James Dean

Check it out... She appears on 0:57.
 

I like Bekim <3 waiting for my day (month) [i'll be there]

thank you for love me, i'm still alive, please flirt with me

TBH remove the question about balls being celebrity couple. I don't wanna deal wit that shit when i'm interviewed next month 

I do not know Bekim well but clearly y'all use him so let that be an introduction enough? Lel I'm looking forward to knowing him better through this interview, as I'm sure all of you are. His pictures get lots of likes so let's see if we shatter his image as LB sex symbol or anything. Also drag him for sending me a formatting nightmare!
 
Member of the Month (July): Bekim
 
 
 

The Man I Love reminds me more of Pin Up Galore in the way she sings "I wanna flllllllly/diiiiiiiie"
 
I could see it mashing up nice with PUG

The "demo" version of Trash Magic has the verses of The Man I Love, followed by the chorus from Trash Magic. Like I said before, they're both so different from each other that it makes me hesitant to believe it's a legit demo - I think that the the idea that Lana put them together for another reason/it's fanmade is far more plausible.

I got absolutely nothing from this whole thread
I'm listening to the posted Man I Love song someone posted and I dont hear any resemblance to Trash Magic, and what other demo is there? 
 
googling tbh
I'm very interested cause this is probably my favorite unreleased song

I can't guarantee enough privacy to compete this season since I'll be getting a roommate

personally, I believe the demo to be fake simply because it's so different to the final version. The Man I Love portion of the demo is dark and just doesn't fit the rest of the song, imo. this is just my opinion though, I have no true evidence for it.
 
regardless, it's still a fucking amazing song and possibly one of the best she's ever made.

Sirens ERA
- My Momma: The first "we dont get along"
- Out With A Bang: those lines makes my body shakes "Meet me in the morning, wrap your arms around me / Tell me that it’s over now that you have found me / Walk me to the river, see the willow bowing / Carry me into the water, now we’re drowning"
- All You Need: This is my fav. music from 'Sirens' everything in this musics makes me relaxing, but i like the noises that she makes in "just let go of it all, dear"
- Pride: ok, i like the guitar
- For K: the "me" in 01:25

AKA
- Kill Kill: the piano/eletrick keyboard after every 'ummmm'
- Queen of the gas station: the guitar solo/rithm in the final 'love cassinos and neon reservations'
- Oh say can you see: one of my fav and relaxing too... bur i like the guitar in 01:16
- Jump: probably the claps
- Mermaid Motel: the bells in "take it off"
- Rayse me up: obviously the echoes ray-ray-rayse
- Yayo: same as every1

BTD
- BTD: those finals eletrick born to die
- Off to the races: i love everything of this music, but i like the drums in 03:38
- Video Games: the bells
- Radio: the on the radio in 02:15
- MDM: the noise in the background, srsly, i prefer the original but i like those noises
- SS: the low drive in 03:09
- WY: when the music stops 00:35~

Paradise:
- American: the uhh uhh ohhhhh ohh
- Cola: the piano/eletrick keyboard in the chorus
- G&M: the moaning
- Bel Air: the kids noise

... ultraviolence soon

but the best of all Kinda outta luck after i have to do, srsly, i love this music


 

After spending two hours of reading everyone else's special moments, I'd like to post some of mine. Here comes wasting another two hours writing this response. I'm going to organize them by album!

Sirens

LDRAKALG
In (one of my favorite Lana songs ever) Oh Say Can You See there are a ton of moments. The little guitar picking at the beginning and in between lines at 0:11 and 1:40, the at the and I wi-ul at 2:10, and the send you to Mars high note at 3:07. The breath at the end of Mermaid Motel, 3:28. Of course the dark night line in Yayo, 4:03. The crescendo in For K Part 2 at 1:07 and then I like the way you wear your sweater off your shouuuulder.
Born to Die
Off to the Races obviously is just one big moment for me since it is my favorite song in the world but there's two parts that stick out to me... First the whole "glass room, perfume, cognac, lilac fuuuumes" line because she uses so many mellifluous words one after another it's just a lyric-gasm. Then right before 3:30 there's a little quiet part and then the bass just starts jumping and it aligns perfectly with "you're lying with your gold chain on" <3 <3 <3 The first few words of Radio on the album version and in the demo when the flute comes in with the *doodle-doodle-dooooo* noise like at 2:40. In Million Dollar Man live (especially at Hackney) when she literally wails like "one for the moneyyuuuhh, woauuhuhuhahh!!!!" The last chorus of Blue Jeans when it builds up after the bridge and drops at 2:55. It's like a cannonball of cinematic perfection. The entire Diet Mountain Dew demo is amazing but the "I dunno why but I liiiike it" line at 1:48.
Paradise
Not exactly musical but during the Ride monologue when she does a short little breath before "I was always an usual girl". In Gods & Monsters how the drums and guitar just break down when she sings "Motel, sprees, sprees" at 1:06.
Ultraviolence
The whole tempo change in West Coast gets me every time. It's genius. The "ba-da-da-da-da-babay"s and "yeauhhhss" at the end of Brooklyn Baby. I don't even like Guns & Roses that much but the haunting "ro-oohuh-ooses" part at 3:40 gives me shivers. I'll listen to the whole song just to hear that. "And all my girlfriends!" in Florida Kilos just because you can hear the smile on her face. The Lizzy Grant-esque background "yeah" in Fucked My Way Up to the Top at 1:04.
Unreleased
In my fave unreleased Gangsta Boy there are a couple key moments. Of course there's the spine chilling yet adorable "my gangsta booOOOYYY-ooh-ooh-oohuh-ahhh!" in the beginning. Then at 1:21 when the backing vocals come in and she sings, "like ya leather and ya long hair, hunnay, hunnay", not sure why but it's always been an awesome moment for me. The repetitive "like"s in My Best Days and the boppy breakdown at the end. The "woah-oh-oh" part in Last Girl on Earth when she goes higher at 2:20. In Television Heaven the haunting backing vocals over and after the bridge followed by a cute lil laugh. In Hawaiian Tropic that heavenly vocal overlay with the chorus and "I remember party dresses" at 3:21. The moan in Serial Killer along with those quick "ha-ha-ha-ha-has!" "You turn my mood from black to blue-oOoOooh" in the Hundred Dollar Bill demo.

Old Money?

I think you can really tell what songs she considers "fillers". Looking at you Sad Girl! That explanation...WOW so enlightening.
 
Very interesting to hear that she reworked Melancholia into Ultraviolence, in order to have a title track. I really wouldn't be surprised if the demo was better than the final version, because to me the chorus seems really forced into the context. It's kinda random.
 
Also the fact that she unintentinally sampled R+J...very weird, but cool indeed. I love that she basically confirmed that Old Money is the final version of Methamphetamines. I've been saying it all along! Anyway...I'm really interested in hearing the previous version of the song.

"It was called methamphetamines at first" 

http://lanaboards.com/index.php?/topic/222-lizzy-grant-misc-photos/?p=196076

This is cool. I just wish I had my earphones. They are now destroyed so I cannot listen.

It's all about Tropico

I can translate it for you:

Legit or not, I like it ^^

Anything can happen to a song once the instrumental leaks and filtered acapellas are made 

via soulseek https://soundcloud.com/deadindump/shades-of-cool-demo-mix