Trinity

I think Brooklyn Baby would be a great choice for a single. It's light and airy, it has the whole image/vibe that she is going for now (reasons why I don't see MPG being a single), it's one of the most radio friendly songs, and (imo) it's one of the strongest songs all around on Ultraviolence. 
 
It would get attention from people who understand the sardonic tone in addition to those who truly think it's a hipster anthem inadvertently. 

Somehow, the thought of Lana on Ellen makes me laugh in an uneasy way, I can't picture them together

That's what radio edits are for. For example, Madonna released Frozen which is about 6 minutes long in 1998. The radio edit is 4-5 minutes long and the song became a hit, nevertheless. Justin Timberlakes song, "Mirrors" is also 6 minutes long and the radio edit is 3-4 minutes long. Again, the song was a radio smash.
 
I wouldn't mind a radio edit for BrB. It's for the GP and promo after all. I'm not sure if Old Money would work as a single, though. I mean it's kind of like Video Games but I'm not sure if radio stations are willing to play it, because it's not as "sing-along" as Video Games.

Oh well, here's hope that Brooklyn Baby will be the third single, because this song won't do shit. Sorry, Lana.

YAWN. this better have a cool video, at least. something to give us insight into her supposed cult years? i just really wish she wasn't releasing this song cos of "he hit me and it felt like a kiss." i'm anticipating some backlash. 
 
but really, it should have been brooklyn baby, sad girl, or money power glory. ugh.

Sounds like every other one of her singles

It's okay I was right there with you for a moment... 
 
Good thing we're pretty huh, @@Trinity? 

oh yeah lol didn't think that one through

What kind of handwriting is that

I still prefer BTD over UV and always will. It's a hands down choice for me.

I still prefer BTD over UV and always will. It's a hands down choice for me.

After spending two hours of reading everyone else's special moments, I'd like to post some of mine. Here comes wasting another two hours writing this response. I'm going to organize them by album!

Sirens

LDRAKALG
In (one of my favorite Lana songs ever) Oh Say Can You See there are a ton of moments. The little guitar picking at the beginning and in between lines at 0:11 and 1:40, the at the and I wi-ul at 2:10, and the send you to Mars high note at 3:07. The breath at the end of Mermaid Motel, 3:28. Of course the dark night line in Yayo, 4:03. The crescendo in For K Part 2 at 1:07 and then I like the way you wear your sweater off your shouuuulder.
Born to Die
Off to the Races obviously is just one big moment for me since it is my favorite song in the world but there's two parts that stick out to me... First the whole "glass room, perfume, cognac, lilac fuuuumes" line because she uses so many mellifluous words one after another it's just a lyric-gasm. Then right before 3:30 there's a little quiet part and then the bass just starts jumping and it aligns perfectly with "you're lying with your gold chain on" <3 <3 <3 The first few words of Radio on the album version and in the demo when the flute comes in with the *doodle-doodle-dooooo* noise like at 2:40. In Million Dollar Man live (especially at Hackney) when she literally wails like "one for the moneyyuuuhh, woauuhuhuhahh!!!!" The last chorus of Blue Jeans when it builds up after the bridge and drops at 2:55. It's like a cannonball of cinematic perfection. The entire Diet Mountain Dew demo is amazing but the "I dunno why but I liiiike it" line at 1:48.
Paradise
Not exactly musical but during the Ride monologue when she does a short little breath before "I was always an usual girl". In Gods & Monsters how the drums and guitar just break down when she sings "Motel, sprees, sprees" at 1:06.
Ultraviolence
The whole tempo change in West Coast gets me every time. It's genius. The "ba-da-da-da-da-babay"s and "yeauhhhss" at the end of Brooklyn Baby. I don't even like Guns & Roses that much but the haunting "ro-oohuh-ooses" part at 3:40 gives me shivers. I'll listen to the whole song just to hear that. "And all my girlfriends!" in Florida Kilos just because you can hear the smile on her face. The Lizzy Grant-esque background "yeah" in Fucked My Way Up to the Top at 1:04.
Unreleased
In my fave unreleased Gangsta Boy there are a couple key moments. Of course there's the spine chilling yet adorable "my gangsta booOOOYYY-ooh-ooh-oohuh-ahhh!" in the beginning. Then at 1:21 when the backing vocals come in and she sings, "like ya leather and ya long hair, hunnay, hunnay", not sure why but it's always been an awesome moment for me. The repetitive "like"s in My Best Days and the boppy breakdown at the end. The "woah-oh-oh" part in Last Girl on Earth when she goes higher at 2:20. In Television Heaven the haunting backing vocals over and after the bridge followed by a cute lil laugh. In Hawaiian Tropic that heavenly vocal overlay with the chorus and "I remember party dresses" at 3:21. The moan in Serial Killer along with those quick "ha-ha-ha-ha-has!" "You turn my mood from black to blue-oOoOooh" in the Hundred Dollar Bill demo.

