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About MahaMaha
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blackenedrussianpoetry liked a post in a topic: LANALYSIS: Relating Songs To Known/Assumed Relationships
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I think she is saying ...if I told you I was r*ped would you really believe anbody would think it...
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Norman Fucking Rockwell - Pre-Release Thread
MahaMaha replied to Elle's topic in Retired Pre-Release Threads
Failed marriage? Wtf do y'all hear in that song I think 'the kids' isn't meant literally it's more like saying the kids we hang out with were young and pretty -
MahaMaha liked a post in a topic: Lana spotted at a café in Los Angeles, CA - April 16, 2019
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MahaMaha liked a post in a topic: Norman Fucking Rockwell - Pre-Release Thread
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Norman Fucking Rockwell - Pre-Release Thread
MahaMaha replied to Elle's topic in Retired Pre-Release Threads
They pulled Paradise off of spotify in Germany.. Does anybody know anything about that? Is it still available in other countries? -
MahaMaha liked a post in a topic: Twitter Updates
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The fanbases' reactions are really what makes twitter beefs unbearable. The shit Lana said was mostly childish and cringey which at least makes it kinda funny. Azealia being mean and delusional AS ALWAYS. That woman ended her career all by herself years ago. If somebody with a bigger public support (idk Cardi for example) came for Lana, she prob wouldn't have responded... so let's keep it together and stop praising or demonizing this situation.
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MahaMaha liked a post in a topic: Twitter Updates
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You might be thinking of National Anthem's "it's a fact - kiss, kiss"
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Norman Fucking Rockwell - Pre-Release Thread
MahaMaha replied to Elle's topic in Retired Pre-Release Threads
I don't know if anybody mentioned it but the whole second verse and especially the line "I fucked up, I know that, but Jesus..." fits the backlash she got for wanting to attend the Meteor festival quite well. MAC was most likely already finished, but because it just happens to work as a response, she decided to put it out there. That would explain why she didn't plan on having the song on the radio. -
Norman Fucking Rockwell - Pre-Release Thread
MahaMaha replied to Elle's topic in Retired Pre-Release Threads
You're onto something here.. I don't know if you guys remember after the tropico premiere, she had this little written piece showing at the end. It said something crazy about her pretending like all the legends she looks up to are still alive and that she talks to them or whatever. I really believe her real world got taken over by her self-created dreamland. Maybe that's why she wants the tattoos removed? Not because she wants to blend in but it reminds her of how dissociated she was. Her tweet "Having a shared agreement on what the basis of reality and truth is is what holds the fabric of civilization together. " kinda plays into it as well. Our girl might have went crazier than we thought. So ready for everything to come though, MAC is so promising! -
MahaMaha liked a post in a topic: Norman Fucking Rockwell - Pre-Release Thread
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MahaMaha liked a post in a topic: Mariners Apartment Complex - VIDEO OUT NOW
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To be honest, how gracious of you LMAO
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Lana to be featured in Elvis Documentary - The King
MahaMaha replied to Elle's topic in New Releases
Pls, just let this be a Methamphetamines/Old Money situation instead of another Life is Ugly mess. -
LANALYSIS: Relating Songs To Known/Assumed Relationships
MahaMaha replied to Sitar's topic in Lana Thoughts
What type of negativity? This thread is full of theories and speculations (which is truly the fun of it). We also discussed her hearing about the story and just being inspired by it. If you don't believe in it (which I don't even really believe in it) that's fine, but you sound like nobody's allowed to post shit on here any more without hacking into her personal data. This thread already dry enough, let people have fun with it. -
Lana the observer, as documentary creator
MahaMaha replied to graham4anything's topic in Lana Thoughts
Are y'all disagreeing or what? This is the truth. I believe it's more of a conflict though between her personal obsession with Hollywood legends and the realization of the illusion and wrongfulness that lays within idolization. A true Gemini. HM and LFL seem to show a different approach. It's more about her telling the listener or society as a whole (instead of just telling herself/sharing her perception) to ditch the concept of fame and glory and finally evolve to a new era of equality in which there is no godly worshipping of selected human beings (celebs). I think this may also relate to her wanting to get rid of her tattoos and blend into the masses. -
I'm baffled how many of you understand her religous lyrics as literal references. Not to say anybody is wrong here, I just assumed the way I feel about it was quite common. I think she has always been agnostic in her work (excluding the cult ridden May Jailer era). She portrays the struggle of every human being to question one's own purpose. God is the only figure whether he exists or only exists as a common fantasy amongst our culture to might have an answer to that. Pawn Shop Blues and Coachella both describe the will to let go of everything earthly imaginable just to get a piece of that universal knowledge of life. Just like Eve she wants to taste the forbidden fruit to gain knowledge even if that results in her losing life/losing eternal life. To me the constant mention of God seems more like a feeling of desperation and the last remaining hope. If there is no heaven, none of us will ever find the true meaning of life. Yet death (and the following encounter with God) seems to be the only way to answer her questions as it is humanly impossible (the Absurd) to figure out what our purpose is. Camus believed to accept the absurdity of life and continue living is the true revolt (contrary to suicide being the revolt against the absurdity) which could relate to songs like L4L. I guess that could be a shift. But then again a lot of her songs give different perspectives on the matter. From claiming one's own human power and dismissing anything above that (Disco/Gods &Monsters) to surrendering completely to the unknown entity (Bel Air/Old Money) or even trying to create heaven on earth (Ride).