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I LOVE SWAN SONG!

It's creepy how much you obsess over Lana. I hope Lana never comes here and sees your posts, she's had to deal with obsessive fans too much as it is

No proof whatsoever
 

The album is great, but calm yourself.

The ethereal, gorgeously woozy title track "Honeymoon" leads us on a 65-minute blissfully opulent adventure. Del Rey's powerful yet subtle vocals make a seamless transition to the drastically different "Music To Watch Boys To", which starts with beautiful acapella singing and leads us into the pretty, yet disastrous life of a beautiful, man-loving woman. From there, we're introduced to the hypnotic, jazzy, and tragic "Terrence Loves You", which is a throw-back to 2012's "Blue Jeans", a mournful tale of loss and remembrance. "God Knows I Tried" paints a messy but subtly romantic portrait of a depressed socialite, with stellar vocals and unique instrumentals. The trap-beats on "High by the Beach" promise hours of radio play and closes with the powerful "Everyone can start again, not through love, but through revenge." "Freak" is a throwback to hit "Ride", a unique tale of Californian glamor with a loved guy. The most differing track, the unforgettable "Art Deco", documents the life of an empty party girl through impeccable trip-hop beats. "Religion" is a beautifully written, darkly romantic track, with powerful vocals, which melts perfectly into the dreamy, brilliant, operatic "Salvatore". "The Blackest Day" beguiles the listener with melodic tales of blue nail polish, firearms and vehicles, all into a 6-minute song that is tragic, soft, and strong all at once. "24" shows off her vocal abilities with subdued instrumentals for a Bond-song feeling. My personal favorite, "Swan Song", is thematically similar to "Freak", but at the opposite end at the spectrum vocally and instrumentally, with a similarly operatic feel as in "Salvatore", with significantly less mention of frozen treats. With the line "I will never sing again", she strikes fear into the hearts of her fans; however, the songstress has confirmed that she will in fact keep singing, meaning this is a beautiful metaphor for her infatuation with a man. "Don't Let Me Be Misunderstood" is a great cover of the classic Nina Simone, and a perfect way to close the masterpiece.

I LOVE SWAN SONG!

^ ugly outfits, makeup on point

I LOVE SWAN SONG!

The ethereal, gorgeously woozy title track "Honeymoon" leads us on a 65-minute blissfully opulent adventure. Del Rey's powerful yet subtle vocals make a seamless transition to the drastically different "Music To Watch Boys To", which starts with beautiful acapella singing and leads us into the pretty, yet disastrous life of a beautiful, man-loving woman. From there, we're introduced to the hypnotic, jazzy, and tragic "Terrence Loves You", which is a throw-back to 2012's "Blue Jeans", a mournful tale of loss and remembrance. "God Knows I Tried" paints a messy but subtly romantic portrait of a depressed socialite, with stellar vocals and unique instrumentals. The trap-beats on "High by the Beach" promise hours of radio play and closes with the powerful "Everyone can start again, not through love, but through revenge." "Freak" is a throwback to hit "Ride", a unique tale of Californian glamor with a loved guy. The most differing track, the unforgettable "Art Deco", documents the life of an empty party girl through impeccable trip-hop beats. "Religion" is a beautifully written, darkly romantic track, with powerful vocals, which melts perfectly into the dreamy, brilliant, operatic "Salvatore". "The Blackest Day" beguiles the listener with melodic tales of blue nail polish, firearms and vehicles, all into a 6-minute song that is tragic, soft, and strong all at once. "24" shows off her vocal abilities with subdued instrumentals for a Bond-song feeling. My personal favorite, "Swan Song", is thematically similar to "Freak", but at the opposite end at the spectrum vocally and instrumentally, with a similarly operatic feel as in "Salvatore", with significantly less mention of frozen treats. With the line "I will never sing again", she strikes fear into the hearts of her fans; however, the songstress has confirmed that she will in fact keep singing, meaning this is a beautiful metaphor for her infatuation with a man. "Don't Let Me Be Misunderstood" is a great cover of the classic Nina Simone, and a perfect way to close the masterpiece.