After spending two hours of reading everyone else's special moments, I'd like to post some of mine. Here comes wasting another two hours writing this response. I'm going to organize them by album!

Sirens

LDRAKALG
In (one of my favorite Lana songs ever) Oh Say Can You See there are a ton of moments. The little guitar picking at the beginning and in between lines at 0:11 and 1:40, the at the and I wi-ul at 2:10, and the send you to Mars high note at 3:07. The breath at the end of Mermaid Motel, 3:28. Of course the dark night line in Yayo, 4:03. The crescendo in For K Part 2 at 1:07 and then I like the way you wear your sweater off your shouuuulder.
Born to Die
Off to the Races obviously is just one big moment for me since it is my favorite song in the world but there's two parts that stick out to me... First the whole "glass room, perfume, cognac, lilac fuuuumes" line because she uses so many mellifluous words one after another it's just a lyric-gasm. Then right before 3:30 there's a little quiet part and then the bass just starts jumping and it aligns perfectly with "you're lying with your gold chain on" <3 <3 <3 The first few words of Radio on the album version and in the demo when the flute comes in with the *doodle-doodle-dooooo* noise like at 2:40. In Million Dollar Man live (especially at Hackney) when she literally wails like "one for the moneyyuuuhh, woauuhuhuhahh!!!!" The last chorus of Blue Jeans when it builds up after the bridge and drops at 2:55. It's like a cannonball of cinematic perfection. The entire Diet Mountain Dew demo is amazing but the "I dunno why but I liiiike it" line at 1:48.
Paradise
Not exactly musical but during the Ride monologue when she does a short little breath before "I was always an usual girl". In Gods & Monsters how the drums and guitar just break down when she sings "Motel, sprees, sprees" at 1:06.
Ultraviolence
The whole tempo change in West Coast gets me every time. It's genius. The "ba-da-da-da-da-babay"s and "yeauhhhss" at the end of Brooklyn Baby. I don't even like Guns & Roses that much but the haunting "ro-oohuh-ooses" part at 3:40 gives me shivers. I'll listen to the whole song just to hear that. "And all my girlfriends!" in Florida Kilos just because you can hear the smile on her face. The Lizzy Grant-esque background "yeah" in Fucked My Way Up to the Top at 1:04.
Unreleased
In my fave unreleased Gangsta Boy there are a couple key moments. Of course there's the spine chilling yet adorable "my gangsta booOOOYYY-ooh-ooh-oohuh-ahhh!" in the beginning. Then at 1:21 when the backing vocals come in and she sings, "like ya leather and ya long hair, hunnay, hunnay", not sure why but it's always been an awesome moment for me. The repetitive "like"s in My Best Days and the boppy breakdown at the end. The "woah-oh-oh" part in Last Girl on Earth when she goes higher at 2:20. In Television Heaven the haunting backing vocals over and after the bridge followed by a cute lil laugh. In Hawaiian Tropic that heavenly vocal overlay with the chorus and "I remember party dresses" at 3:21. The moan in Serial Killer along with those quick "ha-ha-ha-ha-has!" "You turn my mood from black to blue-oOoOooh" in the Hundred Dollar Bill demo.

