blackenedrussianpoetry

Still my favorite lana cover… we had it all- whoever we were supposed to be.

Very 70s Fleetwood Mac… spiritual galore

Let the Light In To immerse in holy spark, the impeding armor of evil, Dark Knight of the Soul must be removed. Through Ohr, the physical light to channel metaphysical emanations/passages. It ignites the mystical humility of nullification of the ego. http://www.kabbalah.info/eng/content/view/frame/59195?/eng/content/view/full/59195&main https://www.chabaddoublebay.org/templates/articlecco_cdo/aid/1240410/jewish/Kabbalah-of-Reincarnation.htm “The act of surrendering sort of puts me in a different mindset that allows me to be more of a channel — because I’m not holding on so tightly to things, I’m letting go, and I find that in letting go I become more of a channel for life to really happen on life’s terms. I mean, maybe that sounds sort of metaphysical, but that’s honestly how I feel.” ***Interview w NPR For light and live light to crucify the conscious flourishing negativity within the telepathic connection. The radiating euphoric fashion it electrifies stream constantly in connection with its source.

Have always thought I’d be the only fan who truly understood and get a hang of the visuals and the whole narrative of the video- it ravels both ways.

Personal absolute favorite record of Lana’s. She really portrait and immerse the essences and vibrations of the 60s starting from the soundscape that is a mixture of older, traditional folk to the more modernistic moods- the intentional global writing as well. New Thought. Too, is transfixed by her fashion of presenting the retro-futuristic and occultist visuals for the videos and the message that underlies within. The richest Lana record in many senses. I don’t dare to alter a thing from it, but to maybe include The Next Best American Record (a current favorite Lana song) and to have Coachella as a folk track- but I settled with all the medias that are presented to us. Somehow, Best American Record perfectly blend in w Norman. Interconnected to the past for the future

A&W This composition convey an imagery of how the dualities and the darkness and deepness within Lana’s feminine qualities encompasses condensed her to be the woman that she is now. Akin to the Full Moon intro she used in her 2016 Festival Tour as an herald to her ways of channeling Angels or transmitting Heaven- that reads: I am everyone Anyone No one https://www.iphm.co.uk/blog/understanding-the-human-energy-field/ https://images.app.goo.gl/1SYfzAzkBzkcKWk66 Ten trips to The Moon- to coagulate a better sense of herself/the reveal of her heart through the bearing of the burden that left a mark in her feminine qualities. I'm a princess, I'm divisive Ask me why, why, why I'm like this Maybe I'm just kinda like this I don't know, maybe I'm just like this Through the fire- We are born again Have always thought this composition to be in the same vein/share blood with Mariners and Sportscruiser. The concept of infinity- seem to be the foundation for all groups.

Have we ever came to knowledge about what was the lost remaining three titles for Lust for Life? Best American Record, Lust for Life, then the other three?…

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Whatever happened w this?

As for Norman, the basis of the thought that it shall sit at Malkuth (Kingdom/Earth) is the narrative throughout the record (her first record) that she did not wish to be as something bigger or to own bigger powers and such. To accept circumstances the way they seem. Even if she did ought to astral project/something metaphysic, she’s done it through projecting onto her daily lives/reality (Earth/The Body) that we can read through her writing for her future works to come and on. I've got a kid and two cats in the yard The California sun and the movie stars I watch the skies getting light as I write You write, I tour

Before- I’m sorry if I convey such vibrations of an ego, know-it-all. My knowledge of the esoteric concept is nowhere as good as @DeadAgainst and @litwave, but maybe there shall no be harm in articulating my perspective… I truly do not wish to cause conflicts… 🙏 As for how I see it, Paradise placed at Chesed/mercy is because the recurring motifs- and that is Lana who always seem to ask for such salvation throughout the record, whether that be “good” and “bad” for us, audience. Notably in compositions such as Gods & Monsters that really encapsulate the qualities Chesed holds. In the song, Lana likened herself to a shining beacon, contrasting the domain, “The Garden of Evil” with The Monsters sway in the dominion. This defines one of the qualities of Chesed that is God, The Mighty One, Chasmalim, Shining Ones (The Monsters). You got that medicine I need Fame, liquor, love, give it to me slowly Put your hands on my waist, do it softly "Fuck yeah, give it to me" "This is Heaven, what I truly want" She croons the intention to be as something bigger/superior and celestial by abusing drugs as a medium. Of course, we know drugs substances make humans deem a sense that they can do anything that is out of physical human reach, out of touch with theirselves. The adrenaline one gets with drugs. And these elements bring us to the first, third, and fourth composition respectively. Ride, Cola, and Body Electric which each songs’ headline/theme mirror each other. Even though one knows- who portrait themselves above terrestrial entities in this temporal universe shall perish. This thought shone another elements that birthed Chesed that is The Ego and, the other, Righteousness. It's innocence lost I don't really wanna know what's good for me Diamonds are my bestest friend Heaven is my baby, suicide's her father Opulence is the end I know your wife and she wouldn't mind Drugs substance abuse obviously is lawful wrong. But for the author, anything just to endure astral response to fulfill the depth void of detachment for the author is prone to feel satisfied by anything earthly, hence it is a good matter of fact. Those are the elements that formulated the Paradise record and reasonings why I think the work shall be placed at Chesed… On the softer tone of the record, Obedience and Vision of Love is explored with Bel Air, American, Yayo. Of course, it’s simply about Lana then-usual “I’ll company him/be his muse nevertheless.” Maybe I took her words literally for this… edit: Sorry if I’m just playing with ideas like a hot potato or contradict myself.

Thank you for the enlightenment… in awe to see the revival of this brilliant thread with wonderful thinkers. Would switch NFR! with Paradise as for me, though- but thank you regardless.

ufb was done the next month… same sessions as the demo for flipside

The song ended up being nectar of the gods and cherry blossom… folk songs done at the spot…

Just curious of why you ought to place born to die in Tiphareth that is the beauty? It is because for when Lana first arrived- she was naive of the calm before the storm that is the music industry? I do agree on other placements especially w violet being the crown but I also see violet placed as the beauty. Care to dissolve your insights?

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Obsessed with this thread… might be the best one yet.