Prettywhenyoudye

Since shes working with Mike Dean, I’m expecting a song about getting high like the Body Electric bridge and High by the Beach, without it being about men. 
 
“Mary swaying softly to a heart’s delight” is one of her best

Mike Dean needs to take away our pain ASAP

God she looks good.

~Welcome to Deluluboards how may we help you~

so rock candy sweet is loved you then and now which is dealer which is on blue banisters which was called rock candy sweet which is a lyric from loved you then now which is dealer 

Is it too much to ask for another Freak? I've been obsessed with that one specifically all day long  we could slow dance to rock music...

I started this when we thought Rock Candy Sweet was still the album title, but thought I’d finish it to reflect Blue Banisters lol. I had something different for Lana in mind when doing this! Kind of Travis Scott-inspired. 

i love you stargirl pinky 

That's what I'm hoping. I think we've seen what we will get as far as Lana x Jack and at this point it's going to get tired and overdone if they keep on. they need to let it be where it is at now and be done with it. she should move on to another producer (Mike) and let's have the party dress again

i love you stargirl pinky 

i love you stargirl pinky 

i love you stargirl pinky 

I eat a lot of spinach and asparagus. 
And drink lotsa beer. 
 
But the veggies are very important. 

Don’t forget Icelandic yogurt. I love Icelandic yogurt. 
 
But thank u doll. 

You should express your buried thoughts more often because man, when you do... I completely agree. These records are extensions of her identity. It always feels like a bit of a hit to the soul when they’re dismissed the way they can be, like you said. 

So I’ve been thinking this for a little while and quite honestly hesitated saying anything until tonight. Negating her previous records’ artistic success is, IMHO, blasphemy because her sonic direction, desires, and delivery (triple DD if you will ) represents who she is - perhaps who she was at the time. I really do believe her intrinsic identity embedded to her records is representative of what she went through, what she thought, what she felt, what she experienced at the time. And dismissing the production because of the simplicity and the instrumental purity of basic, melodic layering simply because the people can’t bop their b(p)ussies to it is, to me, ultimately sad. We seem to forget she has the ultimate say in her releases and, therefore, things sound the way they sound because she wanted it that way. Sure, she might challenge her producer(s) to do something outside of their customs or their conventions. But those projects were ultimately disseminated to the masses...under her direction. And I believe the same will be true of her upcoming albums - but it’s futile to dismiss the legitimacy and the value of her work because you can’t twerk to it. If that’s not your style move on...but I seem to somehow always find a way to relate to it. Perhaps because we’re ~somewhat~ similar in age. But I rest in the fact that her lyricism stays true to herself. I find a lot of calm in this. Excuse my rant...it’s not very often I express my buried thoughts. 

mike taking the lead.. synths.. strings.. classic bombastic sound........my legs are quite literally shaking and my uterus is aching oh my god I'm actually so READY 

this whole time we thought she's been sleeping but she's been putting in WERK

Mike mentioned Jeff Bhasker being his link of familiarity to Lana. Jeff worked on Diet Mountain Dew, National Anthem, Carmen, and Wait for Life (so he’s probably a frequent collaborator with Emile Haynie).
 
That, paired with him staying true to her “classical” sound, makes me think this will be as bombastic as BTD. Based on BoZ’s comments, the title track could be the Video Games of the album....
 
This album coming out by/before January 2022 would be PERFECT as the BTD era started around this time 10 years ago. I really think we’ll see an updated version of Lana’s take on a classical cinematic sound accompanied by heavy, old-skool hip-hop beats. 

I know that Lana finished mixing UV in March 2014 so she was able to release it in June 2014. Mike makes it seem like they’re not quite at that stage yet, but probably are close to it, as the era is allegedly starting next week and she’s said before that she doesn’t put out a single unless she knows what the whole album will sound like. I think before the end of this year we’ll hear it, though!

and now we wait patiently for the lead single & pre-order...
 

bcs he knows lana is unpredictable 

lana scrapping it 

mike's really on her upcoming project that i refuse to christen... i'm so thrilled 

or an UV type situation where dan kinda swooped in and revamped it!! to my memory i have a bad memory... but anyways i could totally see the foundations of the album being jack/zach but mike kind of reworking/twisting it

I love the crackhead energy of not knowing when it is coming, clearly its not this summer