After spending two hours of reading everyone else's special moments, I'd like to post some of mine. Here comes wasting another two hours writing this response. I'm going to organize them by album!

Sirens

LDRAKALG
In (one of my favorite Lana songs ever) Oh Say Can You See there are a ton of moments. The little guitar picking at the beginning and in between lines at 0:11 and 1:40, the at the and I wi-ul at 2:10, and the send you to Mars high note at 3:07. The breath at the end of Mermaid Motel, 3:28. Of course the dark night line in Yayo, 4:03. The crescendo in For K Part 2 at 1:07 and then I like the way you wear your sweater off your shouuuulder.
Born to Die
Off to the Races obviously is just one big moment for me since it is my favorite song in the world but there's two parts that stick out to me... First the whole "glass room, perfume, cognac, lilac fuuuumes" line because she uses so many mellifluous words one after another it's just a lyric-gasm. Then right before 3:30 there's a little quiet part and then the bass just starts jumping and it aligns perfectly with "you're lying with your gold chain on" <3 <3 <3 The first few words of Radio on the album version and in the demo when the flute comes in with the *doodle-doodle-dooooo* noise like at 2:40. In Million Dollar Man live (especially at Hackney) when she literally wails like "one for the moneyyuuuhh, woauuhuhuhahh!!!!" The last chorus of Blue Jeans when it builds up after the bridge and drops at 2:55. It's like a cannonball of cinematic perfection. The entire Diet Mountain Dew demo is amazing but the "I dunno why but I liiiike it" line at 1:48.
Paradise
Not exactly musical but during the Ride monologue when she does a short little breath before "I was always an usual girl". In Gods & Monsters how the drums and guitar just break down when she sings "Motel, sprees, sprees" at 1:06.
Ultraviolence
The whole tempo change in West Coast gets me every time. It's genius. The "ba-da-da-da-da-babay"s and "yeauhhhss" at the end of Brooklyn Baby. I don't even like Guns & Roses that much but the haunting "ro-oohuh-ooses" part at 3:40 gives me shivers. I'll listen to the whole song just to hear that. "And all my girlfriends!" in Florida Kilos just because you can hear the smile on her face. The Lizzy Grant-esque background "yeah" in Fucked My Way Up to the Top at 1:04.
Unreleased
In my fave unreleased Gangsta Boy there are a couple key moments. Of course there's the spine chilling yet adorable "my gangsta booOOOYYY-ooh-ooh-oohuh-ahhh!" in the beginning. Then at 1:21 when the backing vocals come in and she sings, "like ya leather and ya long hair, hunnay, hunnay", not sure why but it's always been an awesome moment for me. The repetitive "like"s in My Best Days and the boppy breakdown at the end. The "woah-oh-oh" part in Last Girl on Earth when she goes higher at 2:20. In Television Heaven the haunting backing vocals over and after the bridge followed by a cute lil laugh. In Hawaiian Tropic that heavenly vocal overlay with the chorus and "I remember party dresses" at 3:21. The moan in Serial Killer along with those quick "ha-ha-ha-ha-has!" "You turn my mood from black to blue-oOoOooh" in the Hundred Dollar Bill demo.

After spending two hours of reading everyone else's special moments, I'd like to post some of mine. Here comes wasting another two hours writing this response. I'm going to organize them by album!

