WitchHazel

me running to the store on friday
 

true tho

This thread is such a mess but I don't want it to be deleted so that we can reach 1000 pages.

This thread is such a mess but I don't want it to be deleted so that we can reach 1000 pages.

This thread is such a mess but I don't want it to be deleted so that we can reach 1000 pages.

This thread is such a mess but I don't want it to be deleted so that we can reach 1000 pages.

This thread is such a mess but I don't want it to be deleted so that we can reach 1000 pages.

You could almost hear Ben holding a gun to Stryker's head
"Ask her about the release date I DARE you"

quick lil edit i made

I want them to kiss sooo bad 

I want them to kiss sooo bad 

I want them to kiss sooo bad 

I hope there's some deep, dark, poetic dialogue from both of them in the video.

THE VIDEO IS GONNA ME ICONIC

Lana: MV coming soon children =]
Me:

it is 1:34 am, i was minding my own fucking business playing the sims 3 and i was snatched BALD

completely off topic but every lyric in gods and monsters is fucking iconic 

http://i1380.photobucket.com/albums/ah174/Wayamaya/Lana%20Del%20Rey/B1BD2536-0EF6-4FA5-98B9-B6DB90ABED59_zpsabkarezg.jpg
 
On her note she captialized "Real Time" ---- possible song title

i cant wait for page 1000

I'm living in a country that doesn't sell any single vinyl because music is forbidden due to the religion rules of my country
I swear i'm not joking this shit is real.. and imagine.. i order the stuff from american online stores.. then i send them to my home address and it takes more than 2 or even 3 weeks.. this shit is so hard but worth it 
 
and yeah by the way lana is not allowed to go to my country.. or any female singer
stanning her is so hard i know but nvm i love her 

This is in part a Lust for Life theory, but really it's a holistic theory explaining the Lana Del Rey character (not necessarily Elizabeth Grant, but the persona of Lana Del Rey). 
 
In "Born to Die", we're introduced through the title track to what Lana described as Lana being the "Lonely Queen". A woman who sits above in the heavenly realm in a beautiful mansion, mourning her beloved. It appears that she is in heaven, and herself dead, so perhaps Lana was once a human being. 
 
In "Radio", she sings "Their heavy words can't bring me down, boy I've been raised from the dead"
Lana is singing about her ascendence to this heavenly realm. She is still here, but she now has control of her existence on earth and her destiny (as well as the destiny of others). 
 
Onto Paradise
With her immortality and her ability to tap into the hearts and minds of a generation, Lana begins to create a world of her own Utopian imagination: she calls it "Paradise". Inspired by the Hollywood Hills and Bel Air and the beauty that she immerses herself in in daily life, she paints of picture of this paradise for us. 
 
"Body Electric" describes the heavenly connections she has made since her death. She surrounds herself with the minds of Elvis, Marilyn Monroe, and Jesus. In a sense, once transcending, they are all one, and she wants us to join her. 
 
Ultraviolence
As with many pieces of media about immortality, there comes a stage of grieving for the eternity that one must live alone. Ultraviolence details the gritty details of watching those she loves fall to death and not end up in the same position as herself, and watching the world unfold around her with no sense of permanence except in herself .
 
 
Honeymoooooon
This is where Lana really transcends humanity. "Honeymoon" is a picture of her life, her mindset, and her heart hundreds of years after being reborn. She's become more inquisitive, hyper-intelligent, and through her increasing understanding of humanity, somehow elevated above. "Music to Watch Boys To" is about her sitting in her own private paradise (which in LfL becomes multiple places in the Hollywood sign and the Moon), watching people and just introspecting. "High by the Beach" is about how she becomes afraid of coming down to earth because of suspicions about her, so she takes matters into her own hands. This is the first time she's ever killed anyone, but she knows what would happen if she got caught. But she can't let Hollywood go just yet. 
 
And now, Lust for Life
Lust for Life starts with Love, a song in which Lana brings multiple young people living in the future (but with a retro aesthetic) onto the moon with her, where she currently resides (after the events of Honeymoon). She's rekindled her human spirit, her love for man, and wants to create the Paradise she always dreamed of in the beginning. That's why she sits within the Hollywood sign, using her abilities to send love down to humanity, or projecting herself from space as a hologram just to take in the world, and the city, she loves so much. 
 
The future
Lana will live forever and continue to produce albums for all eternity. 

Hi everyone lol i just made this account since i kept checking this forum daily!! My opinion on this album (or at least on the tracks that had been released): i want to like them but i just can't and i hate the direction this album is taking. I mean i love the fact that she seems to be in a happier place now but i prefer her sad/ dark side. Maybe because i can relate to it way more (unfortunately). Don't get me wrong i like Love and LFL is a nice song but that's it. when the holy bible aka Ultraviolence came out I immediately felt in love with it because it's so fucking raw and i love its psychedelic/ rock vibe (i actually love it so much i'm gonna get it tattooed soon). So.. that being said i really hope BAR makes it to the album as it has that Ultraviolence vibe to it and i love it lyric-wise way more than every song on LFL until now.

bradley is ugly i hope he rots in hell

i simultaneously dont believe its coming tomorrow and strongly want it to come tomorrow