put her hand around her neck in a choking fashion, it was only a glimpse of the "violence love" portrayed in the song. 
 
On a less critical, more positive note, there were some things I did enjoy about the video! 1) The lips are back. I know they look a little awkward in some scenes (see: orange) but overall I love when her lips are plumped up like that. Her makeup looked good in this video, now if only I could actually see it through all those filters... 2) She, in general, looked beautiful. I think it's hard to deny that aspect. Lana's facial expression, for the most part, were convincing and beautiful. 3) Some of the angles were good. In particular I really liked the scene under the wedding veil with the light coming through the lace on to her face. If there were more scenes with interesting angles, the video would have been less boring. 
 
I'm hoping this is just a project Lana wanted to do with Francesco in Italy and that there's another Ultraviolence video directed by Nabil laying around somewhere. One with the smokey black and white rock n' roll theme. Praying for that. 

Photos:


 
Preview:
On the collaboration process for Ultraviolence:
“Meeting [producer/Black Keys frontman] Dan Auerbach changed everything. He really brought fun back into my life. We had a natural chemistry between us that was kind of palpable and he was spontaneous. We’d go into the studio with the band and do one cut of Ultraviolence—raw and live with all seven players in the same room with an old bedroom microphone—and leave it as it was. It was thrilling.”
 
On her current fashion transformation:
“There has been an evolution. It came with the music. I love the idea of being able to get up on stage in my favourite denim shorts and my favourite linen shirt and wear a pair of gold bands and diamonds. It is so freeing. When I first got on stage—four years ago—I felt like what I had to do was put a dress on and be presentable in some way.”
 
On how her relationship with rocker Barrie-James O’Neill fueled Ultraviolence‘s lyrics: 
“I’m a dark character and he very is an even darker character than I am. Trying to get some consistency and some normality within the dynamic of that relationship has been impossible. Songs like “Shades of Blue” came out all that.”
 
On what gives her confidence:
“Lately, I’ve sought comfort in one-on-one interactions with people backstage after the shows—spending hours with fans afterwards and drawing energy from that well. People liking what I’m doing on stage is a big ‘fuck you’ to whoever doubted me in the first place.”

YES. I know exactly what you mean. When she says "what's happening" it's like she's watching her relationship/life crumble in front of her and there's nothing she can do but look back on the memories. So much sadder/better. 

I know it's been said a thousand times already but I'll say it again... This video is a disappointment at it's finest. Ultraviolence isn't a bad song and she could have done so much more with the video. Although I'm a little biased because I always prefer high production videos over low quality, this video isn't even a good homemade one. Here what I don't like about it: 1) There's literally one scene. One. One outfit, one filter, one location. It's singular and predictable, and in turn, boring as hell. 2) The filter isn't even pretty! I know Lana loves her muted greens, but the whole yellow tone theme is ugly. I thought with Ultraviolence, she'd go with darker, cooler colors like blues, purples, grays... not this pee-colored mess of a color palette. If there would have been a little more of that purple tone seen as she first walks into the church and the lighting changes, maybe it would have been better. 3) There's no story line whatsoever. You can go on with your theories about lost love and marriage and death but in all honesty, I think Lana just wanted to put on a wedding dress, pout, and play with filters. I think it's all about what's aesthetically pleasing to Lana, but even then, I wasn't expecting something so flat. Lana's has such an interesting mind and has spoken before about how she's in really into film so I was expecting something much more advanced in terms of plot and themes. 4) The video doesn't suit the song, at least in my opinion. I know not everything has to be literal but she could have at least saved the wedding dress for something like a Yayo/Gun & Roses (although we all know that's never going to happen.) The only part that was the least bit literal was when he put her hand around her neck in a choking fashion, it was only a glimpse of the "violence love" portrayed in the song. 
 
On a less critical, more positive note, there were some things I did enjoy about the video! 1) The lips are back. I know they look a little awkward in some scenes (see: orange) but overall I love when her lips are plumped up like that. Her makeup looked good in this video, now if only I could actually see it through all those filters... 2) She, in general, looked beautiful. I think it's hard to deny that aspect. Lana's facial expression, for the most part, were convincing and beautiful. 3) Some of the angles were good. In particular I really liked the scene under the wedding veil with the light coming through the lace on to her face. If there were more scenes with interesting angles, the video would have been less boring. 
 
I'm hoping this is just a project Lana wanted to do with Francesco in Italy and that there's another Ultraviolence video directed by Nabil laying around somewhere. One with the smokey black and white rock n' roll theme. Praying for that. 

Photos:


 
Preview:
On the collaboration process for Ultraviolence:
“Meeting [producer/Black Keys frontman] Dan Auerbach changed everything. He really brought fun back into my life. We had a natural chemistry between us that was kind of palpable and he was spontaneous. We’d go into the studio with the band and do one cut of Ultraviolence—raw and live with all seven players in the same room with an old bedroom microphone—and leave it as it was. It was thrilling.”
 
On her current fashion transformation:
“There has been an evolution. It came with the music. I love the idea of being able to get up on stage in my favourite denim shorts and my favourite linen shirt and wear a pair of gold bands and diamonds. It is so freeing. When I first got on stage—four years ago—I felt like what I had to do was put a dress on and be presentable in some way.”
 
On how her relationship with rocker Barrie-James O’Neill fueled Ultraviolence‘s lyrics: 
“I’m a dark character and he very is an even darker character than I am. Trying to get some consistency and some normality within the dynamic of that relationship has been impossible. Songs like “Shades of Blue” came out all that.”
 
On what gives her confidence:
“Lately, I’ve sought comfort in one-on-one interactions with people backstage after the shows—spending hours with fans afterwards and drawing energy from that well. People liking what I’m doing on stage is a big ‘fuck you’ to whoever doubted me in the first place.”

