WaitForLife

Maybe uninterested info since we heard the snippets
 
13 Beaches
Zac Rae, Synthesizer - Patrick Warren, Percussion, Synthesizer, Harmonium - Adam Ayan, Mastering Engineer - Jordan Stilwell, Engineer - Rick Nowels, Composer, Author, Producer, Piano, Strings, Synthesizer - Kieron Menzies, Producer, Mixer, Drums, Engineer, Bass Guitar, Keyboards, Percussion, Synthesizer - Dean Reid, Producer, Mixer, Engineer, Bass Programming - Lana Del Rey, Composer, Author, Producer, Vocals, MainArtist - Dan Heath, Strings - Keiron Menzies, Sequencer - Sony / ATV Music Publishing, MusicPublisher - Mighty Mike, Drums, Keyboards, Percussion, Additional Producer - Trevor Yasuda, Engineer - R-Rated Music administered by EMI April Music Inc (Global Music RIghts), MusicPublisher
 
 
Cherry
Zac Rae, Strings - Adam Ayan, Mastering Engineer - Chris Garcia, Engineer - Rick Nowels, Producer - Kieron Menzies, Mixer, Engineer, Additional Producer, Strings - Dean Reid, Producer, Mixer, Drums, Engineer, Bass Guitar, Strings, Sound Effects - Tim Larcombe, Composer, Author, Producer, Drums, Electric Guitar, Mellotron - Lana Del Rey, Composer, Author, Producer, Vocals, MainArtist - Sony / ATV Music Publishing, MusicPublisher - Trevor Yasuda, Engineer - TaP Music Publishing Limited, MusicPublisher
 
White Mustang
Adam Ayan, Mastering Engineer - Chris Garcia, Engineer - Rick Nowels, Composer, Author, Producer, Piano, Synthesizer, Mellotron - Kieron Menzies, Producer, Mixer, Drums, Engineer, Strings, Synthesizer - Dean Reid, Producer, Mixer, Drums, Engineer, Bass Guitar, Synthesizer, Sound Effects - Lana Del Rey, Composer, Author, Producer, Vocals, MainArtist - Keiron Menzies, Percussion - Trevor Yasuda, Engineer, Keyboards - Sony/ATV Music Publishing (ASCAP), MusicPublisher - R-Rated Music administered by EMI April Music Inc (Global Music RIghts), MusicPublisher
 
In My Feelings
Adam Ayan, Mastering Engineer - Rick Nowels, Composer, Author, Producer, Keyboards, Piano, Mellotron - Kieron Menzies, Producer, Mixer, Drums, Engineer, Strings, Synthesizer - Dean Reid, Producer, Mixer, Drums, Engineer, Bass Guitar, Percussion, Synthesizer, Sound Effects - Lana Del Rey, Composer, Author, Producer, Vocals, MainArtist - Keiron Menzies, Keyboards - Trevor Yasuda, Engineer - Sony/ATV Music Publishing (ASCAP), MusicPublisher - R-Rated Music administered by EMI April Music Inc (Global Music RIghts), MusicPublisher
 
God Bless America - And All The Beautiful Women In It
Zac Rae, Piano, Synthesizer - Patrick Warren, Keyboards, Strings - Adam Ayan, Mastering Engineer - Dave Palmer, Synthesizer - David Levita, Electric Guitar - Rick Nowels, Composer, Author, Producer, Acoustic Guitar, Bass Guitar, Keyboards, Piano, Mellotron - Kieron Menzies, Producer, Mixer, Drums, Engineer, Keyboards, Percussion, Sound Effects - Dean Reid, Orchestra, Producer, Mixer, Engineer, Bass Guitar, Keyboards, Percussion, Strings, Brass Band - Lana Del Rey, Composer, Author, Additional Producer, Vocals, MainArtist - Trevor Yasuda, Engineer - Metro Boomin, Producer, Drums, Percussion, Bass Programming - Sony/ATV Music Publishing (ASCAP), MusicPublisher - R-Rated Music administered by EMI April Music Inc (Global Music RIghts), MusicPublisher
 
When The World Was At War We Kept Dancing
Zac Rae, Drums, Bass Guitar, Organ - Adam Ayan, Mastering Engineer - Aaron Sterling, Drums, Tambourine - Rick Nowels, Composer, Author, Producer, Acoustic Guitar - Kieron Menzies, Producer, Mixer, Drums, Engineer, Keyboards, Percussion, Synthesizer - Dean Reid, Composer, Author, Producer, Mixer, Drums, Engineer, Percussion, Strings, Synthesizer, Bass Programming - Lana Del Rey, Composer, Author, Producer, Vocals, MainArtist - Trevor Yasuda, Engineer - Sony/ATV Music Publishing (ASCAP), MusicPublisher - Chris Rockwell, Asst. Recording Engineer - R-Rated Music administered by EMI April Music Inc (Global Music RIghts), MusicPublisher - Untitled4 (ASCAP), MusicPublisher
 
