daphnedinkley

next person who posts that camo jackoff gif is gonna be financially responsible for the vomit damage to my laptop 

White Whorte Forever

iiiiiiiimmm dreaaaaming.... of a whiiiiite hot 4evaaaa 

Pitchfork talking about backlash like they weren’t one of the biggest contributors of it, mmm hmmm.
 
Now giving her the #1 album, keep sucking up that ass peasants.

But I love that man Like no body can
He moves mountains and pounds them to ground again 
 

Let's not lie to ourselves I wanted to say that I hope we get another godly hoe track let's just be honest 

I just want the two country songs from the coalition event to have a studio version.

god her fashion is just...

Are you sure? I think she might actually be a demon. 

Can this church convert me from poor to rich, thanks

i'm sure one day she'll come back to your country with her very own show! then it'll be much cheaper. keep the hope 

my worst nightmare is lana going back to a doo-wop Lust For Life/Get Free/How To Disappear sound for this album, and i like all those songs lmao idk why i just feel like that sound is almost always cheesy and although i love those tracks i'd dread an entire album of it

i don't know why but i just find it soooooooo like... almost cringe?? i think it reminds me of when a new girl group comes out and their label tries REALLY hard to make them the NEXT BIG THING (but they always flop) and they always have at least one of these '50s/'60s inspired doo-wop tracks and they're always super corny and predictable and bleh. or like when female pop vocalists go thru a "vintage phase" (no shade to Xtina cause Candyman is a banger). maybe it just feels a little toooo much like playing dress up to me. 
that being said, i quite like LFL, definitely like Get Free and even like HTD despite its obvious flaws. but i feel like i've had my fill of that from lana now. but then maybe, as you said, if she went all-out with it, it could actually really work... something as intricate, groovy and perfectly produced as You Keep Me Hangin' On would be great, but if it's only some half-assed bells and a doo-wop beat with predictable backing vocals she can keep it
 
edit: i think that's my problem... how predictable these tracks tend to be, from anyone!

i'm here for this!

my worst nightmare is lana going back to a doo-wop Lust For Life/Get Free/How To Disappear sound for this album, and i like all those songs lmao idk why i just feel like that sound is almost always cheesy and although i love those tracks i'd dread an entire album of it

with a few exceptions (such as the amazing Hope... and a couple others) i hate how lazy lana's songwriting/lyricism has become. don't get me wrong, i know she's always had her moments and that's fine - a good song is a good song and sometimes it's more fun for music to be catchy and addictive and create an atmosphere than to act as a lyrical masterpiece. but still, there are so many songs that just make me wince because of how little effort i can tell was put into the lyrics.
 
take California for example - i have lots of problems with the track, but the lyrics are probably my biggest. "if you come back to america you should just hit me up" is just.... bland, low effort and sounds like something you might text to a friend. "faster than my fastest cars" is a horrible lyric that - and i'm sorry to be so negative - sounds like something a 9 year old boy who's obsessed with cars might write for an elementary school homework project. like... of ALL the things you could've written lana you choose to write that?? 
 
i also hate how she rhymes "mind" with "mind" on FIILY lmao. it's a minor nitpick but again, so lazy. The Greatest is one of my absolute favourite lana songs EVER and i'm so so so happy we have it, but i definitely hate how often she repeats the same lines because, i assume, she was too lazy and unbothered to try think anything else up.
 
however, this isn't a NFR exclusive thing at all. in fact, the title track, Hope, MAC, and a couple others i really really REALLY love lyrically. this album has some of her finest lyrical moments. this has been a bit of a theme with lana for a little while. just look at Freak - those lyrics are awful. lana has an abundance of songs with lazy writing. i just wish she'd refine her lyrical work a little more before recording i guess 

with a few exceptions (such as the amazing Hope... and a couple others) i hate how lazy lana's songwriting/lyricism has become. don't get me wrong, i know she's always had her moments and that's fine - a good song is a good song and sometimes it's more fun for music to be catchy and addictive and create an atmosphere than to act as a lyrical masterpiece. but still, there are so many songs that just make me wince because of how little effort i can tell was put into the lyrics.
 
take California for example - i have lots of problems with the track, but the lyrics are probably my biggest. "if you come back to america you should just hit me up" is just.... bland, low effort and sounds like something you might text to a friend. "faster than my fastest cars" is a horrible lyric that - and i'm sorry to be so negative - sounds like something a 9 year old boy who's obsessed with cars might write for an elementary school homework project. like... of ALL the things you could've written lana you choose to write that?? 
 
i also hate how she rhymes "mind" with "mind" on FIILY lmao. it's a minor nitpick but again, so lazy. The Greatest is one of my absolute favourite lana songs EVER and i'm so so so happy we have it, but i definitely hate how often she repeats the same lines because, i assume, she was too lazy and unbothered to try think anything else up.
 
however, this isn't a NFR exclusive thing at all. in fact, the title track, Hope, MAC, and a couple others i really really REALLY love lyrically. this album has some of her finest lyrical moments. this has been a bit of a theme with lana for a little while. just look at Freak - those lyrics are awful. lana has an abundance of songs with lazy writing. i just wish she'd refine her lyrical work a little more before recording i guess 

my worst nightmare is lana going back to a doo-wop Lust For Life/Get Free/How To Disappear sound for this album, and i like all those songs lmao idk why i just feel like that sound is almost always cheesy and although i love those tracks i'd dread an entire album of it

with a few exceptions (such as the amazing Hope... and a couple others) i hate how lazy lana's songwriting/lyricism has become. don't get me wrong, i know she's always had her moments and that's fine - a good song is a good song and sometimes it's more fun for music to be catchy and addictive and create an atmosphere than to act as a lyrical masterpiece. but still, there are so many songs that just make me wince because of how little effort i can tell was put into the lyrics.
 
