FLA to the Moon

I'll try & explain the connections I've made when I hear L4L (even though this is the NFR thread). For me, it's as if 1/2 of the tracks are more geared towards "Lust" & the other 1/2 towards "Life" (well, lusting for life amidst the fear of death). She scatters these 'lust' & 'life' tracks in a pattern. I don't care if this is a reach, but here's my track-by-track breakdown:
 
"Love" -> life-affirming, since she's kinda addressing us (and addresses her self-love, towards the end) "Lust for Life" -> lust, since it's more about her & The Weeknd's chemistry. The music video is also a fantasy. "13 Beaches" -> life, given the beginning dialogue about not being other people & Lana's "dying for something real"  "Cherry" -> lust; just hear that chorus again  "White Mustang" -> This was a trickier song for me to mentally categorize, because it could be that she's looking back on someone she knew. But she also mentions "Armageddon", the man being a killer, & that "Summer's meant for lovin' & leavin'"... I would categorize this as a 'life' song.  "Summer Bummer" -> lust, given the chorus bridge & A$AP Rocky's feature  "Groupie Love" -> This song is like the opposite of ^ that's nonetheless attracted/attractive. I figure this is a 'life' song because it's almost like Lana's celebrating that she's got her man in A$AP Rocky. Plus, the applause at the very end makes it seem such.  "In My Feelings" -> lust, because she's hyping herself up as the bad bitch she is "Coachella - Woodstock in my mind" -> life, because she's calling out for sustaining something greater than her own individual actions "God Bless America" -> In a break with this lust-life pattern I've categorized, I'd consider this a 'life' song. You can just tell from the title that she's celebrating female solidarity, and in the verses, she's affirming her own worth.  "WTWWAWWJKD" -> I'd categorize this as a 'lust' song, but it's certainly slower than the other songs I labeled as 'lust' songs. When she addresses the girls, she knows not all of them can just go 'across the pond' to avoid the Trump administration. When she addresses the boys, she's calling out all their greed.  "Beautiful People, Beautiful Problems" -> A 'life' song, because the lyrics present a more relatable/realistic situation (aside from the rivers running red with blood & walking through fire).  "Tomorrow Never Came" -> A 'lust' song, even though it's another romantic duet, because of the lyrical content tying back to how Lana's hypothetical date didn't grow into a lasting relationship.  "Heroin" -> From here until the album's conclusion, this pattern I made is broken. I'd consider this a 'lust' song because this is perhaps the darkest song on the album. Its placement on the track listing is akin to "The Blackest Day" off of Honeymoon. Not to mention the vibe where she's alluding to the Manson Family. Heroin's lyrics seem to be the (ir)rational outcome of Lana's lusting.  "Change" -> Undoubtedly a 'life' song, and Lana's most personal song off the album. ALL of the lyrics are in the present tense here. The piano keys set up this so(m)ber vibe. (I imagine her sobering up here after letting go of the dark energy in the previous song). It's also the last song on the album to feature her falsetto voice. She also wraps up her 'summer', complete with harmonies, questioning her beauty & stability leading up to the falsetto-fied chorus.  "Get Free" -> Now that Lana has released the dark energies, acknowledged the turmoil in this world (without compromising her values), and grown from her more vain expressions, she much more clearly sees & charts the path she's taking. She releases her negative energy by stating she 'crossed the threshold' & that 'the Crowley way of being' is gone. (Aleister Crowley was a famous practitioner of the occult arts, & was once described as the world's most wicked man). The pre-choruses suggest she won't allow herself to be consumed by society's false perceptions & projections of what an ideal life entails. She also indirectly states that she won't take us for granted, a suggestion made in 'Love'. And the 'out of the black, into the blue' lines feature increasingly contrasting harmonies, along with the keyboard sounds that I personally imagine as lighthouse lights, and along with the beach noises at the very end.  All in all, I hope the Lust For Life album makes more sense for you if you perceive these songs as being complimentary coupled up!

