lili

I don’t know if she references that, but it’s the name of a Leonard Cohen novel.

Yayo - 14 West Coast - 24 + Venice Bitch - 12 -

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Aww thank you! I just have an overactive imagination lol

It could very well be referring to body bags in the sense that she is reminiscing over the "remains" of the relationships that are over. Trying to invoke the "chemistry (that) never dies" by running her fingers on the souvenirs and memories of them.

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Truly incredible scene. And I remember that she cited Thomas Newman’s score for it as one of the earlier influences for her music. It’d be interesting if she ever decided to draw from that well again. 🧡

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Ah, thank you but Lana used it herself while describing her work in the studio with Dan Auerbach. I'll update this post if I ever find that interview.

Completely agree. I often wonder how I would react to it if it was the work of another artist I've just discovered. When we're familiar with an artist's ouvre, our understanding of a specific work is naturally marked by everything that precedes it. I'll try listening to it again, separately, on its own, not in the context of listening to the whole discography and of course, still it will be imbued with implications of my idea of her art but maybe I'll come to a better understanding.

This is the most interesting entry on the most interesting thread on LB for me... Can't believe I haven't discovered it before...

I had a plan to listen all of Lana’s discography yesterday. When I reached NFR, I realized something. I love the idea of the songs on it, but not the songs themselves. I love the title track, MAC, Venice Bitch, think they’re great but also can’t help but feel annoyed… like they’re missing something, like they’re songs that couldn’t reach their full potential somehow. Anyway, I turned it off after Love Song. My personal opinion on what Lana and Jack do together is that I love and get the idea that is there, but it seems to lack the “alchemy” Lana said to have with Dan for example. I’m not saying I want Ultraviolence 2.0, Ultraviolence was a gem on its own, but because I believe in her ability to play in new, exciting soundscapes, I do hope she finds that “alchemy” with another producer. This is just my take on the situation as a listener though and nothing else.

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childhood: britney spears, madonna teens and 20s: nirvana, hole, alice in chains, soundgarden, pearl jam, the doors now (30s): lush, slowdive, leonard cohen, nick cave, tom waits, led zeppelin, elliott smith, chris cornell, hozier, lana, fiona apple, tori amos, grimes

I'm fucking flying. This is sensational.

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This question was posed quite a while ago, still I wanted to offer my interpretation. I think it quite simply means he is very smart and filthy rich.

If I Die Young vs My Momma

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Hey Blue Baby vs A Star for Nick