Let's be real, OTTR is just one big lyrical masterpiece but my favorite line is: Glass room, perfume, cognac, lilac fumes / Says it feels like heaven to him
Also Old Money is becoming one of my favorites, lyrically: The power of youth is on my mind / Sun set, small town, I'm out of time / Will you still love me when I shine from words but not from beauty

I know it's been said a thousand times already but I'll say it again... This video is a disappointment at it's finest. Ultraviolence isn't a bad song and she could have done so much more with the video. Although I'm a little biased because I always prefer high production videos over low quality, this video isn't even a good homemade one. Here what I don't like about it: 1) There's literally one scene. One. One outfit, one filter, one location. It's singular and predictable, and in turn, boring as hell. 2) The filter isn't even pretty! I know Lana loves her muted greens, but the whole yellow tone theme is ugly. I thought with Ultraviolence, she'd go with darker, cooler colors like blues, purples, grays... not this pee-colored mess of a color palette. If there would have been a little more of that purple tone seen as she first walks into the church and the lighting changes, maybe it would have been better. 3) There's no story line whatsoever. You can go on with your theories about lost love and marriage and death but in all honesty, I think Lana just wanted to put on a wedding dress, pout, and play with filters. I think it's all about what's aesthetically pleasing to Lana, but even then, I wasn't expecting something so flat. Lana's has such an interesting mind and has spoken before about how she's in really into film so I was expecting something much more advanced in terms of plot and themes. 4) The video doesn't suit the song, at least in my opinion. I know not everything has to be literal but she could have at least saved the wedding dress for something like a Yayo/Gun & Roses (although we all know that's never going to happen.) The only part that was the least bit literal was when he put her hand around her neck in a choking fashion, it was only a glimpse of the "violence love" portrayed in the song. 
 
On a less critical, more positive note, there were some things I did enjoy about the video! 1) The lips are back. I know they look a little awkward in some scenes (see: orange) but overall I love when her lips are plumped up like that. Her makeup looked good in this video, now if only I could actually see it through all those filters... 2) She, in general, looked beautiful. I think it's hard to deny that aspect. Lana's facial expression, for the most part, were convincing and beautiful. 3) Some of the angles were good. In particular I really liked the scene under the wedding veil with the light coming through the lace on to her face. If there were more scenes with interesting angles, the video would have been less boring. 
 
I'm hoping this is just a project Lana wanted to do with Francesco in Italy and that there's another Ultraviolence video directed by Nabil laying around somewhere. One with the smokey black and white rock n' roll theme. Praying for that. 

Photos:


 
Preview:
On the collaboration process for Ultraviolence:
“Meeting [producer/Black Keys frontman] Dan Auerbach changed everything. He really brought fun back into my life. We had a natural chemistry between us that was kind of palpable and he was spontaneous. We’d go into the studio with the band and do one cut of Ultraviolence—raw and live with all seven players in the same room with an old bedroom microphone—and leave it as it was. It was thrilling.”
 
On her current fashion transformation:
“There has been an evolution. It came with the music. I love the idea of being able to get up on stage in my favourite denim shorts and my favourite linen shirt and wear a pair of gold bands and diamonds. It is so freeing. When I first got on stage—four years ago—I felt like what I had to do was put a dress on and be presentable in some way.”
 
On how her relationship with rocker Barrie-James O’Neill fueled Ultraviolence‘s lyrics: 
“I’m a dark character and he very is an even darker character than I am. Trying to get some consistency and some normality within the dynamic of that relationship has been impossible. Songs like “Shades of Blue” came out all that.”
 
On what gives her confidence:
“Lately, I’ve sought comfort in one-on-one interactions with people backstage after the shows—spending hours with fans afterwards and drawing energy from that well. People liking what I’m doing on stage is a big ‘fuck you’ to whoever doubted me in the first place.”

"one gun on the table, headshot if you're able"
gets me every time 

Oh, say can you see my stars
The night time is almost ours
To wander through alleys and look at the bars
Night time is almost ours
 
The headlights from passing cars
They illuminate my face then leave me the dark
The voice of Nirvana says, "Come as you are"
And I will
The night time is almost ours
 
The sway of the hips and arms
Will cradle you from afar
They swing till you're tired and send you to Mars
Night time is almost ours
 
The whole of Oh say can you see is beautiful. Its poetry tbh and Lana's most moving and confessional song to to date...

I love the $14k fur paired with the mallrat top.

Photos:


 
Preview:
On the collaboration process for Ultraviolence:
“Meeting [producer/Black Keys frontman] Dan Auerbach changed everything. He really brought fun back into my life. We had a natural chemistry between us that was kind of palpable and he was spontaneous. We’d go into the studio with the band and do one cut of Ultraviolence—raw and live with all seven players in the same room with an old bedroom microphone—and leave it as it was. It was thrilling.”
 
On her current fashion transformation:
“There has been an evolution. It came with the music. I love the idea of being able to get up on stage in my favourite denim shorts and my favourite linen shirt and wear a pair of gold bands and diamonds. It is so freeing. When I first got on stage—four years ago—I felt like what I had to do was put a dress on and be presentable in some way.”
 
On how her relationship with rocker Barrie-James O’Neill fueled Ultraviolence‘s lyrics: 
“I’m a dark character and he very is an even darker character than I am. Trying to get some consistency and some normality within the dynamic of that relationship has been impossible. Songs like “Shades of Blue” came out all that.”
 
On what gives her confidence:
“Lately, I’ve sought comfort in one-on-one interactions with people backstage after the shows—spending hours with fans afterwards and drawing energy from that well. People liking what I’m doing on stage is a big ‘fuck you’ to whoever doubted me in the first place.”