sukiedelrey

The bridge onward to the end is definitely the best part, but the beginning sounds like a score for a horror movie and it's totally awesome. The song is a bit slow, but like I said, the ending where it starts to pick up a little is great. I could see it as an opener leading into faster songs or closing the album easily. I just don't like that repetitive chorus that goes nowhere. I'll give it a few more listens before judging more.

This is truly one of my favorite things she's done in ages, tbh. This exceeds even the best songs on Ultra, I think. Especially in terms of musicality- the arrangement, the orchestration. This is so next level for her. A lot of her strings before have sounded "influenced" by movie scores- these truly sound like one. I feel like this is such a perfect evolution from btd/paradise/ultra. I'm in love. The scatting at the end makes me so fucking happy that she finally put that in a record.

I think it would have been really cool if during the chorus, a drum beat would have kicked in a way similar to the Ultraviolence chorus.
 
Anyways, I think it's a really beautiful song and I love this fresh new sound. This has me very excited for the record.

Exactly what I was thinking. The bridge is beautiful, and her voice in the last chorus until the end is
All I wish is that there was more going on in the song

The sad thing that the fans are managing Lana better than Ben... 

I want cheeky, precocious, toying with the boys Lolita/OOTR/TIWMUG/Kinda Outta Luck Lana. There weren't any tracks on UV that gave me life like those, even though I know a lot of people don't like TIWMUG. I think MTWBT has that potential.
 
Is the whole fandom opposed to bops now? I'm the saddest girl in town irl but jeez, you can only do so much twirling around in fur and diamonds waiting for daddies to flock. I don't want Lana to be a one trick pony. We know she's capable of so much more than that, We know she's interested in being so much more then that.

i want sassy National Anthem lana

all i know is that i hope we get some songs that bring back fun lana or something where she really belts it out in that ridiculous way she does 

the video for the shoot on her personal youtube is so fucking terrifying - she looks horrifying and evil

I honestly really don't like her new haircut. I'm not sure if that's unpopular, but I just don't think it's flattering on her. It seems to age her a bit. Come back, 2012 hairstyles!! 

I loathe Carmen

I'm sort of afraid that the songs he produced won't have any "fire," though. They're pretty, but he can tend to get a bit bland.

not too much though - i will probably cry if honeymoon's lyrical content is basically life being beautiful when her occasionally abusive sugar daddy takes her body downtown in the pale moonlight on Château Marmont while shes in her red party dress and high heels and feeling fucking crazy

I would love her to collab w Father John Misty, it's one of my dreams for Honeymoon. ()

Apple Music makes sense tbh. She's the most streamed female alt artist, and clearly she has some deal with Apple since she got so much promo at the announcement of Apple Music.

I am mostly into sad/sappy music to be honest but idk I want her to go different on HM...I'm here for the Florida Kilos/Diet Mountain Dew type of feel even though they're like...my least favorites...
I'm weird

I'd be perfectly alright with Nowels being a main producer. I think most of the songs he did with her are great.
 
Heath .. I don't know. He's good for soundtrack music and "Orchestral Remixes" (Y&B, WC) but having more than 2 songs produced by him on a record ... no pls not. Because judging by his latest collabs with her, we'd get a monotonous record if he does too much.

I'm scared for the production of Honeymoon. Haynie's BTD production wasn't perfect and overproduced at times, but it was lush and exciting. Auerbach production was sparse at times but it sounded really organic and coherent. I'm worried Honeymoon will have uninspired production and have the worst qualities of each era sonically. I'm not really a fan of Honeymoon song production (to be fair we've only heard 10s) as it sounds so worryingly similar to WFL and LiB and its simply so generic Lana (strings, layered vocals). I guess we need to hear more to identify her sonical themes for Honeymoon.

why you typing like that

oh wow lo-fi exotica jungle princess 

IDK really
 
EDIT: Still thirsty though 

Tropical/beachy orchestral vibes and aesthetics. What a dream. Dead repetitive though. Just glad it's giving an indication of the album's sound.

BINCH!!!!

 
 
But also it looks like an iPhone video so I think this is definitely a continuation of Ultraviolence

Yeah I was there and way at the back and the audio was weird, her voice kept going in and out. She kept stopping to adjust the audio so it seems she could tell something wasn't right. She also seemed to have less energy or be not as happy as she looked at other shows. Seeing her was amazing, when she came out in the beginning in her red dress it was so exhilarating.

a big part of why i fell in love with lana was her cinematic music videos and i hope she brings those types of visuals back for honeymoon, even if its unlikely. to me the ultraviolence era was lacking in visuals (besides parts of the west coast and soc music videos which were beautiful) and hopefully we see some video quality like the btd/paradise era and even pre-btd era videos