I cannot believe how much I missed the dark, creative Gaga and didn't even know about it. I got reminded why I strive to have an artistic career in the first place and how much influence she had on me growing up. The fact she really brought this unique visual to life... The respect I have is endless. She's the next-level no one in this industry or anyone tbh can reach.
Ffs Lana. It’s hard to tell in the video but I do hope she’s keeping a one-use mask underneath the rhinestone mask.
I don’t mind masks being more fashionable, I think it’s fun. It’s not something new either, I’ve seen some pics of such masks from Japan and I saw a video of people being really creative with the ones they sew. One could fit for a wedding, I swear.
Boy oh boy do I have a response to this topic Since this will probably be quite long I'll try to format it appropriately and not just have it as a huge wall of text!
Oh Say Can You See
I know the AKA album gets a lot of love in general, but I've seen a lot of people dismiss this track as useless and filler - I won't have it! Good lord, this song is divine. It's folk meets early Lana meets a Halloween edition of the Animal Crossing soundtrack. I know that's a weird and strangely specific mixture of references, but that's the only way I can describe it. It's so peaceful but so deeply melancholic and longing; The nighttime is almost ours. I can't even articulate what this song makes me feel. It's too magical to listen to on a regular basis, but it holds such a special place in my heart and I wish more people connected with this song the way I do. It's a beautiful, sad, quiet night translated into a 4-minute track.
Come When You Call Me America
Kind of like Oh Say Can You See, this song has a unique feel to it. It's one of Lana's weirder tracks - it's light and airy but jazzy and trip-hop-esque. It reminds me of a grown-up version of something from the Nights: Journey of Dreams soundtrack (yes, as you can tell, I'm big on video game soundtracks hahaha). It sounds the way silk feels. Maybe this song doesn't exactly count as underrated because it does have somewhat of a niche appeal, but I'm bringing it up because it's very beautiful, a little surreal and definitely one of my favourites that I never ever see mentioned!
Hope Is A Dangerous Thing
I'm forever seeing this at the bottom of people's NFR rankings and I guess I understand why - it's sparse, a pure piano ballad, pretty long and definitely quite a downer. Still, I feel that a lot of fans under-appreciate the lyrical power of this song; it's some of Lana's best writing to date. Lana has a lot of great lyrics but Hope is her at her most complex and most raw; there's something really special about a song that's so verbose yet still so raw and open and vulnerable. I probably sound super pretentious so pls feel free to call me a dickhead if it's appropriate but lines like "Spilling my guts with the Bowery bums is the only love I've ever known" and "Shaking my ass is the only thing that's got this black narcissist off my back" really capture the loneliness and confusion of alcohol addiction for me (I've been an alcoholic for 4 years); "Hello, it's the most famous woman you know on the iPad / Calling from beyond the grave I just want to say hi, Dad" gets a lot of clownery online, but for me it's a heartbreaking lyric that shows the duality of fame and misery, as well as how hard it is to keep in touch with family and friends when going through a depression because it's easy to feel like a dead man walking; "A gatekeeper carelessly dropping the keys on my nights off" is a lyric so beautiful and touching yet so perfectly obscure that I don't even want to go into the million different meanings I've assigned to it! There's a lot of ways to convey meaning in a song - sometimes just a dope ass instrumental can do the talking - but this song is an example of how beautiful, well thought out, poetic lyrics can really speak to an audience. And also, did she lie? Hope really is a dangerous thing!
Sad Girl
There are soooo many things that make this song great. Among them is Lana's "sad but won't not fuck you the fuck up" attitude, but my favourite thing is that the instruments in this song are used remarkably well. While I love NFR (honestly I really really really do), this song demonstrates exactly why it hasn't knocked Ultraviolence off the top spot for me; there's some sonic depth and a constant sense of progression going on that's lacking in quite a lot of NFR cuts. It's jazzy, bluesy and it has so much to look forward to - I'm always excited to hear that Spanish-influenced guitar kick in during the second verse, then of course there's the glorious bridge. I know Lana fans love a sing-song moment, so why do I not hear more fans talking about how much they enjoy belting out "Watch what you say to meeeeee, careful who you're talking tooo!"? It's lost on me. This song deserves way more love than it gets and I know for sure it would sound incredible live, so I'm v v v v sad she hasn't performed it before.