take California for example - i have lots of problems with the track, but the lyrics are probably my biggest. "if you come back to america you should just hit me up" is just.... bland, low effort and sounds like something you might text to a friend. "faster than my fastest cars" is a horrible lyric that - and i'm sorry to be so negative - sounds like something a 9 year old boy who's obsessed with cars might write for an elementary school homework project. like... of ALL the things you could've written lana you choose to write that?? 
 
i also hate how she rhymes "mind" with "mind" on FIILY lmao. it's a minor nitpick but again, so lazy. The Greatest is one of my absolute favourite lana songs EVER and i'm so so so happy we have it, but i definitely hate how often she repeats the same lines because, i assume, she was too lazy and unbothered to try think anything else up.
 
however, this isn't a NFR exclusive thing at all. in fact, the title track, Hope, MAC, and a couple others i really really REALLY love lyrically. this album has some of her finest lyrical moments. this has been a bit of a theme with lana for a little while. just look at Freak - those lyrics are awful. lana has an abundance of songs with lazy writing. i just wish she'd refine her lyrical work a little more before recording i guess 

with a few exceptions (such as the amazing Hope... and a couple others) i hate how lazy lana's songwriting/lyricism has become. don't get me wrong, i know she's always had her moments and that's fine - a good song is a good song and sometimes it's more fun for music to be catchy and addictive and create an atmosphere than to act as a lyrical masterpiece. but still, there are so many songs that just make me wince because of how little effort i can tell was put into the lyrics.
 
take California for example - i have lots of problems with the track, but the lyrics are probably my biggest. "if you come back to america you should just hit me up" is just.... bland, low effort and sounds like something you might text to a friend. "faster than my fastest cars" is a horrible lyric that - and i'm sorry to be so negative - sounds like something a 9 year old boy who's obsessed with cars might write for an elementary school homework project. like... of ALL the things you could've written lana you choose to write that?? 
 
i also hate how she rhymes "mind" with "mind" on FIILY lmao. it's a minor nitpick but again, so lazy. The Greatest is one of my absolute favourite lana songs EVER and i'm so so so happy we have it, but i definitely hate how often she repeats the same lines because, i assume, she was too lazy and unbothered to try think anything else up.
 
however, this isn't a NFR exclusive thing at all. in fact, the title track, Hope, MAC, and a couple others i really really REALLY love lyrically. this album has some of her finest lyrical moments. this has been a bit of a theme with lana for a little while. just look at Freak - those lyrics are awful. lana has an abundance of songs with lazy writing. i just wish she'd refine her lyrical work a little more before recording i guess 

my worst nightmare is lana going back to a doo-wop Lust For Life/Get Free/How To Disappear sound for this album, and i like all those songs lmao idk why i just feel like that sound is almost always cheesy and although i love those tracks i'd dread an entire album of it

with a few exceptions (such as the amazing Hope... and a couple others) i hate how lazy lana's songwriting/lyricism has become. don't get me wrong, i know she's always had her moments and that's fine - a good song is a good song and sometimes it's more fun for music to be catchy and addictive and create an atmosphere than to act as a lyrical masterpiece. but still, there are so many songs that just make me wince because of how little effort i can tell was put into the lyrics.
 
take California for example - i have lots of problems with the track, but the lyrics are probably my biggest. "if you come back to america you should just hit me up" is just.... bland, low effort and sounds like something you might text to a friend. "faster than my fastest cars" is a horrible lyric that - and i'm sorry to be so negative - sounds like something a 9 year old boy who's obsessed with cars might write for an elementary school homework project. like... of ALL the things you could've written lana you choose to write that?? 
 
i also hate how she rhymes "mind" with "mind" on FIILY lmao. it's a minor nitpick but again, so lazy. The Greatest is one of my absolute favourite lana songs EVER and i'm so so so happy we have it, but i definitely hate how often she repeats the same lines because, i assume, she was too lazy and unbothered to try think anything else up.
 
however, this isn't a NFR exclusive thing at all. in fact, the title track, Hope, MAC, and a couple others i really really REALLY love lyrically. this album has some of her finest lyrical moments. this has been a bit of a theme with lana for a little while. just look at Freak - those lyrics are awful. lana has an abundance of songs with lazy writing. i just wish she'd refine her lyrical work a little more before recording i guess 

Sugar Venom you made this post just to spite me    Shades of Cool, Bel Air and her Heart Shaped Box cover are three of my favourite Lana moments EVER     
 
but i'm gonna saaaayy...
 
Bel Air vs The Greatest

my worst nightmare is lana going back to a doo-wop Lust For Life/Get Free/How To Disappear sound for this album, and i like all those songs lmao idk why i just feel like that sound is almost always cheesy and although i love those tracks i'd dread an entire album of it

Sugar Venom you made this post just to spite me    Shades of Cool, Bel Air and her Heart Shaped Box cover are three of my favourite Lana moments EVER     
 
but i'm gonna saaaayy...
 
Bel Air vs The Greatest