xlanax

Yall throwing in songs from the different albums which have completely different vibes from eachother saying you want that ‘Vibe’ has me cackling

The C2.0 - Party4U - Anthems - Visions sequence... Still shocked and scalped

The C2.0 - Party4U - Anthems - Visions sequence... Still shocked and scalped

so many delusions in this thread. get well soon everyone 

i love it when everyone starts describing what vibes they get from the album when we only know the title

The C2.0 - Party4U - Anthems - Visions sequence... Still shocked and scalped

It may be weird, but she did what Lana wouldn’t do with the Love music video.... which is give the gays the representation we deserve!
 
Charli truly is the best.

she served on jimmy omg

Forever grateful for the fact we have Waterfall in lossless quality...   

I don't understand why you would want her to be controversial just for the sake of it.

Tantrum too

just wondering- do people think NFR has aged so fast because of the actual music becoming a little dated in terms of sound, or because of the way streaming has made it so we constantly get bored of music that's just been released and want more? i feel like before the streaming era (2016 and earlier?) music lasted so much longer that we didn't complain about needing more from an artist that released an album just 6 months prior, we were more patient. maybe it's because it's easier to just upload music to spotify now, especially as there's an abundance of indie artists who don't need to go through the whole label process.

Don't forget that we're in the midst of a pandemic: people are bored af in their homes how else do you explain the drama of the last days lol So the demand for entertainment increased, while it seems barely anything is being released atm
Otherwise you're right. The instant access to whatever you want has made some people at least less patient. NFR hasn't really aged tho, it's still current af (the greatest e.g.)

The only way NFR has aged is deliciously like fine wine.

1. Ultraviolence/Honeymoon (can't decide, really Lana's peak)
2. NFR
And that's the TEA.
 
I see many of you saying that NFR is her most mainstream and commercial album when the whole BTD era and album were so so staged, so mainstream, so pop. And I'm not saying it in negative way, but that's facts. BTD is iconic and a good debut album but It's overrated for obvious reasons, it had a huge impact. LFL, well, exists but it gave us many classics. Paradise is an EP. And then Ultraviolence, Honeymoon and NFR are the Father, the Son and the Holy Spirit.

Say whatever you want but this album is one of her best. Top 3 with Ultraviolence and Honeymoon, a Lana classic by this time. What a hell of an album, love it and still loving after 1 year.

I don't understand why you would want her to be controversial just for the sake of it.

I don't understand why you would want her to be controversial just for the sake of it.

I don't understand why you would want her to be controversial just for the sake of it.

I don't understand why you would want her to be controversial just for the sake of it.

I don't understand why you would want her to be controversial just for the sake of it.

I don't understand why you would want her to be controversial just for the sake of it.

About the « safe » lyrics of NFR...
each one of her albums is a chapter in her life. BTD is end of teenage, UV is early 20, HM is end of 20 to 30, LFL is her 30’s life crisis and NFR is mid-30. She always sang about what she was living at the moment and each of her records feels personal on that matter. You can’t expect her to sing about being a cocained Lolita who wants a daddy anymore because that’s not who she is anymore: she is in her 30s and made it, and she is coming closer in age being a mother than to act like a teenage. The themes she explored on UV and BTD are probably gone. On NFR, she is the same person she was on BTD, only grown up. She is still unapologetic, but maybe not that auto destructive anymore (and about her being a « good girl », go back and listen to Gramma on AKA: you have the essence of LDR: a good girl who feels too much and who is tempted to give in her to her demons: on NFR, she kinda remembers that and is back at that place). NFR is the album that screams: take me as I am and fuck off if you don’t like it, maybe more so than the ones that came before it. The album feels extremely sincere and I don’t think she toned down anything to please the crowd. The only album that don’t feel 100% « authentic » is LFL: Some songs are heartfelt (13 Beaches, In My Feelings, Heroin, Change, Get Free), while some others are written from « other perspectives » and don’t feel as « sincere », in a way (BPBP, GBA...). Also, she stated that NFR was inspired by singer-songwriter vibes from Laurel Canyon, and it’s exactly that: sincere, emotional, minimal production, incredible storytelling. You couldn’t have UV lyrics on that kind of production and call it « Laurel Canyon inspired ». I don’t know if that inspiration was intentional form day one or if it came along the way.
I’m not sure what some here expect from her lyrics. To me, as long as the songs feel sincere and have beautiful imagery in the lyrics, they will be incredible LDR songs. I’m curious to hear what the last months brought to her lyricism, if we will feel her in a « raw » state of mind or not, especially knowing that the album was completed on a short period of time.

Guys, what did we learn? Lana knows what she's doing. Remember when we noticed her with Born to Die, and the she gave us UV and it was super shocking! After all of that, she gave us that "You can be a bad motherfucker, but that don't make you a man", and later Cherry, Heroin, Get Free. And after all when the world was saying "her sound is always the same", she showed up with Cinnamon Girl, Venice Bitch and California. 
 
OMG! I wanna cry now. She's just the best artist of our generation :`). COCC is going to be her best album.