Gramma
Another AKA song that doesn't get a lot of love - this one is always getting knocked out first or second in AKA Survivor games. Still, it's one of my favourites and I think it's really underrated because of the unique vibe it possesses: it's cheeky, bratty, fun, a little girly and definitely twisted. I know Lana's described this song as having an innocent meaning in prior interviews, but honestly? I'm not buying it! This song is undoubtedly naughty in a way that's SO wrong only Lizzy-era Lana could get away with it. Lana is (or rather was) so good at the whole ~feigning innocence roleplay~ thing. Maybe I love this song so much because I was a messed up kid - without being too TMI, this song reminds me of being a young teen and the early sexual experiences I had and how I knew it was bad but it also so wrong it's right, when I would sneak out of my own Grandma's house to do bad and stupid things, and all the feelings of excitement and wonder I had along with the feelings of fear, confusion, guilt, abuse and sadness. This song couples a playful cheery beat with ever-so-slightly sexually suggestive lyrics ("All I wanna do is play") and then some moments of darkness ("I don't wanna think I'm bad, Gramma") to create this strange, sinister atmosphere that's so representative of being essentially still a little girl taking on the big, exciting, scary, wonderful, terrible adult world - especially where men are involved. It also touches on that feeling of attention addiction: "I'm in love with everyone and I don't wanna think I'm wrong just for feelin' pretty" and "I wanna be the whole world's girl Gramma". There's a fine line between suggestive and outright controversial, and Lana, I believe, is just about on the 'suggestive' side - if anything my reading of this song could well be controversial! Still, there's some unbelievable skill in managing to write about such a topic in a way that's a little dark but still tongue-in-cheek without it coming across as mocking or exploitative. I really love this song and I honestly feel it stands out in her discography.
In Wendy, More Mountains, There Is Nothing To Be Sorry About
As a fanbase we tend to neglect a lot of Lana's more singer-songwriter-y type stuff, but these songs right here...... goddamn. She has a TONNE of folksy gems, but these are some of my favourites and I never EVER hear them mentioned. More Mountains is bleak and existential; In Wendy is sweet and a little blue; There Is Nothing To Be Sorry About is legitimately devastating and I genuinely can't listen to it without crying. "Remember me the way I was six months ago"... nahhhh man I just A lot of Lana fans actually haven't heard these songs; this is your sign to GO AND LISTEN TO THEM! I think the only reason these songs are so underrated is because so many people completely forget about them, but wow, they take my breath away.
Ok sorry for the huge post LOL I have a lot of feelings ok
It's time to ignore weird BTD-obsessed self aggrandising men who think they're above getting upset about what lana writes about but throw a temper tantrum and call her ugly when she shows her very centrist views because they want her to be a redpilled Lolita figure lmao.
I like speculation as much as the next person but there's no point in having discussions and writing thinkpieces when all we know is the title, no matter how long the title is lol. I think it's pretty easy to guess what it could be about going from the title, the things she's posted recently of old films and glam, etc, but remember the muscle beach baby thinkpieces when we found out he'd be in the FIIILY/TG video only for it to not be what we expected at all? A whole narrative story was built on here and the video ended up being more of a moodpiece than anything.
I’m so confused cause she did say Violet is coming this month? As in like the physical copies? but weren’t those slated to be released in early october... there’s a bunch of confusion... i’m in awe of the post but it still feels like a mess I am grateful to have heard that COCC is alive and breathing and in total production. An album release for Saturday sounds far fetched, but a single release for as soon as this Friday or next week sounds very possible.
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