American Whore

ahhhhh her VOICE AT THE END is that LANA?!?!?! are we sure?!?!?!?! oh my GAWWWWD
THE STARGIRL AHHHHH

I believe After Hour is the character dying, Dawn FM is the purgatory (he explained in an interview that he wanted to have a radio concept to simulate waiting in your car at traffic feeling) and this album is the after life/this character’s own hell. When Dawn FM was released, he teased the second trilogy. It was also hinted in the album as well, as after life commercials. 

Honestly she would slay the Non Stop Pop radio station 

perfect!

Produced by Mike Dean, Abel, Metro Boomin, and DaHeala. I'm gonna say it in this thread too, her vocals sound so Blue Banisters to me sooo idk. maybe it's a vocal take from 2021 but then again maybe not

ahhhhh her VOICE AT THE END is that LANA?!?!?! are we sure?!?!?!?! oh my GAWWWWD
THE STARGIRL AHHHHH

ahhhhh her VOICE AT THE END is that LANA?!?!?! are we sure?!?!?!?! oh my GAWWWWD
THE STARGIRL AHHHHH

Produced by Mike Dean, Abel, Metro Boomin, and DaHeala. I'm gonna say it in this thread too, her vocals sound so Blue Banisters to me sooo idk. maybe it's a vocal take from 2021 but then again maybe not

Produced by Mike Dean, Abel, Metro Boomin, and DaHeala. I'm gonna say it in this thread too, her vocals sound so Blue Banisters to me sooo idk. maybe it's a vocal take from 2021 but then again maybe not

it's only been out 8 minutes girl

I know, I just think I'm not that into his music ever since AH, it's cool that he has a vision and concept for his music though

Hurry Up Tomorrow transitions into High For This 
 
So the whole The Weeknd persona is in the loop forever. There’s a little break in transition though so it might mean Abel broke through this loop
 
 
lol no way
 
Hold your heart/the abyss was one of the most anticipated songs, ever since he teased it in 2020, it’s absolutely gorgeous 

What is it with these DCMA comparisons?
 
Nothing about The Abyss sounds anything like DCMA.

Produced by Mike Dean, Abel, Metro Boomin, and DaHeala. I'm gonna say it in this thread too, her vocals sound so Blue Banisters to me sooo idk. maybe it's a vocal take from 2021 but then again maybe not

ahhhhh her VOICE AT THE END is that LANA?!?!?! are we sure?!?!?!?! oh my GAWWWWD
THE STARGIRL AHHHHH

ahhhhh her VOICE AT THE END is that LANA?!?!?! are we sure?!?!?!?! oh my GAWWWWD
THE STARGIRL AHHHHH

ahhhhh her VOICE AT THE END is that LANA?!?!?! are we sure?!?!?!?! oh my GAWWWWD
THE STARGIRL AHHHHH

do we have liner notes yet? i doubt it but still curious who produced

ahhhhh her VOICE AT THE END is that LANA?!?!?! are we sure?!?!?!?! oh my GAWWWWD
THE STARGIRL AHHHHH

also not to mention, some of these tracks were meant for the two albums before it. take me back to la was for after hours i believe. does anyone know if he changed the titles from the physical version? there's some tracks missing from the streaming version that are on the physical
it's weird there's 2 different versions of it...
 
Abel, Mike Dean, Metro Boomin, and DaHeala produced The Abyss. interesting. i wonder if her part was a vocal take she did with mike dean when they were working together a couple years ago, it sounds very Blue Banisters in the big vocals part and lyrically would make sense for an angry song that never came to fruition

it's only been out 8 minutes girl

ahhhhh her VOICE AT THE END is that LANA?!?!?! are we sure?!?!?!?! oh my GAWWWWD
THE STARGIRL AHHHHH

I'm confused. We're missing The Crowd, Regular, In Heaven, and Runaway from the physical

thanks!!
 
 
Sao Paulo worked for me on the album!! I have shivers, damn it 
I didn't get to the middle, but I'm thrilled. Completely.

i mean it is closing up a trilogy so it's meant to share a similar tone and probably a similar sound too. that's the point of doing an end-of-career (for the weeknd moniker) trilogy. to end it the same way he started it