1000p13nkballoons

such a fun, hard hitting set! was half drunk and vibing from my bedroom and had a blast. brat is gonna be HUGE (for us)

This album is going to be such a career highlight like let’s not kid ourselves LMAOOOO

neither of these two people being charli xcx..............

I WANNA DANCE WITH CHARLIS ANGELS 

i mean they’re tiny shows in a few cities, most of everyone “missed out”
just wait for the actual tour idk 

Why don’t you try being excited and unbothered instead! 

It's not her fault that the venues put the link up before she could announce. The text service is set up and run by her management team and run through a third-party company (probably owned by WMG). Getting tickets for her has always been a bloodbath. 25k people tried to get Boiler Room invites. 2 nights of the standard Crash tour in NYC at Hammerstein Ballroom (10k capacity) sold out in minutes. The HIFN shows in seconds. Similar with the Pop 2 and N1A shows. It's just how it's been for a really long time.

You’re not missing out on much as long as there’s no Boiler Room / Tracklist / World Tour announcement / Special Edition Preorders / Merch. I noticed a lot of people have an issue with the rollout but I don’t know why. Maybe it’s just the lack of patience we’ve grown accustomed to. But the fact that Charli is playing the role so good this era that she almost seems like she doesn’t even care about her record coming out soon is enough to keep me hype. She don’t owe us SHIT this era

Medical experts just released a new study that found only fun and sexy people enjoy "The von dutch remix with addison rae and a.g. cook" 

All these LanaBoards members are like ahhhhh can I get a picture
And then they go online like just kidding I hate you

You just wanna scream my name on and on, 'cause I'm just living that life 
 
My tight dress and red lips, I know you want it, I'm just living that life

I LOVE the remix so much my god  it sounds like the HIFN sequel we never got im so obsessed and wish it was the official version </3 I think I might have stan Addison Rae because whut is thissss

We’re all enjoying the remix while all you haters are sitting in your dad’s basement 

Underrated bop 
Yes 😭

honestly i hate all this gravity bringing you so close to me 
hard to hide the way i feel i want you all over me i want you so close to me 
i could give you what you need but i think the moments all gone 
 

In The City for me is the perfect bridge from CRASH to brat
it has the club sound she's going for right now but is super pop just like CRASH songs

kinda wished we had a solo version, tho
i like Sam but i don't think that their voice fits so well with the production

Y'all did too much on In The City! it's a cute little moment you play at the pregame when your girls are finally done getting ready and you take a shot before figuring out who's ordering the uber to the club  I feel like it was overshadowed by what we'd heard/known about the album at that moment in time and it sounded like a Crash b-side more than a big rave kinda moment

babygirl is that shimmery summer lounging by the beach bop!
 

Looooooove when a remix reimagines a song and doesn't just add a verse in. The VD Addison remix is so infectious it's so effortless and catchy. Need an entire remix album actually...

Thinking about the production on Babygirl today… the way it glistens wow 

''fans who attended the exclusive listening experience reported that a slower version of the 365 song featured in the Boiler Room announcement snippet was played, but with no drop''
 
possibly to avoid giving away too much too far away from the release of the album Charli decided to use a remix instead of the album version of the 365 song in the Boiler Room announcement 
 
so the snippet from the second Boiler Room tease is a remix as well
 
consequently since the passage which was in the second Boiler Room is part of the ????? track it means that the ????? track is the instrumental of dub remix of the Club Classics song with which she opened the main Boiler Room set
 
tbh it sounds logical. it is safe to assume that the second single will have a late April release so I don't think she would put out the instrumental of the album version of the single nearly one and a half month before its release. putting out the instrumental of the remix is a fun way to spread excitement and hype without spoiling almost anything at all.
 
what if the song about Italy which people who attended the listening party reported is actually a diss track to that Rose Mulet bitch who after writing the most pick me tweet I've ever seen was playing it cool by saying that she would now enjoy her vocation in Italy? this would be fire! hopefully Charli will have a savage diss track about her on the album
 
(all these were just my shower thoughts. I apologize for the text having zero coherence at all)

this is actually such a fascinating argument you can make here
 
on a certain level, von dutch and brat is just the usual result of charli doing something inauthentic and commercial for the previous project - vroom vroom and xcxworld happened as responses to sucker,  the overcommerical and overproduced crash was a response to the super diy how i'm feeling now, and sonically whenever charli feels too far from home, its back to the clubs. 
 
while uk pop music has been moving in a 90s/2000s dance/garage direction for the last few years (which she did acknowledge on crash with beg for you and selfish girl), technically even though they didnt deliver on it, both dua lipa and doja cat were talking about their next records being 90s rave inspired in like 2021. you can actually kinda hear the beginning stages of brat on 'what you think about me' on crash too, including what i think is a (sub)conscious interpolation of 'love me or hate me' by lady sovereign, which is kind of exactly the era that brat lives in.  
 
when it comes to von dutch, it is technically par for the course "commercial" in a world where perfect (exceeder) is randomly back in the charts after 20 years - but von dutch 100% predates saltburn, and no one could have predicted perfect (exceeder) and murder on the dance floor to make such huge comebacks on the heels of that film - it kinda seems like in this case, instead of charli being ahead of her time or "chasing trends", the zeitgeist actually set itself up for the release of von dutch and she kinda got lucky that that particular synth sound became popular again with perfect exceeder at the exact right time
 
cool to think about
 
 

You literally say the most random stuff on here and this is no exception

What trend exactly is it jumping on? Can you be more specific I haven’t seen any other pop girlies putting out club/rave songs  

i love & respect your strange takes always, but please - how is this her most commercial lead when Good Ones exists?