Alison by Slowdive

lilya 4-ever

manifesting the vainest of vanity projects

yeah, it's hard - her range is HUGE and creating an album of her best ends up lacking cohesion (when i try, anyway lol)

lana on bb:

Kill Kill - 19 Oh Say Can You See - 25 + Mermaid Motel - 34 Pawn Shop Blues - 19 - Yayo - 33

xylophones

soft

Angels Forever vs Dum Dum

maybe i'd get less stressed if i was tested less like all of these debutantes smiling for miles in pink dresses and high heels on white yachts vs Scowlin' like the sunshine set on Sarasota Happy like a twister over Oklahoma Clear as Biddy Mason lying in a coma This is how I feel when all my hurt is over

manifesting

sirens is just so listenable, it's actually one of the albums i listen to the most (alongside NFR) - and its style is v reminiscent of elliott smith, who i'm obsessed with <3

this is giving lilac heaven energy

imagine having a mind to put oh say can you see, mermaid motel, and yayo on the same album - i will never get over AKA

i agree! but a big part of me also wants her to glamorise farm life this also reminds me that a lot of lana's new work makes me think of america's national hippie sweetheart treasure mary oliver's poetry (the emphasis on exploring and appreciating the present moment)

and Tomorrow Never Came is the best song on L4L

BBM Baby would do the job

I call this EP the 'Baddies': Blue Jeans Boarding School Beautiful Burning Desire Big Bad Wolf (besides the bridge which i luv) Next EP is untitled: Let Me Love You Like A Woman Coachella God Bless America When The World Was At War Not All Who Wander Are Lost

Sirens: Pretty Baby AKA: Smarty BTD: Off to the Races Paradise: Cola UV: Fucked My Way Up To The Top + Florida Kilos but literally everything on UV is an IT Girl HM: Freak L4L: Not sure but I'll just say Cherry NFR!: Fuck it I love you COCC: Tulsa Jesus Freak BB: Black Bathing Suit

i'm desperately missing the world-building from her earlier albums where's the glass room, perfume, cognac, lilac fumes at?

LDR9 and AS+C manifestations

baffled that such quality writing as in 'text book' can be on the same album as tracks like 'beautiful' and to a lesser extent, 'violets 4 roses' i completely understand lana feeling like she needed to address critics regarding their misconceptions and i hope that's the reason for beautiful being as direct and on the nose as it is, but i also hope she never has to write songs aimed at clarifying herself to critics ever again

the first few words of this rly scared me kshgjhgjkhjkfhgkd but yes i really hope that's true

manifesting an extremely luscious album in the vein of terrence loves you + the greatest