Liz Taylor Blues

DAMN (allusion to your name), that's real good tea.

this is the hottest tea on the whole board

I can't be the only one who is still amazed that Heroin exists...
Like, it's a real song... That we can listen to... With our ears... Omg...
 

I think LfL was a few different mini albums on top of each other so every song went with something but not with everything when we are used to cohesive works from Lana. Love and Lust for Life went with each other, 13 beaches, cherry, and white Mustang was a trio, SB. GL, and IMF suited each other, Coachella, GBA, WWWAWWKD were the political trio. BPBP and Tomorrow Never Came went with each other, and Heroin, Change, Get Free was the last trio. While I liked all of this I really hope on LDR6 Lana chooses one type of album and makes it a cohesive work, a concept album ideally.  END RANT

Imagine putting Godlymoon LAST

literally, lana can sing anything from any genre and it will still be lovely and unique

if those trite lyrics are staying i sure af hope it's not!

I​ know I will need Wonder Woman's Shield to fend off the hatred that is about to pour forth-
but instead of a younger wannabe singer, and,
after hearing her on the Elton John tribute album which reminded me,
 
it would be high time for Lana and Gaga to have a real duet, on a slow number not a fast number.
 
plus this second thought-
although Jack Aranoff makes every single song he does sound like Fun's We are Young song,
remember something-
although Dan did produce Ultraviolence, does everyone remember what he said in interviews-
something like "I mean, IT IS STILL Lana"  (and Lana did have a co-producer credit on it after all)
 
Now, am I also gonna need a lasso?
 
 
 

I think LfL was a few different mini albums on top of each other so every song went with something but not with everything when we are used to cohesive works from Lana. Love and Lust for Life went with each other, 13 beaches, cherry, and white Mustang was a trio, SB. GL, and IMF suited each other, Coachella, GBA, WWWAWWKD were the political trio. BPBP and Tomorrow Never Came went with each other, and Heroin, Change, Get Free was the last trio. While I liked all of this I really hope on LDR6 Lana chooses one type of album and makes it a cohesive work, a concept album ideally.  END RANT

At this point I am so desperate for new music I will take anything 

Heroin, The Blackest Day, Ultraviolence 

Rock music with big strings? Her whole discography will be shaking!

Imagine Lana working with Rob Cavallo (Green Day, My Chemical Romance, Eric Clapton) AND Emile Haynie. Like imagine how that would sound with those two combinations.

What makes us so sure she's working with Jack though? like apart from their pictures together.. it doesn't always mean it's for her album. Maybe she's just experimenting with him to see which producers she needs for LDR6? Also idk if i've asked this before but do we really think that she'll release an LP THIS year? It doesn't feel like it's gonna happen. We know how long Lana takes with dragging out her album pre release cycle... and at this point we don't even have a lead single or if Lana has even thought about releasing one

#NoMoreExtraLongSongTitlesPlease! 
Unless the songs serve justice,  like in Fucked My Way Up To The Top
 
In other news,  I could actually really cherish a mellow album of RBFY,  Yosemite,  Sylvia,  HIAB  and a few more,  so long as they don't blend into the same sound and just feel like an extension of Change and White Mustang in the end. 

this is the reason why I wish Lana would o side B's on her albums. Sometimes Lana's album outtakes end up being better than alot of the album tracks.

I'm with you 100% on her label not letting her have enough control over her music. I think her label is the reason why Coachella was put on LFL. I think her label is also the reason we didn't get the bar music video, instead we got the mess that is White Mustang. I also believe that's the case with the ultraviolence/freak video. At the end of the day the only people who know the whole truth about her label is Lana herself and the people at interscope. This isn't some conspiracy, her label probably just wants what's going to get the most sales, and I think Lana and her managers just want what's going to cause the least amount of controversy. 

It’s funny bc when High By The Beach came out I thought “I know this is a new song but it sounds like her old stuff, it sounds like an unreleased” and now I think the same about Happiness is a Butterfly

Coachella part 2 - Coachella 2017 in my mind

HIAB is my new crying song

I just realized Coachella is coming up
 
Coachella - Woodstock In My Mind (Reprise) incoming

Poor Arcadia is getting so many notifications 
 
Heroin, Cruel World, Brooklyn Baby 
 
I would love if she did an album that was part UV "rock" style like Cruel World, part hippie-stripped back rock/folk like Brooklyn Baby with a few songs with intricate/eerie production like Heroin.
 
(Bonus: The Blackest Day and Cherry)

For cute, feel-good tracks I honestly don’t mind if the lyrics are like Lust for Life. As long as it’s catchy and has a good melody. For ballads, something poetic like the opening lines of BPBP, the lyrics of Black Beauty, etc. I don’t necessarily want sadder/darker songs but I hope she continues putting out touching/heartfelt tracks. A lot of her unreleased songs have good storytelling with lighter themes.
 
Sound wise,
Nothing.
 
I hope LDR6 has an entirely different sound/vibe from her other albums. Just like how Born to Die is different from Honeymoon and Honeymoon from Ultraviolence, etc. I don’t want her to recreate Ultraviolence for that very reason. If she does do something more rock-oriented again, I hope it’s a different sub genre of rock or something. I also hope she ditches the modern production. I feel like it makes the songs sound less unique and a bit lifeless. It’d be cool if she worked with someone like Dev Hynes and wrote an album that incorporated elements from 70s/80s pop since her brand is basically all things vintage. I’m sure her and Dan Heath can make an album full of beautiful, grand ballads with classical instruments (I’d die if this happened). Working with Emile again for an entire album would not be a bad choice either. His sound matured so much since BTD. A tropical-sounding record like WFL would be perfect. She’s an absolute chameleon sonically, I really do think her music comes to life when she fuses it with the characteristic sound of other musicians. There’s like an infinite number of genres she can take on. I just hope she indulges in it completely instead of using small elements of it.
 
But my dream producer for a Lana record would probably be Oneohtrix Point Never
 
His stuff is mostly electronic but he can strip it down to make such beautiful ballads like this. Anything he makes with Lana would be a masterpiece

 
Edit:
It’s too early for this shit

idc read it you illiterate fat