 
 Beautiful People Beautiful Problems
Stevie Nicks, Composer, Author, Vocals, FeaturedArtist - Sean Hurley, Bass Guitar - Patrick Warren, Strings, Synthesizer - Gary Ferguson, Drums - Adam Ayan, Mastering Engineer - David Levita, Electric Guitar - Rick Nowels, Composer, Author, Producer, Organ, Piano, Synthesizer, Bass Programming, Mellotron - Kieron Menzies, Producer, Mixer, Engineer, Percussion - Justin Parker, Composer, Author - Dean Reid, Producer, Mixer, Drums, Engineer, Percussion - Lana Del Rey, Composer, Author, Producer, Vocals, MainArtist - Trevor Yasuda, Engineer, Keyboards - Sony/ATV Music Publishing (ASCAP), MusicPublisher - Chris Rockwell, Asst. Recording Engineer - R-Rated Music administered by EMI April Music Inc (Global Music RIghts), MusicPublisher - Welsh Witch Music (BMI) administered by Songs of Kobalt Music Publishing (BMI), MusicPublisher
 
Tomorrow Never Came
Patrick Warren, Organ, Piano - Adam Ayan, Mastering Engineer - David Levita, Electric Guitar - Rick Nowels, Composer, Author, Producer, Acoustic Guitar, Organ, Mellotron - Kieron Menzies, Mixer, Engineer - Dean Reid, Engineer - Matthew Cullen, Mixer, Engineer - Lana Del Rey, Composer, Author, Producer, Vocals, MainArtist - Sean Ono Lennon, Composer, Author, Producer, Bells, Acoustic Guitar, Electric Guitar, Harpsichord, Timpani, Vocals, Upright Bass, Harmonica, Maracas, Mellotron, Celesta, FeaturedArtist - Trevor Yasuda, Keyboards - Sony/ATV Music Publishing (ASCAP), MusicPublisher - R-Rated Music administered by EMI April Music Inc (Global Music RIghts), MusicPublisher - Andris Balins, Engineer, Asst. Recording Engineer - Talentless Music / Sony ATV (BMI), MusicPublisher
 
Heroin
Patrick Warren, Bassoon, Flute, Synthesizer - Gary Ferguson, Drums - Adam Ayan, Mastering Engineer - Rick Nowels, Composer, Author, Producer, Organ, Piano, Mellotron - Kieron Menzies, Producer, Mixer, Engineer - Dean Reid, Producer, Mixer, Engineer, Electric Guitar, Bass Programming, Sound Effects - Lana Del Rey, Composer, Author, Producer, Vocals, MainArtist - Mighty Mike, Drums, Percussion, Additional Producer - Trevor Yasuda, Engineer - Sony/ATV Music Publishing (ASCAP), MusicPublisher - R-Rated Music administered by EMI April Music Inc (Global Music RIghts), MusicPublisher
 
Change
Adam Ayan, Mastering Engineer - Rick Nowels, Composer, Author, Producer, Keyboards - Kieron Menzies, Producer, Mixer, Drums, Engineer - Lana Del Rey, Composer, Author, Producer, Vocals, MainArtist - Sony/ATV Music Publishing (ASCAP), MusicPublisher - R-Rated Music administered by EMI April Music Inc (Global Music RIghts), MusicPublisher
 
Get Free
 
 
Zac Rae, Organ, Mellotron, Synthesizer Programming - Adam Ayan, Mastering Engineer - Aaron Sterling, Drums, Percussion - Chris Garcia, Engineer - David Levita, Electric Guitar - Rick Nowels, Composer, Author, Producer, Bass Guitar, Organ, Piano, Synthesizer Programming - Kieron Menzies, Composer, Author, Producer, Mixer, Engineer, Percussion, Synthesizer, Ambient Sounds - Dean Reid, Producer, Mixer, Engineer, Electric Guitar, Percussion, Bass Programming - Lana Del Rey, Composer, Author, Producer, Vocals, MainArtist - Mighty Mike, Drums, Percussion - Trevor Yasuda, Engineer, Keyboards - Sony/ATV Music Publishing (ASCAP), MusicPublisher - Cosmic Lime (ASCAP), MusicPublisher - R-Rated Music administered by EMI April Music Inc (Global Music RIghts), MusicPublisher
 

I want summer bummer instrumental..someone leak it lol

Misheard Lana Lyrics

 

Here is where we can post lyrics that we've misheard in Lana's songs.

Be sure to post the real lyric, too.

I'll start:

 

In Diet Mountain Dew it says:

"There in his white Pontiac Heaven"

I thought it said:

"Ridin' his white pony named Kevin"

 

I know, embarrassing 

Can't wait to read some of yours!

2 years ago

I agree. The singles made a different picture of the album. I thought it would be more happy and brighter but it's still very dark.

I agree. The singles made a different picture of the album. I thought it would be more happy and brighter but it's still very dark.