I'll try & explain the connections I've made when I hear L4L (even though this is the NFR thread). For me, it's as if 1/2 of the tracks are more geared towards "Lust" & the other 1/2 towards "Life" (well, lusting for life amidst the fear of death). She scatters these 'lust' & 'life' tracks in a pattern. I don't care if this is a reach, but here's my track-by-track breakdown:
 
"Love" -> life-affirming, since she's kinda addressing us (and addresses her self-love, towards the end) "Lust for Life" -> lust, since it's more about her & The Weeknd's chemistry. The music video is also a fantasy. "13 Beaches" -> life, given the beginning dialogue about not being other people & Lana's "dying for something real"  "Cherry" -> lust; just hear that chorus again  "White Mustang" -> This was a trickier song for me to mentally categorize, because it could be that she's looking back on someone she knew. But she also mentions "Armageddon", the man being a killer, & that "Summer's meant for lovin' & leavin'"... I would categorize this as a 'life' song.  "Summer Bummer" -> lust, given the chorus bridge & A$AP Rocky's feature  "Groupie Love" -> This song is like the opposite of ^ that's nonetheless attracted/attractive. I figure this is a 'life' song because it's almost like Lana's celebrating that she's got her man in A$AP Rocky. Plus, the applause at the very end makes it seem such.  "In My Feelings" -> lust, because she's hyping herself up as the bad bitch she is "Coachella - Woodstock in my mind" -> life, because she's calling out for sustaining something greater than her own individual actions "God Bless America" -> In a break with this lust-life pattern I've categorized, I'd consider this a 'life' song. You can just tell from the title that she's celebrating female solidarity, and in the verses, she's affirming her own worth.  "WTWWAWWJKD" -> I'd categorize this as a 'lust' song, but it's certainly slower than the other songs I labeled as 'lust' songs. When she addresses the girls, she knows not all of them can just go 'across the pond' to avoid the Trump administration. When she addresses the boys, she's calling out all their greed.  "Beautiful People, Beautiful Problems" -> A 'life' song, because the lyrics present a more relatable/realistic situation (aside from the rivers running red with blood & walking through fire).  "Tomorrow Never Came" -> A 'lust' song, even though it's another romantic duet, because of the lyrical content tying back to how Lana's hypothetical date didn't grow into a lasting relationship.  "Heroin" -> From here until the album's conclusion, this pattern I made is broken. I'd consider this a 'lust' song because this is perhaps the darkest song on the album. Its placement on the track listing is akin to "The Blackest Day" off of Honeymoon. Not to mention the vibe where she's alluding to the Manson Family. Heroin's lyrics seem to be the (ir)rational outcome of Lana's lusting.  "Change" -> Undoubtedly a 'life' song, and Lana's most personal song off the album. ALL of the lyrics are in the present tense here. The piano keys set up this so(m)ber vibe. (I imagine her sobering up here after letting go of the dark energy in the previous song). It's also the last song on the album to feature her falsetto voice. She also wraps up her 'summer', complete with harmonies, questioning her beauty & stability leading up to the falsetto-fied chorus.  "Get Free" -> Now that Lana has released the dark energies, acknowledged the turmoil in this world (without compromising her values), and grown from her more vain expressions, she much more clearly sees & charts the path she's taking. She releases her negative energy by stating she 'crossed the threshold' & that 'the Crowley way of being' is gone. (Aleister Crowley was a famous practitioner of the occult arts, & was once described as the world's most wicked man). The pre-choruses suggest she won't allow herself to be consumed by society's false perceptions & projections of what an ideal life entails. She also indirectly states that she won't take us for granted, a suggestion made in 'Love'. And the 'out of the black, into the blue' lines feature increasingly contrasting harmonies, along with the keyboard sounds that I personally imagine as lighthouse lights, and along with the beach noises at the very end.  All in all, I hope the Lust For Life album makes more sense for you if you perceive these songs as being complimentary coupled up!

I'll try & explain the connections I've made when I hear L4L (even though this is the NFR thread). For me, it's as if 1/2 of the tracks are more geared towards "Lust" & the other 1/2 towards "Life" (well, lusting for life amidst the fear of death). She scatters these 'lust' & 'life' tracks in a pattern. I don't care if this is a reach, but here's my track-by-track breakdown:
 
