wilting daisy

deluxe tracks don't count. even lana said her albums end with the last standard track

deluxe tracks don't count. even lana said her albums end with the last standard track

there's likely a demo called white hot forever that has the "white hot forever" parts of tulsa jesus freak that was reworked into the latter after meeting sean but we have no indication that there's an early version of not all who wander are lost that was also reworked after meeting sean. it is possible, i'm not denying that, but we have nothing to go off of except somwthing an "insider" said and i take everything thwy say with a grain of salt since half the timw they contradict what lana and her collaborators say. personally the only cotcc songs that were likely put together in their current form during the nfr sessions are let me love you like a woman, wild at heart & dark but just a game. but i do think its possible some hooks and choruses of other songs were worked on during the norman sessions but weren't fully formed til during/after the norman tour which begs the question: how much of a song has to be put together for it to be considered an actual outtake and not just a concept?

idk if this is an unpopular opinion but i always thought the trailer suited the album quite well. i don't think there was ever truly an original "witchy" version of the album. yeah the album went thru lots of thematic and sonic changes but i feel like the trailer represented the album as it came to be. as you mwntioned, the collabs were already hinted at and the monologue did correspond to the album perfectly. and the aesthetic of the trailer just seemed like a stylistic choice that didn't have to be a straightforward representation of the album but then it also did have a bit of that mix of futuristic and retro that the album does have. and like her being a witch or otherworldly spirit living in the hollywood sign watching over everyone in a mystical but motherly manner kind of does work into the album's perspective as a whole.

are we positive not all who wander are lost is from the nfr sessions? bc lyrically it sounds like she wrote it after nfr. she mentions the midwest and a christian man which both seem to reference her relationship with sean which didn't start til after norman was released. is there an early demo with completely different lyrics in the verses? i feel like that would be the only way it would be possible for it to be from the nfr sessions unless she's clairvoyant 

but where did he say not all who wander are lost was specifically one of the quieter songs they worked on during the norman sessions? while some songs from chemtrails seemed to come from the norman sessions, clearly the whole album wasn't written then and not all who wander are lost lyrically seems like something she wrote later about her relationship with sean unless there's a demo from those sessions that has completely different lyrics.

but where did he say not all who wander are lost was specifically one of the quieter songs they worked on during the norman sessions? while some songs from chemtrails seemed to come from the norman sessions, clearly the whole album wasn't written then and not all who wander are lost lyrically seems like something she wrote later about her relationship with sean unless there's a demo from those sessions that has completely different lyrics.

are we positive not all who wander are lost is from the nfr sessions? bc lyrically it sounds like she wrote it after nfr. she mentions the midwest and a christian man which both seem to reference her relationship with sean which didn't start til after norman was released. is there an early demo with completely different lyrics in the verses? i feel like that would be the only way it would be possible for it to be from the nfr sessions unless she's clairvoyant 

but where did he say not all who wander are lost was specifically one of the quieter songs they worked on during the norman sessions? while some songs from chemtrails seemed to come from the norman sessions, clearly the whole album wasn't written then and not all who wander are lost lyrically seems like something she wrote later about her relationship with sean unless there's a demo from those sessions that has completely different lyrics.

are we positive not all who wander are lost is from the nfr sessions? bc lyrically it sounds like she wrote it after nfr. she mentions the midwest and a christian man which both seem to reference her relationship with sean which didn't start til after norman was released. is there an early demo with completely different lyrics in the verses? i feel like that would be the only way it would be possible for it to be from the nfr sessions unless she's clairvoyant 

idk if this is an unpopular opinion but i always thought the trailer suited the album quite well. i don't think there was ever truly an original "witchy" version of the album. yeah the album went thru lots of thematic and sonic changes but i feel like the trailer represented the album as it came to be. as you mwntioned, the collabs were already hinted at and the monologue did correspond to the album perfectly. and the aesthetic of the trailer just seemed like a stylistic choice that didn't have to be a straightforward representation of the album but then it also did have a bit of that mix of futuristic and retro that the album does have. and like her being a witch or otherworldly spirit living in the hollywood sign watching over everyone in a mystical but motherly manner kind of does work into the album's perspective as a whole.

there's likely a demo called white hot forever that has the "white hot forever" parts of tulsa jesus freak that was reworked into the latter after meeting sean but we have no indication that there's an early version of not all who wander are lost that was also reworked after meeting sean. it is possible, i'm not denying that, but we have nothing to go off of except somwthing an "insider" said and i take everything thwy say with a grain of salt since half the timw they contradict what lana and her collaborators say. personally the only cotcc songs that were likely put together in their current form during the nfr sessions are let me love you like a woman, wild at heart & dark but just a game. but i do think its possible some hooks and choruses of other songs were worked on during the norman sessions but weren't fully formed til during/after the norman tour which begs the question: how much of a song has to be put together for it to be considered an actual outtake and not just a concept?

are we positive not all who wander are lost is from the nfr sessions? bc lyrically it sounds like she wrote it after nfr. she mentions the midwest and a christian man which both seem to reference her relationship with sean which didn't start til after norman was released. is there an early demo with completely different lyrics in the verses? i feel like that would be the only way it would be possible for it to be from the nfr sessions unless she's clairvoyant 

there's likely a demo called white hot forever that has the "white hot forever" parts of tulsa jesus freak that was reworked into the latter after meeting sean but we have no indication that there's an early version of not all who wander are lost that was also reworked after meeting sean. it is possible, i'm not denying that, but we have nothing to go off of except somwthing an "insider" said and i take everything thwy say with a grain of salt since half the timw they contradict what lana and her collaborators say. personally the only cotcc songs that were likely put together in their current form during the nfr sessions are let me love you like a woman, wild at heart & dark but just a game. but i do think its possible some hooks and choruses of other songs were worked on during the norman sessions but weren't fully formed til during/after the norman tour which begs the question: how much of a song has to be put together for it to be considered an actual outtake and not just a concept?