The ethereal, gorgeously woozy title track "Honeymoon" leads us on a 65-minute blissfully opulent adventure. Del Rey's powerful yet subtle vocals make a seamless transition to the drastically different "Music To Watch Boys To", which starts with beautiful acapella singing and leads us into the pretty, yet disastrous life of a beautiful, man-loving woman. From there, we're introduced to the hypnotic, jazzy, and tragic "Terrence Loves You", which is a throw-back to 2012's "Blue Jeans", a mournful tale of loss and remembrance. "God Knows I Tried" paints a messy but subtly romantic portrait of a depressed socialite, with stellar vocals and unique instrumentals. The trap-beats on "High by the Beach" promise hours of radio play and closes with the powerful "Everyone can start again, not through love, but through revenge." "Freak" is a throwback to hit "Ride", a unique tale of Californian glamor with a loved guy. The most differing track, the unforgettable "Art Deco", documents the life of an empty party girl through impeccable trip-hop beats. "Religion" is a beautifully written, darkly romantic track, with powerful vocals, which melts perfectly into the dreamy, brilliant, operatic "Salvatore". "The Blackest Day" beguiles the listener with melodic tales of blue nail polish, firearms and vehicles, all into a 6-minute song that is tragic, soft, and strong all at once. "24" shows off her vocal abilities with subdued instrumentals for a Bond-song feeling. My personal favorite, "Swan Song", is thematically similar to "Freak", but at the opposite end at the spectrum vocally and instrumentally, with a similarly operatic feel as in "Salvatore", with significantly less mention of frozen treats. With the line "I will never sing again", she strikes fear into the hearts of her fans; however, the songstress has confirmed that she will in fact keep singing, meaning this is a beautiful metaphor for her infatuation with a man. "Don't Let Me Be Misunderstood" is a great cover of the classic Nina Simone, and a perfect way to close the masterpiece.

mmm no.

I want songs like Sad Girl, For K Part 2 beauties

I LOVE SWAN SONG!

Oh, here's another one...
 
"Hot summer nights, Michelin..."
 

Listen to Brite Lites when you are hungry and you get this:
 
I gave you everything
I gave you everything
 
Give me the fried rice
Give me the fried rice
Give me the fried rice

I always thought it was "crying tears of gold while you grab my neck". I honestly refuse to hear anything else because my version is cooler.
 
 

 
Lana so horny; Lana love you long time...

Could the cult leader be Tony Robbins? I saw this Miss Daytona tweet and looked into him and apparently his Wikipedia page seems like what Lana said about him, plus she calls him sexy... I don't know if it fits into the timeline but it seems plausible to me?

One of my favorite LDR songs. I love the whole southern California feel of it. You almost think that Lana is some re-incarnated 1960s starlet who drowned in a swimming pool while smoking Parliaments.

what a fascinating thread
 
Flipside - delusion almost, her lover leaves and she thinks he's gonna gravitate back to her as per usual
The Blackest Day - she begins lamenting over the loss of her lover, consciously realizing he's gone
Hawaiian Tropic - acceptance, she's much more free given that her lover has left her and all of the bars from her relationship have been lifted

AKA > everything, period.

I like TBD but I agree it's overrated

In my eyes I think it is Pawn Shop Blues for writing skills--but I still stand by Ultraviolence as being magnum opus under the definition.

I'd have to say Ultraviolence, though it is not my personal favorite--that was when the critics REALLY loved her. I mean, they liked Video Games but mocked it as being overly indie, and BTD, same. But Ultraviolence, people recognized her raw talent, past the "indie" or whatever impression they had.

Yeah, I don't get why people seem to hate the single Honeymoon...love it.

FuckedMyWayUpToTheTop.mp3