"Love" -> life-affirming, since she's kinda addressing us (and addresses her self-love, towards the end) "Lust for Life" -> lust, since it's more about her & The Weeknd's chemistry. The music video is also a fantasy. "13 Beaches" -> life, given the beginning dialogue about not being other people & Lana's "dying for something real"  "Cherry" -> lust; just hear that chorus again  "White Mustang" -> This was a trickier song for me to mentally categorize, because it could be that she's looking back on someone she knew. But she also mentions "Armageddon", the man being a killer, & that "Summer's meant for lovin' & leavin'"... I would categorize this as a 'life' song.  "Summer Bummer" -> lust, given the chorus bridge & A$AP Rocky's feature  "Groupie Love" -> This song is like the opposite of ^ that's nonetheless attracted/attractive. I figure this is a 'life' song because it's almost like Lana's celebrating that she's got her man in A$AP Rocky. Plus, the applause at the very end makes it seem such.  "In My Feelings" -> lust, because she's hyping herself up as the bad bitch she is "Coachella - Woodstock in my mind" -> life, because she's calling out for sustaining something greater than her own individual actions "God Bless America" -> In a break with this lust-life pattern I've categorized, I'd consider this a 'life' song. You can just tell from the title that she's celebrating female solidarity, and in the verses, she's affirming her own worth.  "WTWWAWWJKD" -> I'd categorize this as a 'lust' song, but it's certainly slower than the other songs I labeled as 'lust' songs. When she addresses the girls, she knows not all of them can just go 'across the pond' to avoid the Trump administration. When she addresses the boys, she's calling out all their greed.  "Beautiful People, Beautiful Problems" -> A 'life' song, because the lyrics present a more relatable/realistic situation (aside from the rivers running red with blood & walking through fire).  "Tomorrow Never Came" -> A 'lust' song, even though it's another romantic duet, because of the lyrical content tying back to how Lana's hypothetical date didn't grow into a lasting relationship.  "Heroin" -> From here until the album's conclusion, this pattern I made is broken. I'd consider this a 'lust' song because this is perhaps the darkest song on the album. Its placement on the track listing is akin to "The Blackest Day" off of Honeymoon. Not to mention the vibe where she's alluding to the Manson Family. Heroin's lyrics seem to be the (ir)rational outcome of Lana's lusting.  "Change" -> Undoubtedly a 'life' song, and Lana's most personal song off the album. ALL of the lyrics are in the present tense here. The piano keys set up this so(m)ber vibe. (I imagine her sobering up here after letting go of the dark energy in the previous song). It's also the last song on the album to feature her falsetto voice. She also wraps up her 'summer', complete with harmonies, questioning her beauty & stability leading up to the falsetto-fied chorus.  "Get Free" -> Now that Lana has released the dark energies, acknowledged the turmoil in this world (without compromising her values), and grown from her more vain expressions, she much more clearly sees & charts the path she's taking. She releases her negative energy by stating she 'crossed the threshold' & that 'the Crowley way of being' is gone. (Aleister Crowley was a famous practitioner of the occult arts, & was once described as the world's most wicked man). The pre-choruses suggest she won't allow herself to be consumed by society's false perceptions & projections of what an ideal life entails. She also indirectly states that she won't take us for granted, a suggestion made in 'Love'. And the 'out of the black, into the blue' lines feature increasingly contrasting harmonies, along with the keyboard sounds that I personally imagine as lighthouse lights, and along with the beach noises at the very end.  All in all, I hope the Lust For Life album makes more sense for you if you perceive these songs as being complimentary coupled up!

I'll try & explain the connections I've made when I hear L4L (even though this is the NFR thread). For me, it's as if 1/2 of the tracks are more geared towards "Lust" & the other 1/2 towards "Life" (well, lusting for life amidst the fear of death). She scatters these 'lust' & 'life' tracks in a pattern. I don't care if this is a reach, but here's my track-by-track breakdown:
 
