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Madrigal liked a post in a topic by glitch diva in LIZ Y2K
can someone send me cross your heart?
omg whole new world im
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Madrigal liked a post in a topic by folklore in LIZ Y2K
... this isn't a leak lmao its been on YT since 2016
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Madrigal liked a post in a topic by Masochism in Kim Petras
here to say that dark part of your heart is her BEST song
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Madrigal liked a post in a topic by KillForLove in SZA
I feel like she’s just gonna say she wanted to detox from social media in 2019 and us ending up with nothing
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Madrigal liked a post in a topic by KillForLove in SOPHIE
For someone who has little-to-no label restrictions its pretty much impossible to get anything she’s worked on actually released.
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YUNGATA liked a post in a topic by Madrigal in SOPHIE
Not if you count Cecile, who did most of the vocals and is credited on a writer on six of the nine tracks.
Just to be clear: I am very excited for SOPHIE and I hope she wins.
At the same time, I think she's very susceptible to what critics think, and am worried (as a fan) that winning might make her even more perfectionistic and picky about what she releases or puts her name on. It's not hard to work with her, but it seems like it's near-fucking-impossible to get her okay to release a track once it's finished.
I have a theory that part of why more of the Charli collabs (including Taxi) didn't come out has something to do with Pitchfork's totally unfair review of Vroom Vroom. SOPHIE likes to put on like she doesn't care what people think, but I definitely think she listens to and cares about critics' opinions.
I also think Cecile was a significant contributor to the record, and though she's not credited (which might be unfair, though that's neither here nor there), she was obviously a HUGE part of the album and deserves the win and attention as much as SOPHIE does.
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colacoven liked a post in a topic by Madrigal in Ayesha Erotica
It might be worth asking Crapface about! Maybe he'd even be willing to release it!
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Diet Mountain Dew liked a post in a topic by Madrigal in Ayesha Erotica
It might be worth asking Crapface about! Maybe he'd even be willing to release it!
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Madrigal liked a post in a topic by That Kid in Ayesha Erotica
it's kind of a long story about how regina george came together but it's not anna nicole. also thank you! that really means a lot <333
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Madrigal liked a post in a topic by canela in Ayesha Erotica
I literally offered to buy this song from her bc it matched my artist name a few months ago and she said no bc it was sentimental & about a friend who was in jail i-
the fact that someone whos extremely vocally talentless will be singing it instead i - am SEVERELY bitter
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Madrigal liked a post in a topic by LonelyHeart in SOPHIE
She said she would be releasing an album WITHIN one year since Ooepui was released
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Madrigal liked a post in a topic by melpomene in SOPHIE
why are you all saying she will drop something
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Madrigal liked a post in a topic by KillForLove in Tinashe
If possible could you send me a zip of all the recent links? It's been impossible keeping up with them
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Madrigal liked a post in a topic by DominicMars in Tinashe
I've been compiling some leaked song info - quite tedious. bunch of leaks the last couple months
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Madrigal liked a post in a topic by millimillenary in SOPHIE
im sure they could, but as far as im aware its usually been the artist doing it themselves
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Madrigal liked a post in a topic by millimillenary in SOPHIE
are yall aware that u have to submit your work to be nominated, so its obvious that she wants to be recognized for the album
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Madrigal liked a post in a topic by Veinsineon in SOPHIE
I have no doubt that she honestly doesn't care about the grammys
Look them up, they're so entirely different (and honestly better) than the originals.
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Vulnicura liked a post in a topic by Madrigal in Hannah Diamond
What do you mean, "flopped?" It's a single by a netlabel without a distribution deal, it got as much press as all her other releases...it didn't flop. She's not an artist who's trying to chart, or she would have definitely signed to a larger label by know.
Her music and artistry aren't focused on mainstream commercial appeal, so I don't think she'd put an old single on there just for streaming numbers. She would put it on there if she thought it was part of a cohesive whole, which is what I think she's trying to accomplish with this project.
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SparkleJumpropeNoose liked a post in a topic by Madrigal in SOPHIE
I mean if they include some of the ones she's teased at live shows, they might be actually....really cool. I think I'm more excited for these than the original nine tracks, she is the first to admit that she benefits from working with other people.
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jetski liked a post in a topic by Madrigal in SOPHIE
I mean if they include some of the ones she's teased at live shows, they might be actually....really cool. I think I'm more excited for these than the original nine tracks, she is the first to admit that she benefits from working with other people.
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Hundred Dollar Bill liked a post in a topic by Madrigal in SOPHIE
Not if you count Cecile, who did most of the vocals and is credited on a writer on six of the nine tracks.
Just to be clear: I am very excited for SOPHIE and I hope she wins.
At the same time, I think she's very susceptible to what critics think, and am worried (as a fan) that winning might make her even more perfectionistic and picky about what she releases or puts her name on. It's not hard to work with her, but it seems like it's near-fucking-impossible to get her okay to release a track once it's finished.
I have a theory that part of why more of the Charli collabs (including Taxi) didn't come out has something to do with Pitchfork's totally unfair review of Vroom Vroom. SOPHIE likes to put on like she doesn't care what people think, but I definitely think she listens to and cares about critics' opinions.
I also think Cecile was a significant contributor to the record, and though she's not credited (which might be unfair, though that's neither here nor there), she was obviously a HUGE part of the album and deserves the win and attention as much as SOPHIE does.
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Party4U liked a post in a topic by Madrigal in SOPHIE
Yeah but that’s not how Grammys work, everyone involved with a song or project gets nominated & wins. But yes, SOPHIE is definitely the first trans woman to receive a solo nomination as the lead artist on a project. -
venicebitch liked a post in a topic by Madrigal in SOPHIE
Not if you count Cecile, who did most of the vocals and is credited on a writer on six of the nine tracks.
Just to be clear: I am very excited for SOPHIE and I hope she wins.
At the same time, I think she's very susceptible to what critics think, and am worried (as a fan) that winning might make her even more perfectionistic and picky about what she releases or puts her name on. It's not hard to work with her, but it seems like it's near-fucking-impossible to get her okay to release a track once it's finished.
I have a theory that part of why more of the Charli collabs (including Taxi) didn't come out has something to do with Pitchfork's totally unfair review of Vroom Vroom. SOPHIE likes to put on like she doesn't care what people think, but I definitely think she listens to and cares about critics' opinions.
I also think Cecile was a significant contributor to the record, and though she's not credited (which might be unfair, though that's neither here nor there), she was obviously a HUGE part of the album and deserves the win and attention as much as SOPHIE does.
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burn rubber liked a post in a topic by Madrigal in SOPHIE
Not if you count Cecile, who did most of the vocals and is credited on a writer on six of the nine tracks.
Just to be clear: I am very excited for SOPHIE and I hope she wins.
At the same time, I think she's very susceptible to what critics think, and am worried (as a fan) that winning might make her even more perfectionistic and picky about what she releases or puts her name on. It's not hard to work with her, but it seems like it's near-fucking-impossible to get her okay to release a track once it's finished.
I have a theory that part of why more of the Charli collabs (including Taxi) didn't come out has something to do with Pitchfork's totally unfair review of Vroom Vroom. SOPHIE likes to put on like she doesn't care what people think, but I definitely think she listens to and cares about critics' opinions.
I also think Cecile was a significant contributor to the record, and though she's not credited (which might be unfair, though that's neither here nor there), she was obviously a HUGE part of the album and deserves the win and attention as much as SOPHIE does.