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Ultraviolence - Post-Release Discussion Thread + Poll

What are your favourite songs on Ultraviolence?  

1,066 members have voted

  1. 1. What are your favourite songs on Ultraviolence?

    • Cruel World
      431
    • Ultraviolence
      451
    • Shades Of Cool
      473
    • Brooklyn Baby
      536
    • West Coast
      556
    • Sad Girl
      326
    • Pretty When You Cry
      364
    • Money Power Glory
      347
    • Fucked My Way Up To The Top
      287
    • Old Money
      451
    • The Other Woman
      178
    • Black Beauty
      412
    • Guns and Roses
      125
    • Florida Kilos
      444
    • Is This Happiness
      259
    • Flipside
      333


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Has anyone ever noticed the voice in the background during the bridge of UV?

 

Do you mean the "wooo, wooo, wooo" melody?

I always sing it instead of quoting the bridge damn I love that album thanks for reminding me


butterflies-gif-2.giflana-dancing-smaller.gif

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Blake Stranathan, Lana’s Del Rey guitarist sharing some of the co-writing process of Ultraviolence with Lana in 2014 for strymon

 

Can you share what the co-writing process was like with Lana Del Rey on the new album Ultraviolence?

It was probably the best experience of my life so far. I was in New York visiting family, and Lana invited me down to Electric Lady Studios, which was always a dream of mine being a Hendrix nut. It was surreal being and working there. We wound up being there for 8 or 9 days with basically the entire place to ourselves. I had played guitar on a couple tracks that were pretty much finished, but one morning I came to the studio super early just to work out some tones and play in that amazing live room. As I was coming up with some progressions, Lana walked in and we came up with “Pretty When You Cry” on the spot. It was recorded through a Neve 8078 which just sounded unreal. None of it was planned which certainly added to the vibe. The same happened with “Cruel World”. I was actually watching a video of the ‘BigSky’ on my computer and showed it to her. She said, “Fuck! That sounds amazing. We need that.” (Laughs) So a couple of hours later, a runner went out and grabbed one. On the last day while Phil Joly, the engineer, was bouncing down a couple sessions, and she asked me if I wanted to play around with the new pedal in the live room. I played maybe a few chords and we immediately started writing ‘Cruel World’. We recorded it just guitar and vocal in one take, and then Dan Auerbach went on to produce the song not long after. Everything about the recording and writing process was super organic, plus the energy in that studio is very powerful. I came up with the guitars for ‘Flipside‘ at home in Los Angeles using the BigSky as well. I made a quick video clip and sent it to her phone. We wound up writing the song a couple days later at her house, and then recorded it at a studio later that night. Strymon definitely played a big role in shaping the sound of the record.

https://www.strymon.net/pedalboard-feature-blake-stranathan/

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In the last ~40 seconds of Ultraviolence, there's a subtle yelling that sounds like one of the samples from BTD. I think that it sounds like the Rick james sample. Anyone know if it is actually that? Or is it just yelling

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Blake Stranathan, Lana’s Del Rey guitarist sharing some of the co-writing process of Ultraviolence with Lana in 2014 for strymon

 

Can you share what the co-writing process was like with Lana Del Rey on the new album Ultraviolence?

It was probably the best experience of my life so far. I was in New York visiting family, and Lana invited me down to Electric Lady Studios, which was always a dream of mine being a Hendrix nut. It was surreal being and working there. We wound up being there for 8 or 9 days with basically the entire place to ourselves. I had played guitar on a couple tracks that were pretty much finished, but one morning I came to the studio super early just to work out some tones and play in that amazing live room. As I was coming up with some progressions, Lana walked in and we came up with “Pretty When You Cry” on the spot. It was recorded through a Neve 8078 which just sounded unreal. None of it was planned which certainly added to the vibe. The same happened with “Cruel World”. I was actually watching a video of the ‘BigSky’ on my computer and showed it to her. She said, “Fuck! That sounds amazing. We need that.” (Laughs) So a couple of hours later, a runner went out and grabbed one. On the last day while Phil Joly, the engineer, was bouncing down a couple sessions, and she asked me if I wanted to play around with the new pedal in the live room. I played maybe a few chords and we immediately started writing ‘Cruel World’. We recorded it just guitar and vocal in one take, and then Dan Auerbach went on to produce the song not long after. Everything about the recording and writing process was super organic, plus the energy in that studio is very powerful. I came up with the guitars for ‘Flipside‘ at home in Los Angeles using the BigSky as well. I made a quick video clip and sent it to her phone. We wound up writing the song a couple days later at her house, and then recorded it at a studio later that night. Strymon definitely played a big role in shaping the sound of the record.