"Love" -> life-affirming, since she's kinda addressing us (and addresses her self-love, towards the end) "Lust for Life" -> lust, since it's more about her & The Weeknd's chemistry. The music video is also a fantasy. "13 Beaches" -> life, given the beginning dialogue about not being other people & Lana's "dying for something real"  "Cherry" -> lust; just hear that chorus again  "White Mustang" -> This was a trickier song for me to mentally categorize, because it could be that she's looking back on someone she knew. But she also mentions "Armageddon", the man being a killer, & that "Summer's meant for lovin' & leavin'"... I would categorize this as a 'life' song.  "Summer Bummer" -> lust, given the chorus bridge & A$AP Rocky's feature  "Groupie Love" -> This song is like the opposite of ^ that's nonetheless attracted/attractive. I figure this is a 'life' song because it's almost like Lana's celebrating that she's got her man in A$AP Rocky. Plus, the applause at the very end makes it seem such.  "In My Feelings" -> lust, because she's hyping herself up as the bad bitch she is "Coachella - Woodstock in my mind" -> life, because she's calling out for sustaining something greater than her own individual actions "God Bless America" -> In a break with this lust-life pattern I've categorized, I'd consider this a 'life' song. You can just tell from the title that she's celebrating female solidarity, and in the verses, she's affirming her own worth.  "WTWWAWWJKD" -> I'd categorize this as a 'lust' song, but it's certainly slower than the other songs I labeled as 'lust' songs. When she addresses the girls, she knows not all of them can just go 'across the pond' to avoid the Trump administration. When she addresses the boys, she's calling out all their greed.  "Beautiful People, Beautiful Problems" -> A 'life' song, because the lyrics present a more relatable/realistic situation (aside from the rivers running red with blood & walking through fire).  "Tomorrow Never Came" -> A 'lust' song, even though it's another romantic duet, because of the lyrical content tying back to how Lana's hypothetical date didn't grow into a lasting relationship.  "Heroin" -> From here until the album's conclusion, this pattern I made is broken. I'd consider this a 'lust' song because this is perhaps the darkest song on the album. Its placement on the track listing is akin to "The Blackest Day" off of Honeymoon. Not to mention the vibe where she's alluding to the Manson Family. Heroin's lyrics seem to be the (ir)rational outcome of Lana's lusting.  "Change" -> Undoubtedly a 'life' song, and Lana's most personal song off the album. ALL of the lyrics are in the present tense here. The piano keys set up this so(m)ber vibe. (I imagine her sobering up here after letting go of the dark energy in the previous song). It's also the last song on the album to feature her falsetto voice. She also wraps up her 'summer', complete with harmonies, questioning her beauty & stability leading up to the falsetto-fied chorus.  "Get Free" -> Now that Lana has released the dark energies, acknowledged the turmoil in this world (without compromising her values), and grown from her more vain expressions, she much more clearly sees & charts the path she's taking. She releases her negative energy by stating she 'crossed the threshold' & that 'the Crowley way of being' is gone. (Aleister Crowley was a famous practitioner of the occult arts, & was once described as the world's most wicked man). The pre-choruses suggest she won't allow herself to be consumed by society's false perceptions & projections of what an ideal life entails. She also indirectly states that she won't take us for granted, a suggestion made in 'Love'. And the 'out of the black, into the blue' lines feature increasingly contrasting harmonies, along with the keyboard sounds that I personally imagine as lighthouse lights, and along with the beach noises at the very end.  All in all, I hope the Lust For Life album makes more sense for you if you perceive these songs as being complimentary coupled up!

I'll try & explain the connections I've made when I hear L4L (even though this is the NFR thread). For me, it's as if 1/2 of the tracks are more geared towards "Lust" & the other 1/2 towards "Life" (well, lusting for life amidst the fear of death). She scatters these 'lust' & 'life' tracks in a pattern. I don't care if this is a reach, but here's my track-by-track breakdown:
 
