my ol man isa batman

okay, with the success of marinaboards, nataliaboards, skyboards, grimesdaily, etc., why not?

Petition to start a twigsboards, lmao. I could use a thread of "most anticipated musical moments in a twigs song"
 
I'm partial to the subtle nuances that pack punch, like how she swaps her falsetto "girl" for the deepened/manipulated "girl" when she says "is she the girl that's in the video" for the second time. It's at 0:14. 
And the "dooooooooooooooo" at the end of preface (1:17) that she just launches

Someone awesome made a really great list of the album's production credits taken from the booklet. Great way to see who does what per person instead of per track on the booklet. Just thought the album's production should have its own page!
 

Maybe it will feature someone that sounds like Lana, but in the credits it will be some random ass name

Lovely! Can't wait for the true king of sadcore to outshine Lana

Like my baby Barrie said on that vid: "It's not over...It's not over..."

I bought some frames for the UV artprints but I'm gonna use them on LP1 instead #thebetrayal

As long as you buy the album when it's out, slay.  

He has freedom of speech, you can't stop him and you won't accomplish anything except give him attention... so what's the point of it? 
 
Just ignore him.

He makes up shit for a living - lying on twitter probably doesn't even phase him.
 
I really long for the days when it was just our parents and priests who tried to tell us that pop music was evil, and not illuminati hipsters.

I wonder what will be the songs from UV she never performs...I call Florida Kilos

The instrumentation isn't that unusual.  Percussion, harp, and strings.  She always has a live string quartet on stage with her, so that wouldn't be a problem.  The harp could be synthesized as it is for Video Games (sometimes you hear harp at the beginning; other times it's just piano), and the timpani rolls could be substituted with regular drums, or synthesized as well.  It'd be fun to hear this one live!

Barrie has released the track list for his upcoming album;
 
1. Mary
2. The Art Of Horror
3. Chivalry
4. The Art Of Resurrection
5. Untitled
6. Magic Me
7. Angel Tears
8. Way Over My Head
9. Riverside feat Lana Del Rey
10. Wherever I Go
 
 
 
 
Source
https://www.facebook.com/nightmareboybjo?fref=nf

This could be super interesting! 
Brian Wilson is well known for his work as a songwriter, co-lead vocalist, bassist, producer, arranger, and co-founder of The Beach Boys. Due to his unorthodox approaches to song composition and arrangement, and mastery of recording techniques, he is widely acknowledged as one of the most innovative and influential creative forces in popular music by critics and musicians alike

Art prints in HQ
 
 
 

Lana Del Rey's new album, Ultraviolence, qualifies as a radical statement from a pop star in 2014 – it's mostly produced by Black Keys frontman Dan Auerbach, who relies on electric guitar and other live instruments, and none of its eleven tracks sound much like a potential radio hit. And as Auerbach reveals in Rolling Stone's new Del Rey cover story, her major labels (Interscope and the U.K.'s Polydor) were initially resistant to the idea of releasing it.

 

"There was a lot of bullshit I'm not used to," Auerbach tells senior writer Brian Hiatt. "The label says, 'We're not going to give you the budget to extend this session unless we hear something.' And we send them the rough mix and they fucking hate it and they hate the way it's mixed. And it's like, 'Thanks, asshole.'… I think Lana put her foot down. Maybe it's normal for her, but it's not normal for me.  Really rubbed me the wrong way.  I got really defensive because I thought it was bullshit.

 

"The story I got told," he continues, "is that they played it for her label person and they said, "We're not putting out this record that you and Dan made unless you meet with the Adele producer. And she said, 'Fine, whatever.' And she was late to the meeting, so while they were waiting, the label guy played what we recorded for the Adele producer and he said, 'This is amazing, I wouldn't do anything to change this.' And here's the kicker: Then all of a sudden, the label guy said, 'Well, yeah, I think it's great, too.'"

 

Del Rey acknowledges a six-week period this past spring when Ultraviolence was in limbo. "I mean, I think there were people they wanted me to work with," she says. "I don't know who they were. When I said I was ready, they were like, 'Are you sure?'" She laughs. "'Because I feel like you could go further.'"

 

"I had heard about some back and forth regarding the music," responds Interscope chief John Janick.  "But from the moment I met Lana, I've been of the mindset that she has an instinct that is pretty dead on and as an artist, she is fully formed.  She knows her vision and her audience, and it's up to us to follow her lead on that."

 

"On this album, in my opinion, you didn't want her to try to do something," adds Janick's predecessor, Jimmy Iovine. "I felt she hit a bull's-eye. Everybody's saying to me, 'We need a single,' calling me from Europe. I said, 'You don't need anything.' It's a very coherent body of work, and thought any other conversation was a distraction."

 

In any case, the album debuted at Number One in June, selling 182,000 copies – and Auerbach is now a huge fan of his collaborator. "Every criticism that I'd ever heard about her was proven wrong when I was in the studio with her," he says. "From how great the songs were to how confident she is as a musician to her fucking singing every song live, with a handheld microphone and a seven-piece band. I mean, get the fuck out of here, who does that? Nobody does that, there hasn't been a number one pop record that was recorded like that in forty, fifty years."

 

Source: http://www.rollingstone.com/music/news/how-lana-del-rey-fought-to-get-her-radical-ultraviolence-lp-released-20140718

And in FMWUTTT she'll be sipping on Lorde's blood

It seems like the start of what turns into an abusive relationship. The end hints at a darker progression of the relationship. You get a happy bride, a sensual woman, in love and getting married - but by the end, she's kneeling ALONE in church, a white dove on the floor, turning back to look ... at what? Her past? Peering into her future? It's gorgeous; this might be my new favorite Lana video after Born To Die. The simplicity, the haunting vibe, the vague sense of creepiness - it's just perfect.  And WOW she has never looked better!

It's kinda hard to understand. I think maybe she wanted to show off her new extensions and walk around in a wedding dress.

My YouTube channel has reached 300 subscribers and to show you all my gratitude, I made an iTunes LP for Lana Del Rey's "Ultraviolence". You can see on the video how it works.
https://www.youtube.com/watch?v=9XYRmNpshcM&list=UUVVxRJvIylsm79gpDE0tfeg
 
The download link is here, on my tumblr: 
http://ituneslp.tumblr.com/post/93452721603/lana-del-rey-ultraviolence
 
Subscribe to my channel clicking here: http://goo.gl/8eujJ8
 
*You will need to have iTunes installed on your computer and have the album "Ultraviolence" bought directly from the iTunes Store (You can get it here: https://itunes.apple.com/us/album/ultraviolence-deluxe/id880747579) or have the album in AAC M4A format. MP3 files won't be played by the iTunes LP.
Enjoy!

I just got into her a month ago after hearing her on Ab-Soul's new album. Absolutely love her. Shattered Ring, Julia, Warm Winds, and Sweet November are my favorites. 

WOOW SZA GET (MAKE) THAT PROMO YAAAS SLAY ME YAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAS 
 

https://vt.tumblr.com/tumblr_n9l43vwnLq1twjqsx.mp4#_=_