but where did he say not all who wander are lost was specifically one of the quieter songs they worked on during the norman sessions? while some songs from chemtrails seemed to come from the norman sessions, clearly the whole album wasn't written then and not all who wander are lost lyrically seems like something she wrote later about her relationship with sean unless there's a demo from those sessions that has completely different lyrics.

are we positive not all who wander are lost is from the nfr sessions? bc lyrically it sounds like she wrote it after nfr. she mentions the midwest and a christian man which both seem to reference her relationship with sean which didn't start til after norman was released. is there an early demo with completely different lyrics in the verses? i feel like that would be the only way it would be possible for it to be from the nfr sessions unless she's clairvoyant 

are we positive not all who wander are lost is from the nfr sessions? bc lyrically it sounds like she wrote it after nfr. she mentions the midwest and a christian man which both seem to reference her relationship with sean which didn't start til after norman was released. is there an early demo with completely different lyrics in the verses? i feel like that would be the only way it would be possible for it to be from the nfr sessions unless she's clairvoyant 

I love the outtakes like Architecture and Yosemite and I'm very sure that Poetry In Motion and Everything I Do and Silverlake sound amazing too but I wouldn't replace any song from LFL. I love all the songs so much although I have hard time connecting with Groupie Love. But I really can't imagine the tracklist being different. It all makes sense for me. All the songs there have some kind of point (I posted about it in LFL's post-release thread). I mean I understand people who hate hip hop songs like the Rocky songs but still 

idk if this is an unpopular opinion but i always thought the trailer suited the album quite well. i don't think there was ever truly an original "witchy" version of the album. yeah the album went thru lots of thematic and sonic changes but i feel like the trailer represented the album as it came to be. as you mwntioned, the collabs were already hinted at and the monologue did correspond to the album perfectly. and the aesthetic of the trailer just seemed like a stylistic choice that didn't have to be a straightforward representation of the album but then it also did have a bit of that mix of futuristic and retro that the album does have. and like her being a witch or otherworldly spirit living in the hollywood sign watching over everyone in a mystical but motherly manner kind of does work into the album's perspective as a whole.

idk if this is an unpopular opinion but i always thought the trailer suited the album quite well. i don't think there was ever truly an original "witchy" version of the album. yeah the album went thru lots of thematic and sonic changes but i feel like the trailer represented the album as it came to be. as you mwntioned, the collabs were already hinted at and the monologue did correspond to the album perfectly. and the aesthetic of the trailer just seemed like a stylistic choice that didn't have to be a straightforward representation of the album but then it also did have a bit of that mix of futuristic and retro that the album does have. and like her being a witch or otherworldly spirit living in the hollywood sign watching over everyone in a mystical but motherly manner kind of does work into the album's perspective as a whole.

I'm so glad she deleted I hope Taylor copies her and deletes too and then everyone deletes and we're freed from Meta!

idk if this is an unpopular opinion but i always thought the trailer suited the album quite well. i don't think there was ever truly an original "witchy" version of the album. yeah the album went thru lots of thematic and sonic changes but i feel like the trailer represented the album as it came to be. as you mwntioned, the collabs were already hinted at and the monologue did correspond to the album perfectly. and the aesthetic of the trailer just seemed like a stylistic choice that didn't have to be a straightforward representation of the album but then it also did have a bit of that mix of futuristic and retro that the album does have. and like her being a witch or otherworldly spirit living in the hollywood sign watching over everyone in a mystical but motherly manner kind of does work into the album's perspective as a whole.

idk if this is an unpopular opinion but i always thought the trailer suited the album quite well. i don't think there was ever truly an original "witchy" version of the album. yeah the album went thru lots of thematic and sonic changes but i feel like the trailer represented the album as it came to be. as you mwntioned, the collabs were already hinted at and the monologue did correspond to the album perfectly. and the aesthetic of the trailer just seemed like a stylistic choice that didn't have to be a straightforward representation of the album but then it also did have a bit of that mix of futuristic and retro that the album does have. and like her being a witch or otherworldly spirit living in the hollywood sign watching over everyone in a mystical but motherly manner kind of does work into the album's perspective as a whole.

idk if this is an unpopular opinion but i always thought the trailer suited the album quite well. i don't think there was ever truly an original "witchy" version of the album. yeah the album went thru lots of thematic and sonic changes but i feel like the trailer represented the album as it came to be. as you mwntioned, the collabs were already hinted at and the monologue did correspond to the album perfectly. and the aesthetic of the trailer just seemed like a stylistic choice that didn't have to be a straightforward representation of the album but then it also did have a bit of that mix of futuristic and retro that the album does have. and like her being a witch or otherworldly spirit living in the hollywood sign watching over everyone in a mystical but motherly manner kind of does work into the album's perspective as a whole.

In the trailer she hinted the collaborations when she was "cooking" (Abel's XO sign and Sean Ono Lennon's label logo). I think the trailer's monologue corresponds to the album more than the visuals and I feel like the monologue was point of the trailer.
 
(few years ago I made a whole list of references from the trailer that mentioned the album, if I find it, I'll write them down here)