"Love" -> life-affirming, since she's kinda addressing us (and addresses her self-love, towards the end) "Lust for Life" -> lust, since it's more about her & The Weeknd's chemistry. The music video is also a fantasy. "13 Beaches" -> life, given the beginning dialogue about not being other people & Lana's "dying for something real"  "Cherry" -> lust; just hear that chorus again  "White Mustang" -> This was a trickier song for me to mentally categorize, because it could be that she's looking back on someone she knew. But she also mentions "Armageddon", the man being a killer, & that "Summer's meant for lovin' & leavin'"... I would categorize this as a 'life' song.  "Summer Bummer" -> lust, given the chorus bridge & A$AP Rocky's feature  "Groupie Love" -> This song is like the opposite of ^ that's nonetheless attracted/attractive. I figure this is a 'life' song because it's almost like Lana's celebrating that she's got her man in A$AP Rocky. Plus, the applause at the very end makes it seem such.  "In My Feelings" -> lust, because she's hyping herself up as the bad bitch she is "Coachella - Woodstock in my mind" -> life, because she's calling out for sustaining something greater than her own individual actions "God Bless America" -> In a break with this lust-life pattern I've categorized, I'd consider this a 'life' song. You can just tell from the title that she's celebrating female solidarity, and in the verses, she's affirming her own worth.  "WTWWAWWJKD" -> I'd categorize this as a 'lust' song, but it's certainly slower than the other songs I labeled as 'lust' songs. When she addresses the girls, she knows not all of them can just go 'across the pond' to avoid the Trump administration. When she addresses the boys, she's calling out all their greed.  "Beautiful People, Beautiful Problems" -> A 'life' song, because the lyrics present a more relatable/realistic situation (aside from the rivers running red with blood & walking through fire).  "Tomorrow Never Came" -> A 'lust' song, even though it's another romantic duet, because of the lyrical content tying back to how Lana's hypothetical date didn't grow into a lasting relationship.  "Heroin" -> From here until the album's conclusion, this pattern I made is broken. I'd consider this a 'lust' song because this is perhaps the darkest song on the album. Its placement on the track listing is akin to "The Blackest Day" off of Honeymoon. Not to mention the vibe where she's alluding to the Manson Family. Heroin's lyrics seem to be the (ir)rational outcome of Lana's lusting.  "Change" -> Undoubtedly a 'life' song, and Lana's most personal song off the album. ALL of the lyrics are in the present tense here. The piano keys set up this so(m)ber vibe. (I imagine her sobering up here after letting go of the dark energy in the previous song). It's also the last song on the album to feature her falsetto voice. She also wraps up her 'summer', complete with harmonies, questioning her beauty & stability leading up to the falsetto-fied chorus.  "Get Free" -> Now that Lana has released the dark energies, acknowledged the turmoil in this world (without compromising her values), and grown from her more vain expressions, she much more clearly sees & charts the path she's taking. She releases her negative energy by stating she 'crossed the threshold' & that 'the Crowley way of being' is gone. (Aleister Crowley was a famous practitioner of the occult arts, & was once described as the world's most wicked man). The pre-choruses suggest she won't allow herself to be consumed by society's false perceptions & projections of what an ideal life entails. She also indirectly states that she won't take us for granted, a suggestion made in 'Love'. And the 'out of the black, into the blue' lines feature increasingly contrasting harmonies, along with the keyboard sounds that I personally imagine as lighthouse lights, and along with the beach noises at the very end.  All in all, I hope the Lust For Life album makes more sense for you if you perceive these songs as being complimentary coupled up!

I'll try & explain the connections I've made when I hear L4L (even though this is the NFR thread). For me, it's as if 1/2 of the tracks are more geared towards "Lust" & the other 1/2 towards "Life" (well, lusting for life amidst the fear of death). She scatters these 'lust' & 'life' tracks in a pattern. I don't care if this is a reach, but here's my track-by-track breakdown:
 
"Love" -> life-affirming, since she's kinda addressing us (and addresses her self-love, towards the end) "Lust for Life" -> lust, since it's more about her & The Weeknd's chemistry. The music video is also a fantasy. "13 Beaches" -> life, given the beginning dialogue about not being other people & Lana's "dying for something real"  "Cherry" -> lust; just hear that chorus again  "White Mustang" -> This was a trickier song for me to mentally categorize, because it could be that she's looking back on someone she knew. But she also mentions "Armageddon", the man being a killer, & that "Summer's meant for lovin' & leavin'"... I would categorize this as a 'life' song.  "Summer Bummer" -> lust, given the chorus bridge & A$AP Rocky's feature  "Groupie Love" -> This song is like the opposite of ^ that's nonetheless attracted/attractive. I figure this is a 'life' song because it's almost like Lana's celebrating that she's got her man in A$AP Rocky. Plus, the applause at the very end makes it seem such.  "In My Feelings" -> lust, because she's hyping herself up as the bad bitch she is "Coachella - Woodstock in my mind" -> life, because she's calling out for sustaining something greater than her own individual actions "God Bless America" -> In a break with this lust-life pattern I've categorized, I'd consider this a 'life' song. You can just tell from the title that she's celebrating female solidarity, and in the verses, she's affirming her own worth.  "WTWWAWWJKD" -> I'd categorize this as a 'lust' song, but it's certainly slower than the other songs I labeled as 'lust' songs. When she addresses the girls, she knows not all of them can just go 'across the pond' to avoid the Trump administration. When she addresses the boys, she's calling out all their greed.  "Beautiful People, Beautiful Problems" -> A 'life' song, because the lyrics present a more relatable/realistic situation (aside from the rivers running red with blood & walking through fire).  "Tomorrow Never Came" -> A 'lust' song, even though it's another romantic duet, because of the lyrical content tying back to how Lana's hypothetical date didn't grow into a lasting relationship.  "Heroin" -> From here until the album's conclusion, this pattern I made is broken. I'd consider this a 'lust' song because this is perhaps the darkest song on the album. Its placement on the track listing is akin to "The Blackest Day" off of Honeymoon. Not to mention the vibe where she's alluding to the Manson Family. Heroin's lyrics seem to be the (ir)rational outcome of Lana's lusting.  "Change" -> Undoubtedly a 'life' song, and Lana's most personal song off the album. ALL of the lyrics are in the present tense here. The piano keys set up this so(m)ber vibe. (I imagine her sobering up here after letting go of the dark energy in the previous song). It's also the last song on the album to feature her falsetto voice. She also wraps up her 'summer', complete with harmonies, questioning her beauty & stability leading up to the falsetto-fied chorus.  "Get Free" -> Now that Lana has released the dark energies, acknowledged the turmoil in this world (without compromising her values), and grown from her more vain expressions, she much more clearly sees & charts the path she's taking. She releases her negative energy by stating she 'crossed the threshold' & that 'the Crowley way of being' is gone. (Aleister Crowley was a famous practitioner of the occult arts, & was once described as the world's most wicked man). The pre-choruses suggest she won't allow herself to be consumed by society's false perceptions & projections of what an ideal life entails. She also indirectly states that she won't take us for granted, a suggestion made in 'Love'. And the 'out of the black, into the blue' lines feature increasingly contrasting harmonies, along with the keyboard sounds that I personally imagine as lighthouse lights, and along with the beach noises at the very end.  All in all, I hope the Lust For Life album makes more sense for you if you perceive these songs as being complimentary coupled up!

