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I wonder if "In My Feelings" is about Donald Trump, or a figure similar to him. In the handwritten tracklist she wrote all of the seemingly political songs in blue (clearly democratic), and that song was one of them. In the snippet, she also says "you're taking what's mine with what you're doing" and "talk that talk, well now they all know your name" and Donald Trump is known to be all talk. Just my analysis   

I wonder if "In My Feelings" is about Donald Trump, or a figure similar to him. In the handwritten tracklist she wrote all of the seemingly political songs in blue (clearly democratic), and that song was one of them. In the snippet, she also says "you're taking what's mine with what you're doing" and "talk that talk, well now they all know your name" and Donald Trump is known to be all talk. Just my analysis  

I wonder if "In My Feelings" is about Donald Trump, or a figure similar to him. In the handwritten tracklist she wrote all of the seemingly political songs in blue (clearly democratic), and that song was one of them. In the snippet, she also says "you're taking what's mine with what you're doing" and "talk that talk, well now they all know your name" and Donald Trump is known to be all talk. Just my analysis  

Groupie Love is so beautifully done. From the slightly tropical and 'wet' atmosphere, I feel like it's the perfect blend between what we loved so much about BTD/Paradise and Honeymoon. It really feels like an homage to her past work but with something new. A 'retro-future' indeed. 

I know it's a little premature to already be talking about LDR6, but since Lana said she's not completely at where songs like Yosemite portrayed her to be, maybe while she continues writing for her next record (assuming she's probably already began, knowing her) maybe she'll grow a bit more into that mindset?
 
She did say that BAR/Architecture, Yosemite, Roses Bloom For You, and another track (maybe SR?) did not fit the aesthetic of LFL, so maybe we'll see them on the next record, since she alluded to the fact that a few of those songs would have their place in the future. Maybe another EP/reissue as Paradise was to BTD will be released. I do hope we'll hear Yosemite one day, though, since she talked so fondly of it. However, I'm just grateful that we have new music from Lana regardless. Stanning Lana truly is a treat and I love everything she's put out during all her eras, so I know she will not disappoint with this record.

Groupie Love is so beautifully done. From the slightly tropical and 'wet' atmosphere, I feel like it's the perfect blend between what we loved so much about BTD/Paradise and Honeymoon. It really feels like an homage to her past work but with something new. A 'retro-future' indeed. 

Groupie Love and Summer Bummer truly are beautifully crafted songs, as are Love, Lust for Life, Coachella - Woodstock in My Mind, and the live version of Cherry (based on the snippets, the studio version sounds just as incredible!) I can't even begin to imagine what the rest of the record is going to sound like.
 
Which songs are you most excited for? 
I'm excited to hear every song but God Bless America - And All the Beautiful Women In It, Tomorrow Never Came, Beautiful People Beautiful Problems, When the World Was At War We Kept Dancing, and Change stood out to me in particular. 

I hear it in both Spotify and iTunes, and I love it. It adds something a bit personal to the song, and truly solidifies that fan-artist connection that she's trying to convey in the song.  

Groupie Love is so beautifully done. From the slightly tropical and 'wet' atmosphere, I feel like it's the perfect blend between what we loved so much about BTD/Paradise and Honeymoon. It really feels like an homage to her past work but with something new. A 'retro-future' indeed. 

Just wanted to say that I absolutely love the two new songs!
Lana looks absolutely gorgeous in the pictures included in the box set! I really love the aesthetic that came with the Love music video.
I absolutely love Lana - can't wait for the record to be released :-)

I know it's a little premature to already be talking about LDR6, but since Lana said she's not completely at where songs like Yosemite portrayed her to be, maybe while she continues writing for her next record (assuming she's probably already began, knowing her) maybe she'll grow a bit more into that mindset?
 
She did say that BAR/Architecture, Yosemite, Roses Bloom For You, and another track (maybe SR?) did not fit the aesthetic of LFL, so maybe we'll see them on the next record, since she alluded to the fact that a few of those songs would have their place in the future. Maybe another EP/reissue as Paradise was to BTD will be released. I do hope we'll hear Yosemite one day, though, since she talked so fondly of it. However, I'm just grateful that we have new music from Lana regardless. Stanning Lana truly is a treat and I love everything she's put out during all her eras, so I know she will not disappoint with this record.

Groupie Love and Summer Bummer truly are beautifully crafted songs, as are Love, Lust for Life, Coachella - Woodstock in My Mind, and the live version of Cherry (based on the snippets, the studio version sounds just as incredible!) I can't even begin to imagine what the rest of the record is going to sound like.
 