Sirens

LDRAKALG
In (one of my favorite Lana songs ever) Oh Say Can You See there are a ton of moments. The little guitar picking at the beginning and in between lines at 0:11 and 1:40, the at the and I wi-ul at 2:10, and the send you to Mars high note at 3:07. The breath at the end of Mermaid Motel, 3:28. Of course the dark night line in Yayo, 4:03. The crescendo in For K Part 2 at 1:07 and then I like the way you wear your sweater off your shouuuulder.
Born to Die
Off to the Races obviously is just one big moment for me since it is my favorite song in the world but there's two parts that stick out to me... First the whole "glass room, perfume, cognac, lilac fuuuumes" line because she uses so many mellifluous words one after another it's just a lyric-gasm. Then right before 3:30 there's a little quiet part and then the bass just starts jumping and it aligns perfectly with "you're lying with your gold chain on" <3 <3 <3 The first few words of Radio on the album version and in the demo when the flute comes in with the *doodle-doodle-dooooo* noise like at 2:40. In Million Dollar Man live (especially at Hackney) when she literally wails like "one for the moneyyuuuhh, woauuhuhuhahh!!!!" The last chorus of Blue Jeans when it builds up after the bridge and drops at 2:55. It's like a cannonball of cinematic perfection. The entire Diet Mountain Dew demo is amazing but the "I dunno why but I liiiike it" line at 1:48.
Paradise
Not exactly musical but during the Ride monologue when she does a short little breath before "I was always an usual girl". In Gods & Monsters how the drums and guitar just break down when she sings "Motel, sprees, sprees" at 1:06.
Ultraviolence
The whole tempo change in West Coast gets me every time. It's genius. The "ba-da-da-da-da-babay"s and "yeauhhhss" at the end of Brooklyn Baby. I don't even like Guns & Roses that much but the haunting "ro-oohuh-ooses" part at 3:40 gives me shivers. I'll listen to the whole song just to hear that. "And all my girlfriends!" in Florida Kilos just because you can hear the smile on her face. The Lizzy Grant-esque background "yeah" in Fucked My Way Up to the Top at 1:04.
Unreleased
In my fave unreleased Gangsta Boy there are a couple key moments. Of course there's the spine chilling yet adorable "my gangsta booOOOYYY-ooh-ooh-oohuh-ahhh!" in the beginning. Then at 1:21 when the backing vocals come in and she sings, "like ya leather and ya long hair, hunnay, hunnay", not sure why but it's always been an awesome moment for me. The repetitive "like"s in My Best Days and the boppy breakdown at the end. The "woah-oh-oh" part in Last Girl on Earth when she goes higher at 2:20. In Television Heaven the haunting backing vocals over and after the bridge followed by a cute lil laugh. In Hawaiian Tropic that heavenly vocal overlay with the chorus and "I remember party dresses" at 3:21. The moan in Serial Killer along with those quick "ha-ha-ha-ha-has!" "You turn my mood from black to blue-oOoOooh" in the Hundred Dollar Bill demo.

After spending two hours of reading everyone else's special moments, I'd like to post some of mine. Here comes wasting another two hours writing this response. I'm going to organize them by album!

