GeminiLanaFan

The collab already exists, which makes it more frustrating. It was meant for his record, in 2017, but it ended being shelved. There’s a small snippet : https://youtube.com/shorts/76Ho8CkFPLQ?feature=share if only one of them could release the damn thing.

I think the opposite: add a bit more beat with the second verse. The piano on WF WF sounds the most “synths” out of the three songs. Not that it’s that annoying, but still. I really like the beat, that reminds me of Cherry, in a way. It’s the second verse I find a tad too long, with its simple piano. Still love all the lyrics to the song though.

I’m not sure about that ? I might be wrong, but I believe she met Dan at a party, got to talk to him about her album and they decided he would produce. It’s Paul Epworth (Adele’s main producer at the time) Interscope insisted she met, to give UV a more “single-y” song and he decided the album was already good and didn’t need one (although he helped with Black Beauty).

100% with you on that one. The songs will be probably sound better as a whole rather than taken separately.

Damm! The first selfie is beautiful! ok, she likes to play mind games with us, with those hands and no face…

My guess is it’s coming after Bleachers, for two reasons: 1- Lana might have a bigger than expected part on Don’t Go Dark On Me; 2- after so many contributions from Jack, it would be just human decency to have his project breathe a little on its own.

I’m not sure about that. Lana did say in ONE interview she wanted Jack to go “wilder”, but I guess it meant bridges like Dance till We Die (which I don’t think is THAT Wild). Meanwhile, Jack said, in at least one interview and one tweet, she-they wanted stripped back. Sorry to disappoint, not that I am a Jack adorator, but I believe him More than I believe her Plus it’s getting confusing which songs were meant for what project…

Oh I am manifesting that Lana NEVER does the same merchandising sh*t Billie is doing for her album: are people really buying the CD booklet because she dropped white paint on it?!?! Didn’t look up the price of it, but geez ?

I’m having the same feeling and reception I had with the three singles that I had with Violet: it’s easy to overlook them because of the minimalism of the production. But I accepted that BB won’t be that revenge / summer album I thought it would be, and with a more and more plausible fall release, if the rest of the album is as thoughtful as the three singles, it could be one of her most personal albums to date and a perfect fit for autumn.

Nothing personal, but I find it a little funny that so many “claimed” this song when she posted the tracklist and are now shitting all over it (and hey, it happens all the time, I really liked the Dance Till We Die title on Chemtrails and it’s really not my fave out of the bunch. I just hope Oceanic Feeling serves)

?‍♂️ Totally agree with you that folksy is beginning to sound everywhere. Has the pandemic inspired ALL the girls to be introspective with minimal production?!?

Well, it’s not an easy task, to be a female singer - composer, in a male-dominated industry, where girls are asked all the time to do what a man thinks is right for a song. Jack is one of the few that isn’t like that and all the girls he worked with said he was easy-going. I guess that’s why he is behind every “popish” female act these days. But I must admit that the most original album he put out this year was Daddy’s Home.

It’s a simple song but I really like it. But so far, the album is really a mix of Norman and Chemtrails with a mix of Lorde. Not that it’s a bad thing since I love the Jack albums, just not super original, maybe? At least, Lana won’t be the one that will receive the hate for recycling Jack melodies

Our best chance of hearing a new Lana track soon is on the Bleachers album, i’m afraid I’m feeling exactly the same about the excitement for this album. A tidbit of info every three weeks is really getting painful.

Before sex: when I’m down on my knees you’re how I pray

Hahahaha! that and “shared my body and my mind with you, that’s all over now”

I still love that album in the summer ❤️❤️ It has so many underrated masterpieces

this is awful but I laughed out loud anyway

Eclipse said it was among his faves. And it’s pretty much all we know (at least from what I read). it’s safe to guess that at almost 7 minutes, there’s got to be some progression in the song - long intro or outro.

Calm down, Jack haters. Lana is credited as a songwriter on two songs on the Bleachers album. Maybe this counts as a “project”. and let’s not forget Behind the Iron Gates.

I thought they were talking about Norman, Chemtrails, both audiobooks. There are still some songs they recorded together, but I don’t think it means that many more complete albums are on the way…

I saw a repost on IG. Nothing was spilled and I don’t blame him, the gays said to his face (apparently) that WFWF was her weakest track and someone suggested she should add I Talk to Jesus to BB (of all the unreleased songs she could add to the mix, of course they chose the Contemporary Christian Reborn song of the lot ???)

The “moaning part” in the chorus. added to Hold me, touch me, it’s sensual as fuck. But I must agree with you that FIILY is the nicest of the two.

I love all of those songs, but I hope it’s not the new single (Map of LA or something)

I still remember when she first started teasing the title track on her IG: I was on a trip to California, UV was my soundtrack, and one evening, while getting back to the hotel for the night, I saw her post, with the chorus, the tigers, the hypnotizing strings the title track is synonymous to mysterious hot summer nights still to that day. And the rollout for this album was THE most perfect one she has ever done.