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Everything posted by bff
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speak on it, us #BORNYESTERDAYNATORS need to unite!
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Sister Ray is so fucking good… when I tell you I’ve had it on REPEAT… like my god this woman snapped
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Blue Banisters - Pre-Release Thread: OUT October 22nd, 2021
bff replied to Elle's topic in Retired Pre-Release Threads
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Blue Banisters - Pre-Release Thread: OUT October 22nd, 2021
bff replied to Elle's topic in Retired Pre-Release Threads
The fact that Lana has made a different version for SYTH for almost every album since its creation and she still wont give it to us. She is evil for sure -
she’s so annoying… her music is great but really??!?! she’s problematic because she works with dr luke, not for any other reason. if she names her album “problematique” that’d be really tacky and weird
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"American Standards & Classics" Cover Album - Pre-Pre-Release Thread
bff replied to Elle's topic in New Releases
Id love to see her rendition of a Carole King song -
Annie is literally sick as fuck for not including an NYC date
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Adele has never been incredibly interesting, imo 19 was her best work to date and i’ll be very surprised if she ever surpasses it. Her music is very pretty and she has such an incredible voice, but she’s never been that versatile. But that’s ok! I don’t think every artist has to be Gaga Madonna or Lana when it comes to genres and versatility. Although I do believe artistic growth is extremely important for artists, they can demonstrate it in different ways. And for Adele, she likes to do what she does best, through her ballads.
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Pitchfork Reviews Rescored (including Born To Die)
bff replied to longtimeman's topic in Latest News
Pitchfork changing their scores is so ugly to me imo. Like, stick with what you said and stay with it—dont switch up on it years later, especially for a prestigious company like pitchfork. If anything, it lets me know that they’re bullshit. They literally said “we were too scared to be original so we made this person’s career worse”. (i’m using hyperbole here because a pitchfork score doesnt really change much, but you know what i mean) Although I’m happy they gave some albums the deserved scores (stories from the city, vroom vroom, born to die [although personally i think they kinda spilled with their original score for it]). But for Vroom Vroom being higher, i feel like they only gave that ep a higher score because sophie died. It’s like they said “nooo we need to maintain our image, lets retract what we said!” -
just followed back bestie!
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yass a thread for sega! he is a very talented musician & producer, i love his work with shygirl. im so excited for his track with arca!
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im glad u like it! but for me i agree w pitchfork, its very messy and i dont even think claire knew what was going on. i like the songs individually, but as an entire album i dont think it works.
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what are your guys’ letterboxd’s? here’s mine: https://boxd.it/231TV (note that my favorite movies on letterboxd changes every so often, i like to change up my profile and the favorite movies are usually just what i’m feeling like at the moment)
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The SKARBS are her lawyers!
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they spilled imo. miss a is my least favorite grimes album
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Great song! But I feel like its an odd choice for a lead single? It seems rather mellow in comparison to her other leads.
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am i the only one whos loving born yesterday... i think both sia's and arca's contributions were executed amazingly, regardless of what my personal opinions on sia's character are
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In my feelings, coachella, god bless america, when the world was at war… that entire track run should have been cut. then LFL would’ve been perfect
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I love Don’t Look Now! I don’t remember anything that happened since it kinda all blurred together but it was really pretty and i love the symbolism