IanadeIrey

The bridge lyrics are some of my favourite of hers for exactly the reasons you described here <3 National Anthem is one of her best songs ever

All the speculation about Fine China being on the next album makes me think of Dan Auerbach’s alleged version of the song. Production-wise, I imagine it to sound like The Other Woman, with those surging saxophones and choral mellotrons. I’d love to hear it some day

Queen of summer — June is truly her month I love her dress!

Off topic but omg I love her dress and hair - she is glowing

New York, Portofino, London, and Los Angeles…when Lana travels around during the making of a record, you know something’s really cooking 🍳 🤍

Thank you!! <3 I hope so too, it’s such a classy touch.

Lyrically and thematically, I hope this album links to Behind the Iron Gates and Patent Leather Do-Over (the same way NFR links to Violet), so here’s something foggy, serene, and Sylvia-inspired —

Top right giving Del Norte County/W Mag/Fine China

8 years of greatness 🖤

8 years of a legendary album. Everything about Ultraviolence is perfect, there is truly nothing quite like it and I can’t even put into words how much it means to me. Her best <3

Arcadia is so underrated, I can’t believe how overlooked it is by so many listeners. When I first heard it, I couldn’t believe she did that. The lyrics are some of the best she’s written (that chorus is everything), her vocals are stunning, and the production is just gorgeous. I admire the way she’s able to weave so many different facets of her life—relationships, fame, and personal growth—into individual songs, and this one is just exemplary of that. It’s probably my favourite on Blue Banisters

Grunge and shoegaze, for sure

Petals by Hole - just so, so good

I feel like this album is going to be Blue Banisters meets Violet, and I am so ready for it! I’m always inclined to want her to dig deeper, rather than go bigger.

Honeymoon

I thought about what Lana said about sending Drew her voice memos and having him chart music over it, and it reminded me of how Violet’s tracks are her voice memos too. The Land of 1000 Fires with its cinematic instrumental and low-fi vocal treatment really makes for an interesting sonic atmosphere, so I’d love for this record to be in the vein of Violet. It would be such an experimental, cinematic, avant garde, psychjazz masterpiece

It’s true, I am one! Mermaid Motel, French Restaurant, and Cruel World (Reprise) on LDR9 confirmed!

Yes, Rob! Give us that impressionistic, surrealist, Lynchian, jazz-piano production! His work on Sweet Carolina is so reminiscent of Debussy, and that paired with Lana’s comments about the album being conversational really make me think of LA Who Am I to Love You and its background music. I think there’s going to be a lot of dissonance in this record, chordally. I’m excited.

So excited for our collab on it <3

Loving the hair and sunkissed glow!

Kevin Abstract from Brockhampton loved Venice Bitch so much that he sought out Jack Antonoff to produce an entire record that sounded like it. It was released four months before NFR!

Realistically, I think maybe a single could be released sometime within the next 4 months, maybe around the end of summer, and then the record to follow at most 5 months after that. The last 4 releases with the exception of NFR all had five months between the first single and the album’s release - Blue Banisters (May—October) Chemtrails (October—March) LFL (February—July)

Is the mouth Miles Kane?

This is such a good thread idea lol I can’t wait for the next one!