clementines

Summer Wine, Tomorrow Never Came, and West Coast (the acoustic radio version) 
so honestly i just want a vintage folky classic sounding album

absolutely underrated! 

I know that LFL is dead and this isn't the correct thread... But I just want to say to reminder that Change is THAT song and you should give it a stream, x

I refuse to call it an album.
LFL feels like a playlist she made in her free time.
It's not complete or anything.

songs like Happiness is a Butterfly is what I want from her on her new album.
It concludes her entire cycle.
How she matured, changed her state of mind, became happier, confident, satisfied with her own work.
Hopefully no songs like WTWWAWWKD, Summer Bummer or Groupie Love, they grow old so fast.

Well Lana did say no one wanted to make her idea for the video

Just agreeing with more common sense when I see it. 
 
I think Heroin into Change into Get Free (side 4) is the best thing she's done lyrically as a collective. Her ultimate statement as an artist if you will. I think she has grown. 

i want a sirens x honeymoon vibe

did u see chucks comment on her post BITCHHHHHHHH

OTTR was awe-inspiring, sensational, remarkable, spectacular... will anything ever compare? 
Honestly (and I adore lana so this   i s n t   s h a d e) I think that song was mostly shaped lyrically by Tim (her co-writer). He's the god man who brought us ottr, cherry, and g&m. I think she had the visuals in her mind and kinda dictated that to him. If he isn't on LDR6 i'll be sad.

I would love to see him feature. No offense to Sean Lennon, but I feel like Misty would have better suited Tomorrow Never Came.

can someone make a pico link appear

i get may jailer vibes from the vocal filter on this OMG

year 5000

I think it's all about Marina and her struggles with anxiety and depression. 
 
In the first part, I think Marina is getting quite anxious and depressed about her career as maybe it was not what she hoped it would be (success-wise, or style-wise). She is trying to think of other routes she can take in life, and trying to plan her next move. As this part is quite fast paced, it's like she is rapidly thinking things through and getting quite anxious and worked up in the process.
 
In the second part, some time has passed and Marina is dealing with her anxiety much better. Rather than trying to plan everything out and worrying about her career, she is happy to let things unfold by themselves. There is no rush to get to the point she wants to be in her career/life, and has learned to relax into the journey! The slowness compared to the first part also is like Marina has slowed down, and she is not trying to rush through life or her thoughts anymore and making dramatic decisions.
 
GOD I LOVE THIS SONG 

All the signs are pointing to Happy 2.0
Please Marina

Let's agree that this album needs folk vibes and the collab with Daddy Father John Misty 

Yeah, I love Lana for the things she does/did, so I have no problem with the lyrics/motifs. I mean, Cherry is a sweet nothing but it's SO Lana and that's part of why I love it that much.
But when the production, songwriting and general atmosphere of her album starts to lose it's unique "Lana-touch" like on LFL (partly because the album was too messy), the lacking lyrical motifs stick out more.

It's such a conflicting mix of upgraded lyrics in 13 Beaches,  Heroin,  WTWWAW, Get Free and Cherry,  but a sure downgrade in CWIMM,  Lust for Life,  Love,  White Mustang and God Bless America.  No matter the good intentions of those 'downgraded' song lyrics,  the upgraded lyric songs outshine them clearly.  This is why LFL is such a messy album,  yet there were still some very interesting improvements that I hope she keeps

i hope the features are as strong as Summer Wine

what if its like that into RBFY since they're both piano

i want a sirens x honeymoon vibe

you know this was looking pretty solid but seeing honeymoon at last i'm slightly concerned but go off

Imagine putting Godlymoon LAST