IanadeIrey

omg @@subversive light
 
 
Yeah I saw that too but I always ignore Chuck's stories so i didn't pay too much attention lmao. I really hope you're right. I'm also hoping that the video is not eventless like Honeymoon's video. I'm not having high hopes for this though (sorry for the negativity)

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I totally agree. If she wants fillers, and she feels good, then let her live!
 

February - September 2016 was her best time period, in my opinion. She looked so happy and I loved how folky/hippie-esque she looked with her auburn/blonde hair in early 2016 and the desert vibes I got. So perfect, but I love all her looks and eras

I totally agree. If she wants fillers, and she feels good, then let her live!
 

Lana is a grown woman, so I feel like none of us have any say in how she presents herself. I just hope she stays safe and doesn't become addicted to fillers and totally fuck up her face. I don't think it'll happen though.

her best roadplan (imo) she has is:
 
releasing the Cherry MV (and pushing it as a goddamn single) right before her tour starts along with having a sale on her merch site for Cherry edition items to go with the MV, driving up hype for the tour and her grammy nomination- potentially pushing LfL and maybe even BtD back onto the BB200
 
and then maybe mid-tour or even at the end of the north american leg she can start performing some songs off of the supposed EP with like 7-11 songs, and having it released alongside a duo feature MV of Architecture and Yosemite, maybe even with a little interlude part or finale cut with Roses Bloom For You with some staticy noise much like Bel Air, launching the EP to be included on the setlist
 
maybe even drop a christmas album or EP by late 2018 (early november to early december), having a more jazzy instrumental backing, and then throughout 2019 maybe take a hiatus altogether letting the fillers wear off over the last two years and helping herself look fresher and not be burnt out
 
hell in the hiatus maybe the unreleased record could come out, she could write a poetry book (much like Florence + The Machines is, afaik). and then either blow out the end of 2019 or 2020 with a brand new full ass record 
 
ngl this was meant to be just an idea for her to take a break and let them even out and not be so fresh and offputting but now i just layed out a mf roadmap for her career the next 3 years oops

i miss her old face
 
 
ngl y'all know the photo of her walking up to her popup shop w the lil headband, you know THAT photo
 
im sorry she looked like a bloated chipmunk
 
 
 
 
compared to this? 
 

 
god

"A touch" always sounds like "Damage" to me idk why. 
 
Damage from your real love sounds just as good to me so ill keep singing it 

Did anyone else catch a connection between this song and the Burnt Norton - Interlude? She talks about entering the "rose garden" and now her "rose garden dreams (are) set on fire by fiends". I mean she loves roses in general so it could be a total coincidence, but I love finding hints in the lyrics that connect her songs to older ones.

So I had a random idea for a Get Free video
 
It should start with her emerging from the ocean (kinda like that part in the West Coast video right after the first chorus). Lana continues walking out of the water onto land. The whole video is one single steady shot, with her walking toward the camera as it moves back. And as it moves back the beach setting turns into different set pieces from each of her videos. Beginning with the Chateau Marmont, which then blends into the church from BtD, and then the beach house from Blue jeans etc. And it goes through each of he let videos with characters from each video appearing in each set piece. And then at the end it cuts back to her floating in the ocean, happy, for the duration of audio after the last “into the blue”.
 
I didn’t really explain this very well but in my head it looks amazing lol. But the idea is to show her letting go of all the past bullshit she’s been through throughout her career, only to finally be at peace in the end and ready to move on to her future endeavours.

I'm here for a Tropical Lana in expensive Gucci gowns, swaying to her Spanish version of Salvatore.

I don't know if it's okay to write this here but am I the only one who thinks that lana's next album will have more spanish guitars and tropical influences?...like she put spanish guitars in GBA and in an instagram live she was listening to a spanish guitar playlist..and we all know she's the exotic flower queen 

Also, does anyone else remember that time in June 2016 where Lana (the last official candid of blonde Lana RIP) was spotted with Stella and someone else at Yosemite National Park? 
I think it's very plausible that she wrote the track shortly after that, or around that time. 
 
I love folky 70's desert Lana so much. 