Which songs are you most excited for? 
I'm excited to hear every song but God Bless America - And All the Beautiful Women In It, Tomorrow Never Came, Beautiful People Beautiful Problems, When the World Was At War We Kept Dancing, and Change stood out to me in particular. 

Groupie Love and Summer Bummer truly are beautifully crafted songs, as are Love, Lust for Life, Coachella - Woodstock in My Mind, and the live version of Cherry (based on the snippets, the studio version sounds just as incredible!) I can't even begin to imagine what the rest of the record is going to sound like.
 
Which songs are you most excited for? 
I'm excited to hear every song but God Bless America - And All the Beautiful Women In It, Tomorrow Never Came, Beautiful People Beautiful Problems, When the World Was At War We Kept Dancing, and Change stood out to me in particular. 

It's from the presumed back cover of the physical versions of LFL! Lana posted it on Twitter this morning  

I hear it in both Spotify and iTunes, and I love it. It adds something a bit personal to the song, and truly solidifies that fan-artist connection that she's trying to convey in the song.  

I hear it in both Spotify and iTunes, and I love it. It adds something a bit personal to the song, and truly solidifies that fan-artist connection that she's trying to convey in the song.  

I hear it in both Spotify and iTunes, and I love it. It adds something a bit personal to the song, and truly solidifies that fan-artist connection that she's trying to convey in the song.  

I know it's a little premature to already be talking about LDR6, but since Lana said she's not completely at where songs like Yosemite portrayed her to be, maybe while she continues writing for her next record (assuming she's probably already began, knowing her) maybe she'll grow a bit more into that mindset?
 
She did say that BAR/Architecture, Yosemite, Roses Bloom For You, and another track (maybe SR?) did not fit the aesthetic of LFL, so maybe we'll see them on the next record, since she alluded to the fact that a few of those songs would have their place in the future. Maybe another EP/reissue as Paradise was to BTD will be released. I do hope we'll hear Yosemite one day, though, since she talked so fondly of it. However, I'm just grateful that we have new music from Lana regardless. Stanning Lana truly is a treat and I love everything she's put out during all her eras, so I know she will not disappoint with this record.

I know it's a little premature to already be talking about LDR6, but since Lana said she's not completely at where songs like Yosemite portrayed her to be, maybe while she continues writing for her next record (assuming she's probably already began, knowing her) maybe she'll grow a bit more into that mindset?
 
She did say that BAR/Architecture, Yosemite, Roses Bloom For You, and another track (maybe SR?) did not fit the aesthetic of LFL, so maybe we'll see them on the next record, since she alluded to the fact that a few of those songs would have their place in the future. Maybe another EP/reissue as Paradise was to BTD will be released. I do hope we'll hear Yosemite one day, though, since she talked so fondly of it. However, I'm just grateful that we have new music from Lana regardless. Stanning Lana truly is a treat and I love everything she's put out during all her eras, so I know she will not disappoint with this record.

Groupie Love is so beautifully done. From the slightly tropical and 'wet' atmosphere, I feel like it's the perfect blend between what we loved so much about BTD/Paradise and Honeymoon. It really feels like an homage to her past work but with something new. A 'retro-future' indeed. 

Groupie Love is so beautifully done. From the slightly tropical and 'wet' atmosphere, I feel like it's the perfect blend between what we loved so much about BTD/Paradise and Honeymoon. It really feels like an homage to her past work but with something new. A 'retro-future' indeed. 

I hear it in both Spotify and iTunes, and I love it. It adds something a bit personal to the song, and truly solidifies that fan-artist connection that she's trying to convey in the song.  

Groupie Love is so beautifully done. From the slightly tropical and 'wet' atmosphere, I feel like it's the perfect blend between what we loved so much about BTD/Paradise and Honeymoon. It really feels like an homage to her past work but with something new. A 'retro-future' indeed. 

Groupie Love is so beautifully done. From the slightly tropical and 'wet' atmosphere, I feel like it's the perfect blend between what we loved so much about BTD/Paradise and Honeymoon. It really feels like an homage to her past work but with something new. A 'retro-future' indeed. 

Groupie Love is so beautifully done. From the slightly tropical and 'wet' atmosphere, I feel like it's the perfect blend between what we loved so much about BTD/Paradise and Honeymoon. It really feels like an homage to her past work but with something new. A 'retro-future' indeed.