Sirens

LDRAKALG
In (one of my favorite Lana songs ever) Oh Say Can You See there are a ton of moments. The little guitar picking at the beginning and in between lines at 0:11 and 1:40, the at the and I wi-ul at 2:10, and the send you to Mars high note at 3:07. The breath at the end of Mermaid Motel, 3:28. Of course the dark night line in Yayo, 4:03. The crescendo in For K Part 2 at 1:07 and then I like the way you wear your sweater off your shouuuulder.
Born to Die
Off to the Races obviously is just one big moment for me since it is my favorite song in the world but there's two parts that stick out to me... First the whole "glass room, perfume, cognac, lilac fuuuumes" line because she uses so many mellifluous words one after another it's just a lyric-gasm. Then right before 3:30 there's a little quiet part and then the bass just starts jumping and it aligns perfectly with "you're lying with your gold chain on" <3 <3 <3 The first few words of Radio on the album version and in the demo when the flute comes in with the *doodle-doodle-dooooo* noise like at 2:40. In Million Dollar Man live (especially at Hackney) when she literally wails like "one for the moneyyuuuhh, woauuhuhuhahh!!!!" The last chorus of Blue Jeans when it builds up after the bridge and drops at 2:55. It's like a cannonball of cinematic perfection. The entire Diet Mountain Dew demo is amazing but the "I dunno why but I liiiike it" line at 1:48.
Paradise
Not exactly musical but during the Ride monologue when she does a short little breath before "I was always an usual girl". In Gods & Monsters how the drums and guitar just break down when she sings "Motel, sprees, sprees" at 1:06.
Ultraviolence
The whole tempo change in West Coast gets me every time. It's genius. The "ba-da-da-da-da-babay"s and "yeauhhhss" at the end of Brooklyn Baby. I don't even like Guns & Roses that much but the haunting "ro-oohuh-ooses" part at 3:40 gives me shivers. I'll listen to the whole song just to hear that. "And all my girlfriends!" in Florida Kilos just because you can hear the smile on her face. The Lizzy Grant-esque background "yeah" in Fucked My Way Up to the Top at 1:04.
Unreleased
In my fave unreleased Gangsta Boy there are a couple key moments. Of course there's the spine chilling yet adorable "my gangsta booOOOYYY-ooh-ooh-oohuh-ahhh!" in the beginning. Then at 1:21 when the backing vocals come in and she sings, "like ya leather and ya long hair, hunnay, hunnay", not sure why but it's always been an awesome moment for me. The repetitive "like"s in My Best Days and the boppy breakdown at the end. The "woah-oh-oh" part in Last Girl on Earth when she goes higher at 2:20. In Television Heaven the haunting backing vocals over and after the bridge followed by a cute lil laugh. In Hawaiian Tropic that heavenly vocal overlay with the chorus and "I remember party dresses" at 3:21. The moan in Serial Killer along with those quick "ha-ha-ha-ha-has!" "You turn my mood from black to blue-oOoOooh" in the Hundred Dollar Bill demo.

In Paradise when she's like
DOPE
THAT'S SICK
 
her gangsta talk is just toooooo funny.

. . . and I WEEYL. . . the night time is a-aaAaalmost ours

Lucky Ones is a catchy song, I like it.
 
A LDR Musical Moment I enjoy is the slight-high pitched endings Lana adds to the ends of the words "scarlet" and "starlet" in Off to the Races. Not sure if I worded that correctly, but if you listen to the that part I assume you'll catch my drift. It's a minor moment, but when I have my occasional sing-a-longs to it, I tend to raise the pitch of the two words at the ends.

"...my fans made me feel more confident. In the first week, I realized that it is what I want to do for the rest of my life. It was great, because I was afraid to sing again, but, this year made me feel confident about still singing."
 
GOD BLESS.

I can't believe Lana's lying in bed, touching her pussy on the cover of a magazine. I've completely lost my respect for her.

@jeligottlieb on Twitter posted this earlier this month! I guess the dress Lana wore in France is two years old and from H&M! It's cool to see that she's wearing old stuff that she really likes instead of new outfits her management picks out for her!

I’ve just listened to this song for the first time in a while since it leaked and I’ve finally formed together my complete theory of its meaning. I believe this song is very influenced by Barrie, more specifically, his battle with depression. From Barrie’s lyrics, tweets, and dark influences I think it’s obvious that he is struggling, or at least has at some point in his life, struggled with depression.  Here’s my interpretation:
 
 
 

Really great interview, just the right balance between music and personal life. The interviewer did his research and Lana seemed comfortable. If only they were always smooth like this one!

I usually HATE remixes with a burning passion but yours are so listenable and fabulous. Is there anyway you could make a zip file of all your Lana ones? I saw a rar file a couple pages ago but rar and my computer just don't mix for some reason, plus you've made a lot of new ones since then. If it's not too much to ask, of course :-)