Let's have one now, it's literally so amazing and underrated, I love the Paradise ep vibes on it with the soft strings and subtle beat.  
Also the production on this album is soo underrated! I love how all the instrumentals are fresh sounding and now I know y'all are just gonna focus on the weaker ones like Coachella but like the title track's instrumental is literally one of the best I've ever heard. I love the all the different sounds on it and the synthy bass (at least I think it's the bass lol) sound and the wolf howling sound on it!
 
Btw have y'all noticed all the background sounds on the other songs like sounds of shatttering glass on GBA and the airplane sound when she mentions getting on an airplane for the last time on Heroin? I love all those tiny details of the production.

Omg. There's so much glass and falling to pieces while falling for losers...this album is so freaking cohesive when you really dive into it.

I would really love Salvatore, Religion, GKIT, The Blackest Day, Terrence Loves You or Art Deco on the setlist.
And of course, keep MTWBT and bring back HM, HBTB and Freak. 
 
She should just have a show where the setlist is just HM songs! 

I would really love Salvatore, Religion, GKIT, The Blackest Day, Terrence Loves You or Art Deco on the setlist.
And of course, keep MTWBT and bring back HM, HBTB and Freak. 
 
She should just have a show where the setlist is just HM songs! 

I would really love Salvatore, Religion, GKIT, The Blackest Day, Terrence Loves You or Art Deco on the setlist.
And of course, keep MTWBT and bring back HM, HBTB and Freak. 
 
She should just have a show where the setlist is just HM songs! 

I would really love Salvatore, Religion, GKIT, The Blackest Day, Terrence Loves You or Art Deco on the setlist.
And of course, keep MTWBT and bring back HM, HBTB and Freak. 
 
She should just have a show where the setlist is just HM songs! 

I would really love Salvatore, Religion, GKIT, The Blackest Day, Terrence Loves You or Art Deco on the setlist.
And of course, keep MTWBT and bring back HM, HBTB and Freak. 
 
She should just have a show where the setlist is just HM songs! 

I hope she'll perform MTWBT on the tour..those movements are already iconic  

To be specific, 
Love - the last "and in love" where her notes soar high, and the outro, "don't worry baby"
Lust for Life - the anticipation of the moment the song starts; you hear air clearing, with the revving of a motorcycle, and then BAM! "(Uhhmmm) Climb up the H." The twinkling piano notes are beautiful as well.
13 Beaches -  the moments the satellite noise hits in the pre-chorus, so unique.
Cherry - the drumroll pattern, when the beat drops, the quiet swear words laced throughout the tracks, and the "Why?" part
White Mustang "You're revving and revving it up" and the moment after the second whistle (you can hear some strings and piano and bass, it sounds like a sci-fi show theme)
Summer Bummer - the siren notes in the background after Rocky's verse, and the outro of those siren notes.
​Groupie Love - the plucked strings in the pre chorus and the hazy, dreaminess in the chorus, the backing whisper of  "having my baby" right after she sings "Having my baby right next to me" the faint moan/sigh right before "And every time we hook up"
In My Feelings - the moment the beat drops right before "Cause you got me in my feelings" and the bridge vocals. Bop alert!1!!!11!!!
Coachella - Woodstock in My Mind - that futuristic sound the moment the song starts, the first "I'd trade it all" and of course, the bridge
God Bless America - And all the Beautiful Women In It -  the bridge, and the slightly folksy but regal instrumental when she says "Even when I'm alone"
WTWWAWWKD - "Shake it out, throw your hands up and get loose..." and the soprano vocals in the choruses
BPBP - The hums in the bridge, the last moment when Lana and Stevie alternate between "yeah" 
TNC - the first triadic chord of "hey, lady lay" and the bridge
Heroin - the whole song. The bridge is bliss. Best song on the record.
Change - the transition between first chorus and second verse, the last piano note of the song.
Get Free - whole stanza about the rainbows, the "shadup, shadup!" and "touch, touch!" in the background. The moment towards the end where the shouty Lizzy vocals begin to overpower the sweet, languorous Lana vocals. The entire last minute, with the seagulls and the beach sounds, the sound of freedom. 

I totally agree. It's so unfortunate that she doesn't perform more Honeymoon songs live.
 
And I love the Honeymoon account! The fact that she posted more things that weren't really "main account material" (personal) made it more special.