No it's fake. There is one for UV too.

I think UV & HM have a great story together.

HM is the only album that grew on me. I still can't listen to BTD or Paradise without skipping one song.

You don't realize just how perfect a summer album Honeymoon is until you're out in the humid heat on a sunny day. With the sun shining its brightest 3:41 pm in the afternoon and you're out doing chores like feeding the cat, the heat begins to set in depending where your standing with a slight breeze, you begin to realize how perfect a summer album Honeymoon truly is. I can picture Lana recording some of these songs in similar weather conditions, with an ac kicking at full capacity.
 

Didn't she ALWAYS hints that an EP with outtakes may be coming ever since UV but it never happens?
 
I would definitly be here for a short EP including BAR and Yosemite, but I just don't think it will happen.

Maybe Yosemite or how it's written will leak because we all want it.I hope some HM songs leak too.

Maybe Yosemite or how it's written will leak because we all want it.I hope some HM songs leak too.

agreed, these children who don't understand that not everything lizzy touches is gold baffles me. Shes made some shitty songs, trust. but shes made some stellar songs. Not everything will be amazing, and those who listen to her fart and think its her best song, well good for them, but should respect that people like you and I aren't going to be bemused by farts. She needs to burp and hiccup too. Maybe even grunt a little, you know? put some effort into it? unlike cuntymoon, which was her worst, this album may just be "okay". has some okay sounding songs, even cherry doesnt seem so appealing anymore.

OR we could accept that being critical/not liking what you hear does not automatically means you are "bashing the album" or a "bad fan" and that being positive does not automatically mean you are "blindly eating her ass".
 
 
Although there are people here which do both of those things, it would be a much better place if we would just respect each others opinion and be able to actually discuss stuff instead of attacking each other for not feeling the same about music.

Heroin and Change sound like HM songs but I could be wrong with that.
I think there are no songs that sound like UV for me.

peaches, white lines, black beaches, and blood

It took 13 beaches to find one empty but finally it's miiiiiine
with dripping peaches

I originally posted this in the Pre-Release thread, but thought it'd get more attention here. Wanna explain something I happened to notice while checking out the snippets.

I honestly think "Love" was meant to set the mood for the album overall. It has the guitar, but it has the "wall of sound" hip-hop to it, as well. And then, from "Lust for Life" to "Coachella", it really is like a stretch of sexy, summer-driven hip-hop tracks and ends on a positive track that is political - and then, we get all the guitars, and the veteran folk singers (or related to them) rather than the contemporary artists that feature in the first half. I think it's very intentional that the last half is going to have a Woodstock-vibe, only through some of the familiar hip-hop additions that modernize classic sounds. "Tomorrow Never Came" sounds very 1967-71 rock. Definitely see where she's connecting the "two generations", and why she probably feels kids looking into vintage music may find it denser if they understand that history is sort of repeating itself through the anxiety of the current political American heat. It's exactly what she said she wanted to do with the album, and her chronology of the tracks seems to really suit that concept. Even at around the half-point of the album, if you count "Love" as just the intro/combination of the two sounds, and "Coachella" the track that moves the hip-hop into its poltical, folk-driven side.
 
Lana still doing concept, for sure. 
 
A SORT OF CHART (lol):
 
INTRODUCTION (folk guitar strings open the album, but blends into spacey, "wall-to-wall" hip-hop noises)
01. Love
 
SEXY, SUMMER-Y, HIP-HOP (7 "wall-to-wall" hip-hop noises)
02. Lust for Life
03. 13 Beaches
04. Cherry
05. White Mustang
06. Summer Bummer
07. Groupie Love
08. In My Feelings
 
THE BRIDGE (a more stripped back hip-hop beat, letting the album kind of cool off a bit before getting more poltically-minded)
09. Coachella..
 
POLITICAL "GANGSTA" FOLKY-Y (7 "wall-to-wall" hip-hop noises, but more laid back, with heavier guitar and folk featured artists)
10. God Bless America..
11. When the War Was at War...
12. Beautiful People, Beautiful Problems
13. Tomorrow Never Came
14. Heroin
15. Change
16. Get Free
 
It's like she takes us from "Coachella" to "Woodstock" by using that track as a bridge. As I predicted, the song works in concept of the album; but releasing it as a single is bizarre. From what we have in the snippets, this album seems to be very well-thought out. 

this was us Feb. 18 2017
 

 
 
here's us Feb. 27- May 21, 23 - July 9 2017
 

 
 
again, here's us May 22
 

and now us, July 12 <
 

1 week and then it's all gone... all the meltdowns and leaks. Post-release is so boring after a few weeks. Another year (or two) waiting

No, I'm not afraid to hear 30 seconds of over 4 minute songs.

No, I'm not afraid to hear 30 seconds of over 4 minute songs.

No, I'm not afraid to hear 30 seconds of over 4 minute songs.

No, I'm not afraid to hear 30 seconds of over 4 minute songs.