https://www.strymon.net/pedalboard-feature-blake-stranathan/

Thanks for sharing, I don't know much about guitars and equipment but I've always wondered what kind of things/brands they use for recording the songs. My brother has lots of electric guitars so I know they all sound different from each other... I've always been a bit curious I guess. :flutter:

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Thanks for sharing, I don't know much about guitars and equipment but I've always wondered what kind of things/brands they use for recording the songs. My brother has lots of electric guitars so I know they all sound different from each other... I've always been a bit curious I guess. :flutter:

You're welcome. It was a pleasure reading and sharing. I really liking hearing about how records come together. Especially from some of my favorite artists like Lana

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Her best album :defeated:

I've just listened to it this morning for the first time in a long while, and bitch scalped my entire pubic hair :defeated:

 

My holy trinity:

-West Coast :defeated: :defeated: :defeated:

-Pretty When You Cry (underrated af tbh) :defeated: :defeated:

-Brooklyn Baby :defeated:

 

Honorable mentions: Flipside, Black Beauty, Old Money, Florida Kilos.

 

All in all, the whole album SLAYS. A timeless masterpiece.

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Blake Stranathan, Lana’s Del Rey guitarist sharing some of the co-writing process of Ultraviolence with Lana in 2014 for strymon

 

Can you share what the co-writing process was like with Lana Del Rey on the new album Ultraviolence?

It was probably the best experience of my life so far. I was in New York visiting family, and Lana invited me down to Electric Lady Studios, which was always a dream of mine being a Hendrix nut. It was surreal being and working there. We wound up being there for 8 or 9 days with basically the entire place to ourselves. I had played guitar on a couple tracks that were pretty much finished, but one morning I came to the studio super early just to work out some tones and play in that amazing live room. As I was coming up with some progressions, Lana walked in and we came up with “Pretty When You Cry” on the spot. It was recorded through a Neve 8078 which just sounded unreal. None of it was planned which certainly added to the vibe. The same happened with “Cruel World”. I was actually watching a video of the ‘BigSky’ on my computer and showed it to her. She said, “Fuck! That sounds amazing. We need that.” (Laughs) So a couple of hours later, a runner went out and grabbed one. On the last day while Phil Joly, the engineer, was bouncing down a couple sessions, and she asked me if I wanted to play around with the new pedal in the live room. I played maybe a few chords and we immediately started writing ‘Cruel World’. We recorded it just guitar and vocal in one take, and then Dan Auerbach went on to produce the song not long after. Everything about the recording and writing process was super organic, plus the energy in that studio is very powerful. I came up with the guitars for ‘Flipside‘ at home in Los Angeles using the BigSky as well. I made a quick video clip and sent it to her phone. We wound up writing the song a couple days later at her house, and then recorded it at a studio later that night. Strymon definitely played a big role in shaping the sound of the record.

https://www.strymon.net/pedalboard-feature-blake-stranathan/

She's a true artist! I love ha


tumblr_n9t9baKLaK1sj5r1lo1_500.gif

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Happy Birthday UV! This album speaks to my soul!

 

Songs that embody me: Brooklyn Baby, Ultraviolence, Old Money, Shades of Blue.

Shades of Cool, sis !

I totally forgot about that song :defeated: Definitely in my top 5 !

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This album changed my life, whew. It had such an impact when it came out, I was in the perfect (or worst?) head space for this album, every song just hit me like a brick wall and scalped me. I loved BTD, played every song on it to death, it was still fresh in my mind (I got into Lana in late 2012, early 2013 post Paradise), and I expected similar sounds with UV, but I wasn't ready. God bless Dan Auerbach for transforming this record ultimately. So much crying, so much replaying of every single song, so much swaying around in my bed room, at one point I was just like on the floor. I'm getting emotional thinking back to that day.

 

:defeated:

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I feel so stupid. I just realized what she means with "and if you don't like it, you can beat it". I thought she literally meant that he should go ahead and hit her/something if he's mad, but she means that if he's not liking what she gives him, he can just go and jack off, right? :toofunny: It took me four years to get that.  :toofunny:

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