I honestly can't with this album. Some of the stuff I've heard on it literally makes my stomach hurt from how sad it feels. And like, I eat that shit up, I love me some sad, melancholy music, but some of the stuff on this album, it physically pains me. I'm here for that, but OOF. (not talking about leaks, just snippets and songs that have already been released).

Wow. I couldn’t get thru much of that. But he doesn’t want animals or bees to suffer. He just wants to kidnap someone at knifepoint and have a baby with her. Disgusting.

on my way to shoot michael hunt's dick off for his whack attempt

Um he has lots of posts with inspirational-like quotes and he seems really spiritual and stuff...But then he's so obsessed with Lana that he wants to kidnapp her with the help of a weapon?? Weird!

He's mad because she made him permanently bald

okay but the terrence thing actually had me wondering, was she just joking around or do you think she literally doesn't remember some lyrics to her songs? she said something about how she couldn't remember the words but i think it was just a little act so she could get those fans to sing with her?

Oh my god
 
What a sick person, damn. Thanks fucking God he was arrested, I'm afraid if somebody tries to do something similar
 
This world is so fucking evil and sick

Florida Man strikes again
 
Wow

That was one of the best shows I've ever been to. I queued up at 6:30am and was about 4th row. That was the most pushing I've felt in my whole life. My body aches, but it was worth it. I didn't get too many good pics or vids but I had an amazing time. The setlist popped the fuck off even tho she skipped Love & UV. Salvatore & Serial Killer were magical. The whole thing was.   Thanks so much to the girl who shared her weed with me during Y&B

She was so playful what the fuck happened

Literally everyone in the front barricades screamed For her to do Terrence Loves You, pretty sure they planned to scream that
 
Her singing was on point, but I’ve noticed she drags abut in Lust For life, as I’ve read in other LA TTMOON Shows thread

Wow Salvatore is amazing live. Her vocals shine all the way through with that one. F*ck me up LDR

https://www.setlist.fm/setlist/lana-del-rey/2018/amway-center-orlando-fl-23ee8cc7.html

jesus fucking christ she snapped with this setlist and her voice was ON POINT
wish i was there
 
 
she sounds even better than in the studio recording

Does she have a mainstream ex boyfriend we don't know about? Surely she'd only listen to it if it came on the radio or something, not gone out of her way to play their CD on her stereo... And this is long before Geraldine, so whose music does she mean :/ 
 
Maybe she is just a little masochistic and went out of her way to listen to Barrie or something idk, but several times she's talked about a rock star, and we only know of small time lovers...

I think that it brought her memories about this times, when she was listening to his music and she felt like a trash then.

I think she was referring to the "And I still get trashed, darling, when I hear your tunes" line
So yeah

God Knows I Tried! Maybe she could even remember the lyrics.

What a beauty, we finally get out of the black... into the pink.